Dying To Be Famous

On April Fools' Day, Ethan Reid builds me a crystal coffin, Liam Reid custom-designs a burial dress, and Julian Reid fills the bottom of the coffin with imported flowers. To satisfy their adopted sister, Alexandra Martin, who wants to pull an April Fools' prank, they tell me to spend the night in the coffin. "If you can handle spending the night in there and actually take a joke, we'll officially acknowledge you as part of the family," they say. I'm so desperate to belong that I put on the dress and climb in without hesitation. However, the second the lid locks, I realize there's no air coming in. As the oxygen runs out, I panic and start frantically pounding against the glass, screaming for help. On the other side of the lid, Alexandra goes live, laughing as she points her phone at me. "Look, everyone. She's such a great actress. She's holding her breath until her face is literally turning purple. Talk about staying in character!" Ethan looks down at me with disdain. "Cassie, knock it off! You just got in there, and you're already throwing a fit. Stop embarrassing us." The suffocation intensifies. My lungs feel like they're about to burst, and I can't even form the words to beg for help anymore. However, Liam merely sneers at me. "You're certainly going above and beyond for some attention." Julian leans in close to the glass, clapping and laughing. "This is hilarious. You're a total drama queen!" Then, I hear Ethan talking to the camera. "She does this every single time. She's a total buzzkill who loves playing the victim just because she can't stand seeing Alexandra happy. She always has to ruin everything." I stare at them through the glass in despair. I'm not faking it. I'm actually dying!

My father, Terence Locke, is covered in mud. He grabs my shoulders desperately, and his eyes are bloodshot. He says, "Emma, my company has gone bankrupt, and I accidentally killed a business rival. You have to run away with me." I believe him. Suppressing my fear, I follow him deep into the untouched mountains. To find food for him, I eat bugs and drink dirty water. When a pack of wolves closes in on our cave, my first instinct is to stand in front of him. "Dad, I'll lure them away. Run!" I look back at him one last time before finally making up my mind to trade my life for his. But after I leap off a seemingly bottomless cliff and fall to a pulp on the rocks below, I somehow "see" him inside a slowly descending helicopter. He is popping a bottle of champagne in celebration. At that moment, I finally understand everything. The whole desperate escape over the past few days that ultimately pushes me to sacrifice my life is nothing more than a reality show staged by him. He is merely putting on a performance, while I am truly dead...

A hell-recycle world within the modern world, designed for death or near-death individuals. With the greenhouse effect resulting in instability in hell, access to hell becomes restricted, and the game keeps the new souls busy while offering them a second chance to return to their lives before death, depending on their performance. A six-digit cash prize is awarded to the winning participants, with rewards ranging from reversed choices and time manipulation to wealth and more. The 100 Doors Challenge System was designed purposely for this world, to keep the growing audience (already existing souls) entertained. Chosen participants must die beautifully at each door. The fancier and more tragic the death, the higher the views. The story alternates between real-world broadcast control rooms, digital death arenas, and fragmented dreamlike worlds designed from Author Willa’s traumas, fears, and regrets and those of the participating ghosts. 100 Doors: Die Fabulously for the Audience. This story contains graphic adult themes, including explicit sexual content, psychological tension, dark humour, trauma, and scenes of coercion and moral ambiguity. It explores mature, disturbing, and emotionally intense situations within a fantasy-system setting. Reader discretion is strongly advised.

Mia D’Lorne thought heartbreak would kill her but getting hit by a car did the job faster. One second she’s running from the sound of her boyfriend and sister fornicating, the next she’s standing in front of an abandoned bus station in what looks like purgatory. The bus that picks her up looks like a prop in a horror movie and she’s introduced to the world of the Soul Recycle Program. To exist, she has to compete in a twisted afterlife show where the dead fight their way through nightmare worlds for the amusement of unknown and unseen spectators. The rules are simple. Survive or disappear for good. Mia is joined by two strangers who are just as broken as she is. Axel Rivers, who has been dead for almost a century, and Bree DeBois, a control freak paramedic with more guilt than she can carry. Together they try to survive the challenges of the game. As the trio do their best to keep from being erased, they begin to realize the Game is more personal than they imagined.

WARNING ️: this book may contain steamy and sexual content Which is strictly not for kids under 18. "Nathaan....." I screamed as I felt his huge cap at the entrance of my womanhood. Hello didn't give a damn about me as he pressed deeper into my wet pussy. My v walls pulsated around the root of his big cock while he kept pushing inside of me. " Pleaseeee Nathan, you're hard on meeeee" I managed to speak out trying to pull his hips away from mine, rather he retracted his hip and thrusted it dick fully, deeper, stretching me wider enough to accommodate his position. Nathan is a young, handsome, famous musician who lives happily single not until he was diagnosed with a terminal illness that made him bury his life in alcohol and sex. He believes that women are created for sex only and love comes with money. Not until he met a nurse, Eva meadows who isn't moved by his wealth or fame or even his physical looks but all she wishes for is to find true love, not the kind she had with Henry— her boyfriend. Now Eva works as Nathan's personal nurse, what neither of them expects is to fall in love. Not the kind that saves you—but the kind that changes you. He taught her how to feel. She taught him how to live. Now, as time slips away, they must face one impossible truth: Can you really learn to live… when you’re running out of time to love?

I was the greediest stand-in in high society, and my motto was simple. As long as cash kept coming, my dignity could take a back seat. For Frederick Jameson, I played the role of his obedient pet, so when his true love accused me of stealing her necklace, I just bowed and apologized. With Samuel York, I served as his lab rat, testing drugs meant for his sweetheart's condition until they left me with a bleeding ulcer. And for Theodore Xander, I acted as a scapegoat, getting pushed out to take the blame of extortion for his crush. They all assumed I was hopelessly in love with them, even forcing me to sign a confession at their joint engagement party. That was when the system's voice chimed in, "Host, the portal home is now open." I wiped the blood from my lips, splashed my wine into their faces, and grinned brightly. "Game over, losers!" Right in front of everyone, I leaped straight into the sea. Later, word spread that the three big shots scoured the entire ocean just to find my body.