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Things Have Gotten Worse Since We Last Spoke

THIS BOOK IS BACK IN THE STABLE AT THE MOMENT. I WILL NOT BE WORKING ON THIS UNTIL MY OTHER STORY IS FINISHED. I am sorry for everyone who is invested in For Bitter Or Worse and promise to revisit the entire book when I start working on it again. Chased by horrific nightmares every full moon since turning eightteen and a wolf who tells her she will find out why when she finds her mate, Adriana is eager to go the annual European Wolf Games. She is sick of the secressy her wolf holds for her, tired of the sleepless nights. So when she's finally there and finds out some things about her heritage and she meets her mate, a powerful Alpha with backwards thinking and a deep hatred for witches and vampires. What will she do? Will she break free and find herself or will the Alpha get the best of her? **WARNING-This is a dark romance kind of novel attaining abuse, violence, death and all sorts of twisted things. If you don't like those kind of things this is not the novel for you.

51 Bab

His Heart Spoke Too Late

It has been 99 times that Henry and I have filed the application for divorce and then withdrawn it. Each time before finalizing the divorce, Henry always waits for me to humbly beg him to stay married. I turned down the offer to be the chief composer at a famous studio in Vienna because Henry didn't want a long-distance relationship. I deleted all my male friends because Henry didn't want me to be too friendly to them. I stopped wearing red lipstick, composing, and traveling alone, because he said married women should stay at home instead of being impulsive. Only after I finally manage to appease him will he allow me to withdraw the divorce application. After my 100th divorce application, as I was leaving, the deputy clerk asked me curiously: "So, when are you going to withdraw your application this time?" I looked at Henry's cold back in front of me, forced to smile with tears, and told myself in my heart— This time, there will be no withdrawal of the application. After the 30-day cooling-off period, we'll be officially divorced. But why did his love only find its voice when I had already walked away?

12 Bab

Things Slip Through

When a child mysteriously disappears from a small town and even his mother seems indifferent, it’s time for the new sheriff to step in. Meet Chris Baker, the new sheriff of the quiet Adirondack town of Clifton Heights. As one inexplicable case after another forces him to confront the townsfolk in The Skylark Diner, it’s the furtive Gavin Patchett that hands Chris a collection of not-so-fictional short stories that tumbles him into a world of monsters, ageless demons, and vengeful citizens. As Chris reads through the stories the veil starts to lift, and he soon questions what is real and what’s not, and whether he really wants to know. Nothing will ever be the same again. ©️ Crystal Lake Publishing

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25 Bab

All Things Lovely

Autumn Shade only wants one thing: to get away and live her own life. Tired of being forced by her father to take on the business, and follow in his steps, she leaves. She wanted to show her father that she was capable of making her own decisions and not screwing up. But just when she successfully leaves, she's caught up in another whirlwind which threatens to deem everything she'd known a lie.Justin Black and his friends see Autumn and they find that she was perfect for what they were planning, given that it was her father they wanted to take revenge on.Autumn learns a shocking truth about a scandal involving a murder and her father, and persistently denies it. But apparently they have proof.All Autumn wants to do is the right thing. If her father is innocent she gets to say 'I told you so' and if he's really a cheating murderer then she does what's right and gets out of this mess once and for all.But as usual, things get complicated. Actually, feelings get complicated, because the longer she stayed, the closer the broken boy held her.© 2020 by Everleigh Winters

65 Bab

Things You Need

The things we want are so very rarely the things we need. Clifton Heights, a modest Adirondack town, offers many unique attractions. Arcane Delights sells both paperbacks and hard-to-find limited editions. The Skylark Diner serves the best home-cooked meals around, with friendly service and a smile. Every August, Mr. Jingo’s County Fair visits, to the delight of children and adults. In essence, Clifton Heights is the quintessential small American town. Everyone knows everyone else, and everyone is treated like family. It is quiet, simple, and peaceful. But shadows linger here. Flitting in dark corners, from the corner of the eye. If you walk down Main Street after dark, the slight scrape of shoes on asphalt whispers you're not alone, but when you look over your shoulder, no one is there. The moon shines high and bright in the night sky, but instead of throwing light, it only seems to make the shadows lengthen. Children disappear. Teens run away. Hunters get lost in the woods with frightening regularity. Husbands go mad, and wives vanish in the dead of night. And still, when the sun rises in the morning, you are greeted by townspeople with warm waves and friendly smiles, and the shivers pass as everything seems fresh and new... Until night falls once more. Handy's Pawn and Thrift sits several blocks down from Arcane Delights. Like any thrift store, its wares range from the mundane to the bizarre. By daylight, it seems just another slice of small town Americana. But in its window hangs a sign which reads: We Have Things You Need. And when a lonely traveling salesman comes looking for something he desperately wants, after normal visiting hours, after night has fallen, he will face a harsh truth among the shelves of Handy’s Pawn and Thrift: the things we want are rarely the things we need. ©️ Crystal Lake Publishing

