After the protagonist gained a base of power, I found that the story stagnated for a while and went through some filler arcs. Most of the arcs followed the same basic pattern: another noble would get offended by the protagonist at a party and the protagonist would have to deal with the economic repercussions of the noble’s actions for 5 chapters or so. Then, there would be a random monster attack on the border where the protagonist’s knights would fight. These stories, for the most part, were just a slice-of-life in the world of a fantasy duke simulator. I was starting to worry that the story would just continue in this manner until the main conspiracy was brought up again. I wish that instead, new threats that were related to the protagonist’s transmigration would have been introduced. These could have been other world-hopping individuals or even entities that enforced the “story’s” timeline.
A rather interesting take on the burden of authorship. The Duke tries to change the story as it unfolds, ultimately becoming the author of a new and unpredictable story. It follows all the normal problems of any story: pacing, character motivation, unexpected plot holes. The Duke’s frequent frustration at the actions of his characters is akin to that of a writer whose characters refuse to do as they are told. This meta-commentary on story telling is an added layer to the film that allows people who write and create to relate to the Duke’s troubles.
This is a story about the tug-of-war between a character’s destiny and their own free will. Most of the time, the main character of this tug-of-war happens to be a stressed nobleman named Kaelen or his clever fiancee Elara or the exasperated steward Silas or even the confused rival Leopold. Every conversation, every alliance, every betrayal comes back to this central idea of the main character of the tug-of-war between their fixed roles and their ability to write in the margins of their fixed roles. Can they rewrite the entire book through their choices, big and small?
I truly don’t get why people care about this. I mean, is it original or adapted? Does it even matter? The comic stands on its own merit, the art is beautiful, the character designs are all very nicely done and the story itself is pretty engaging too. So, yes, gatekeep the comic and make sure everyone only enjoys it because they know all about the source material, I guess. But, for so many people reading this, the comic is a whole new story to them. They like it just as it is, and they wouldn’t be interested in reading the “source material” even if they knew what that was. The comic is a whole, complete work of art on its own.
The massive number of comments are wanting more of the story and the novel will def provide that for you guys. But, yeah, I kinda got distracted searching for the source material. Just enjoy the comic as is and when you read the novel, it’ll be a fun add-on. The comic team are doing an amazing job building the world visually. Let’s just enjoy this as it is. The comic is doing great and standing well in the villain-reincarnation genre regardless.