19 Bab

For Better or For Worse

Stella was a product of a domestic violence family. Watching her parent fight was an immense, heartbreaking, seasonal film, that resulted in a tragic end when her mother's life was cut short in one of their fatal fights. Getting married to Richard Jacob made a considerable difference from the one her parents had. It was blissful, peaceful, and full of Nirvana until Bella Jonathan walked into their lives. Their life took a drastic turn when Stella fell into a tricky trap, which was likely to tear her family apart or worse become a vast menace to her health. Overcoming the thorny phase in their union seems impossible as their source of difficulty kept amplifying and the chances of their marriage withstanding it was slim. In what case do you think it is advisable to stick to the vow of "For Better or Worse? Will Stella's marriage survive these hard times even though she's a marriage counselor?"

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58 Bab

How Does The Last Bear Differ From Other Climate Novels?

5 Jawaban2025-10-17 13:59:04

A big part of why 'The Last Bear' feels so different to me is how intimate it is—almost like somebody shrank a sweeping climate novel down to the size of a child's bedroom and filled it with Arctic light. I read it and felt the cold, the silence, and the weight of grief through April's eyes; the book is powered by a small, personal story rather than grand policy debates or technocratic solutions. Where novels like 'The Ministry for the Future' or even 'The Overstory' balloon into systems, timelines, and multiple viewpoints, 'The Last Bear' keeps its scope tight: a girl, a polar bear, and a handful of people in a fragile place. That focus makes the stakes feel immediate and human.

There’s also a gorgeous tenderness to the way it treats the animal protagonist. The bear isn't just a mascot for climate doom; it's a living, grieving creature that changes how April sees the world. The writing leans lyrical without being preachy, and the inclusion of Levi Pinfold’s illustrations (if you’ve seen them, you’ll know) grounds the story in visual wonder, which is rare among climate novels that often prefer prose-heavy approaches. It’s aimed at younger readers, but the emotional honesty hits adults just as hard.

Finally, I love the hope threaded through the book. It doesn’t pretend climate change is easy to fix, but it finds small, believable ways characters respond—care, community, activism on a human scale. That makes it feel like an invitation: you can grieve, you can act, and there can still be quiet, astonishing beauty along the way. It left me oddly uplifted and quietly furious in the best possible way.

Did Marvel Go Woke Go Broke With Its Last Three Movies?

5 Jawaban2025-10-17 05:42:24

that headline — 'went woke, went broke' — always makes me wince because it flattens a messy picture into a slogan. Social media loves a neat narrative: a studio adds more diverse characters or leans into broader themes, some vocal corners of fandom bristle, and suddenly you have a culture-war mantra. In reality, the last three Marvel releases felt like a mix of creative misfires, pandemic-shaped viewing habits, expensive experiments, and unpredictable market forces rather than a single ideological cause.

Box office is complicated now. Ticket prices, the rise of streaming windows, franchise fatigue, and timing (competition from other blockbusters, holiday slates, and global market challenges) all matter. Some of those films underperformed versus expectations, sure, but Marvel still moves enormous numbers across merchandising, Disney+ subscribers, and licensing. A movie can be criticized for its tone or storytelling and still make money through other channels; conversely, a movie can be praised by critics and falter commercially if marketing misses or word-of-mouth sputters. For me, the bigger takeaway is that audiences are picky: they want better scripts and fresher stakes, not just novelty in casting or messaging. I still love the spectacle and would rather see studios take risks than repeat the same beats — even when the risks don't always land, I appreciate ambition and nuance.

What Is The Meaning Of The Heart Is Deceitful Above All Things?

2 Jawaban2025-10-17 19:27:48

That line from 'Jeremiah 17:9' always hits like a nudge in the ribs — uncomfortable but useful. On the surface, it's saying something pretty stark: the heart (which in the original language covers feelings, desires, will, and thought) tends to lie to itself. 'Deceitful above all things' isn't just poetic flourish; it points to a pattern where what we most want to be true colors how we perceive reality. Translating that into everyday life, it explains why I can convince myself a project is on track when I'm actually procrastinating, or why I keep telling myself a relationship will change even when the evidence stacks up differently.

Thinking about it more deeply, I see two layers. One is a spiritual or moral layer many readers recognize: human nature often leans toward self-justification, rationalizing choices that comfort the ego. In that sense the verse nudges toward humility and accountability — you can't fully trust your internal compass without checks. The other layer is psychological and embarrassingly modern: cognitive biases, motivated reasoning, and confirmation bias. Social media amplifies this by giving us tailored feedback loops, so our hearts get reinforced in whatever direction they already favor.

So what do I do with that idea? I try to treat my inner voice like a friend who's easily swayed by wishful thinking. I journal to see patterns I miss in the moment, ask trusted people for honest takes, and set small, observable tests for my own claims (if I say I'll write daily, then track it). I also appreciate the verse because it gently pushes me towards practices that matter: confession or honest talk with others, therapy, intentional solitude, and habits that reveal reality. It's humbling without being hopeless; knowing my heart can deceive me opens the possibility of discovering greater truth, whether that's through prayer, reflection, or just the hard work of living honestly. That balance — humility plus practical steps — is where I find freedom, and it keeps me checking in with myself more often.

What Awards Did Last Stop On Market Street Win?

1 Jawaban2025-10-17 17:08:04

I get a little giddy talking about picture books, and 'Last Stop on Market Street' is one I never stop recommending. Written by Matt de la Peña and illustrated by Christian Robinson, it went on to collect some of the children’s lit world’s biggest honors. Most notably, the book won the 2016 Newbery Medal, which recognizes the most distinguished contribution to American literature for children. That’s a huge deal because the Newbery usually highlights exceptional writing, and Matt de la Peña’s warm, lyrical prose and the book’s themes of empathy and community clearly resonated with the committee.

On top of the Newbery, the book also earned a Caldecott Honor in 2016 for Christian Robinson’s artwork. While the Caldecott Medal goes to the most distinguished American picture book for illustration, Caldecott Honors are awarded to other outstanding illustrated books from the year, and Robinson’s vibrant, expressive collage-style art is a big part of why this story clicks so well with readers. Between the Newbery win for the text and the Caldecott Honor for the pictures, 'Last Stop on Market Street' is a rare picture book that earned top recognition for both its writing and its imagery.

Beyond those headline awards, the book picked up a ton of praise and recognition across the board: starred reviews in major journals, spots on year-end “best books” lists, and a steady presence in school and library programming. It became a favorite for read-alouds and classroom discussions because its themes—seeing beauty in everyday life, the importance of community, and intergenerational connection—translate so well to group settings. The story also won the hearts of many regional and state children’s choice awards and was frequently recommended by librarians and educators for its accessibility and depth.

What I love most is how the awards reflect what the book actually does on the page: it’s simple but profound, generous without being preachy, and the partnership between text and illustration feels seamless. It’s the kind of book that sticks with you after one read and gets richer the more you revisit it—so the recognition it received feels well deserved to me. If you haven’t read 'Last Stop on Market Street' lately (or ever), it’s still one of those joyful, quietly powerful picture books that rewards both kid readers and grown-ups.

Why Does The Billionaire'S Last Minute Bride Ending Divide Readers?

2 Jawaban2025-10-17 04:21:32

I'm split between admiration and eye-rolls when I think about the ending of 'The Billionaire's Last Minute Bride', and that split sums up why so many readers are divided. On one hand, the finale leans into classic romantic closure: big gestures, last-minute confessions, and an epilogue that promises domestic bliss. For readers who come for comfort, wish-fulfillment, and the satisfying wrap of a power-coupling trope, those beats land beautifully. I found myself smiling at the tidy scenes where emotional wounds are patched and characters finally speak plainly. There’s real catharsis in watching a guarded hero lower his defenses and a heroine claim stability after chaos — it scratches the itch that romance fans love to scratch, similar to why people adored the feel-good arcs in 'Bridgerton' or similar billionaires-in-love stories.

But then the finish also leans on contrivances that feel too convenient for others. The sudden revelations, the deus ex machina solutions, or a character flip from obstinate to repentant within two chapters — those elements make the ending feel rushed and unearned to readers who prize realistic character development. I can see why critics gripe that the story sweeps uncomfortable power imbalances under the rug. When one partner’s wealth and influence are central to plot resolution, the moral questions around consent and agency become louder. Some scenes read like wish-fulfillment written for the fantasy of rescue rather than a negotiated, mutual growth. That rubbed me the wrong way at times, because I'd wanted the heroine to demonstrate firmer autonomy in the final act instead of being primarily rescued.

Beyond craft, reader expectations play a huge role. Fans who were invested in the romance ship want the heartbeat of the relationship to be prioritized; they praise the emotional payoff. Readers who care about ethics, slow-burn realism, or cultural nuance feel betrayed by a glossed-over ending. Translation or editorial cuts can also intensify division — small lines that would explain motivations sometimes vanish, leaving motivation gaps. Add social media polarizing reactions and fanfic repairs, and you’ve got a storm of hot takes. Personally, I ended up appreciating the emotional closure while wishing for just a touch more time and honesty in the last chapters — it’s a satisfying read with some rough edges that I’m still mulling over.

Why Was The Author Last Seen Online Without Replying To Fans?

4 Jawaban2025-10-17 06:44:27

I get why people were buzzing — seeing an author active but not replying feels oddly personal, like being left on read by someone you care about. From where I sit, the most human explanation is overwhelm: authors often toggle online presence when juggling edits, deadlines, or last-minute requests from publishers. They can be logged in for a quick check of comments, set notifications to catch critical messages, and then get pulled into a two-hour edit sprint where replying becomes impossible.

Another thing I’ve seen is boundary-setting. A lot of creators learn the hard way that constant engagement burns them out, so they’ll pop online to drop an announcement or to keep their account alive but deliberately avoid responding to threads. Technical issues also happen — account glitches, notifications not popping, or messages buried under a flood of replies. And yes, life intrusions like family emergencies or travel can make someone appear active while actually being distracted.

Whatever the reason in this case, I lean toward patience: silence online doesn’t equal dismissal. I’ll keep supporting their work and trust they’ll reconnect when they can — it’s what I’d want if roles were reversed.

Where Can I Buy Merchandise For The Goodbye Things Series?

3 Jawaban2025-10-17 02:18:37

I get a little giddy when people ask about merch hunts, so here’s a sprawling map of places I’d check first for anything tied to the 'goodbye things series'. Start with the obvious: look for an official shop. If the series has a publisher, production company, or an official website or social feed, that’s the most direct route to legit goods, limited editions, and pre-orders. Official stores often have the best quality prints, enamel pins, artbooks, or special bundles, and they sometimes do worldwide shipping or list international retailers.

If the official channel doesn’t have much, move on to big online retailers and bookshops. Sites like Amazon, Barnes & Noble, Bookshop.org, or regional bookstore chains often carry tie-in merchandise or the book itself if the series is literary. For anime/manga-style items, check specialty shops like Right Stuf, Crunchyroll Store, CDJapan, AmiAmi, or Animate (they carry figures, CDs, and event-exclusive goods). Don’t forget secondhand markets like eBay, Mercari, or local used-book/collectible stores for out-of-print items.

For fan-driven merch and indie sellers, Etsy, Redbubble, Society6, and Teepublic are lifesavers. You’ll find prints, stickers, shirts, and sometimes creative takes that the official line never made. If you want something truly custom, use Printful or a local print shop for hoodies, posters, or badges. Finally, hunt in community hubs—Twitter/X, Reddit, Discord servers, and fan groups often swap leads about pop-up shops, doujin circles, and con-exclusive drops. I usually mix official buys with a few fan-made items to keep my collection interesting, and it always feels good to support creators directly when possible.

What Daily Habits Help People Do Hard Things Better?

5 Jawaban2025-10-17 17:07:20

I pick small fights with myself every morning—tiny wins pile up and make big tasks feel conquerable. My morning ritual looks like a sequence of tiny, almost ridiculous commitments: make the bed, thirty push-ups, a cold shower, then thirty minutes of focused work on whatever I’m avoiding. Breaking things into bite-sized, repeatable moves turned intimidating projects into a serial of checkpoints, and that’s where momentum comes from. Habit stacking—like writing for ten minutes right after coffee—made it so the hard part was deciding to start, and once started, my brain usually wanted to keep going. I stole a trick from 'Atomic Habits' and calibrated rewards: small, immediate pleasures after difficult bits so my brain learned to associate discomfort with payoff.

Outside the morning, I build friction against procrastination. Phone in another room, browser extensions that block time-sucking sites, and strict 50/10 Pomodoro cycles for deep work. But the secret sauce isn’t rigid discipline; it’s kindness with boundaries. If I hit a wall, I don’t punish myself—I take a deliberate 15-minute reset: stretch, drink water, jot a paragraph of what’s blocking me. That brief reflection clarifies whether I need tactics (chunking, delegating) or emotions (fear, boredom). Weekly reviews are sacred: Sunday night I scan wins, losses, and micro-adjust goals. That habit alone keeps projects from mutating into vague guilt.

Finally, daily habits that harden resilience: sleep like it’s a non-negotiable, move my body even if it’s a short walk, and write a brutally honest two-line journal—what I tried and what I learned. I also share progress with one person every week; external accountability turns fuzzy intentions into public promises. Over time, doing hard things becomes less about heroic surges and more about a rhythm where tiny, consistent choices stack into surprising strength. It’s not glamorous, but it works, and it still gives me a quiet little thrill when a big task finally folds into place.

Can Therapy Help Someone Learn To Do Hard Things?

5 Jawaban2025-10-17 20:23:14

Night after night I'd sit at my desk, convinced the next sentence would never come. I got into therapy because my avoidance had become a lifestyle: I’d binge, scroll, and tell myself I’d start 'tomorrow' on projects that actually mattered. Therapy didn’t magically make me brave overnight, but it did teach me how to break the impossible into doable bites. The first thing my clinician helped me with was creating tiny experiments—fifteen minutes of focused writing, a five-minute walk, a short call I’d been putting off. Those micro-commitments lowered the activation energy needed to begin.

Over time, therapy rewired how I think about failure and discomfort. A lot of the work was about tolerating the uncomfortable feelings that come with new challenges—heart racing, intrusive doubts, perfectionist rules—rather than trying to eliminate them. We used cognitive restructuring to spot catastrophic thoughts and behavioral activation to reintroduce meaningful action. Exposure techniques came into play when I had to face public readings; graded exposures (reading to a friend first, then a small group, then a café) were invaluable. Therapy also offered accountability without judgment: I’d report back, we’d troubleshoot what got in the way, and I’d leave with a plan. That structure turned vague intentions into habits.

It’s important to say therapy isn’t a superhero cape. Some things require practical training, mentorship, or medication alongside psychological work. Therapy helps with the internal barriers—shame, avoidance, unhelpful beliefs—that sabotage effort, but learning a hard skill still requires deliberate practice. I kept books like 'Atomic Habits' and 'The War of Art' on my shelf, not as silver bullets but as companions to the therapeutic process. What therapy gave me, honestly, was permission to be a messy, slow learner and a set of tools to keep showing up. Months in, I was finishing chapters I’d left for years, and even when I flopped, I flopped with new data and a plan. It hasn’t turned me into a fearless person, just a person who knows how to do hard things more often—and that’s been wildly freeing for me.

Who Is Directing THE LAST TRIBID Film Adaptation?

3 Jawaban2025-10-16 00:29:32

Wild news hit the forums and I couldn't help but grin — 'THE LAST TRIBID' is being directed by Neill Blomkamp. I’m pumped because his fingerprints are all over that kind of gritty, high-concept sci-fi with real-world texture.

I’ve been following his work since 'District 9', and what he brings is a fusion of social commentary and kinetic action: faux-documentary grit one moment, full-on spectacle the next. If you’ve seen 'Elysium' or 'Chappie', you know he balances visual invention with human stakes. For 'THE LAST TRIBID' that suggests practical creature effects mixed with heavy VFX, maybe handheld camera work for intimacy, and a score that underscores unease rather than just bombast.

Beyond style, I’m excited about what this means for the adaptation itself. Neill tends to respect source material’s themes while reframing them for modern audiences; expect changes that sharpen the social angle and deepen character conflict. I'm already imagining the creature design, the production design, and how he’ll stage big set pieces without losing emotional core. Honestly, this feels like the perfect director if you want a sci-fi that bites — I’m counting down to the trailer with way too much enthusiasm.

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