Who Is The Target Audience For 'Now What?: How To Move Forward When We'Re Divided'?

Stephen was getting hit by a shoe in the morning by his mother and his father shouting at him "When were you planning to tell us that you are engaged to this girl" "I told you I don't even know her, I met her yesterday while was on my way to work" "Excuse me you propose to me when I saved you from drowning 13 years ago," said Antonia "What?!? When did you drown?!?" said Eliza, Stephen's mother "look woman you got the wrong person," said Stephen frustratedly "Aren't you Stephen Brown?" "Yes" "And your 22 years old and your birthdate is March 16, am I right?" "Yes" "And you went to Vermont primary school in Vermont" "Yes" "Well, I don't think I got the wrong person, you are my fiancé" ‘Who is this girl? where did she come from? how did she know all these informations about me? and it seems like she knows even more than that. Why is this happening to me? It's too dang early for this’ thought Stephen

A hell-recycle world within the modern world, designed for death or near-death individuals. With the greenhouse effect resulting in instability in hell, access to hell becomes restricted, and the game keeps the new souls busy while offering them a second chance to return to their lives before death, depending on their performance. A six-digit cash prize is awarded to the winning participants, with rewards ranging from reversed choices and time manipulation to wealth and more. The 100 Doors Challenge System was designed purposely for this world, to keep the growing audience (already existing souls) entertained. Chosen participants must die beautifully at each door. The fancier and more tragic the death, the higher the views. The story alternates between real-world broadcast control rooms, digital death arenas, and fragmented dreamlike worlds designed from Author Willa’s traumas, fears, and regrets and those of the participating ghosts. 100 Doors: Die Fabulously for the Audience. This story contains graphic adult themes, including explicit sexual content, psychological tension, dark humour, trauma, and scenes of coercion and moral ambiguity. It explores mature, disturbing, and emotionally intense situations within a fantasy-system setting. Reader discretion is strongly advised.

What's worse than war? High school. At least for super-soldier Nyla Braun it is. Taken off the battlefield against her will, this Menhit must figure out life and love - and how to survive with kids her own age.

Have you ever dreaded living a lifeless life? If not, you probably don't know how excruciating such an existence is. That is what Rue Mallory's life. A life without a meaning. Imagine not wanting to wake up every morning but also not wanting to go to sleep at night. No will to work, excitement to spend, no friends' company to enjoy, and no reason to continue living. How would an eighteen-year old girl live that kind of life? Yes, her life is clearly depressing. That's exactly what you end up feeling without a phone purpose in life. She's alive but not living. There's a huge and deep difference between living, surviving, and being alive. She's not dead, but a ghost with a beating heart. But she wanted to feel alive, to feel what living is. She hoped, wished, prayed but it didn't work. She still remained lifeless. Not until, he came and introduce her what really living is.

Derek has led a hard life. He was always looked down upon, bullied, made to look weak. To make matters worse, he was kicked out of the family house after being falsely accused of doing something wrong. Just when he all thought this was the end, an unexpected twist turned his life around. ------------------ Sequel, Who's the loser 2: The Don of Townsville, continues this unique novel. As the heir to his empire, Derek now has an unlikely right-hand man, his cousin Charles Smith, working in the shadows as the Don of Townsville. A new threat looms to take down Derek, Charles and their families and friends. Can they work together to take down this threat?

On Christmas Eve, my father got the man I had secretly loved for ten years drunk and sent him to my bed. When I woke up the next morning, Roy pulled away from my attempt at a good-morning kiss. His voice was cold and distant as he agreed to marry me. After the wedding, Roy wasted no time submitting a transfer request. He took an overseas post and left. He did not return for five years. I gave birth to our daughter, Eve, alone and waited for him to come back home. When I heard that Roy had finally applied to return to a domestic position, I was overjoyed. I spent days preparing, imagining our first reunion as husband and wife. But even when the clock struck midnight, he still hadn't come home. Our daughter, ever so thoughtful, placed her most treasured possession—a photograph of Roy—into my hands. "Don't cry, Mommy," she said softly. "Look, Daddy's right here." I tried to convince myself that his absence was due to a delayed flight. But later that night, while watching the news, I saw him. He was on a crowded city street, holding a young girl in his arms. Beside him stood a woman, her smile soft and warm. Facing the camera, Roy said, "Being with them is my greatest wish." At that moment, something inside me broke. I wrote up the divorce papers, packed our things, and planned to take Eve to change her identity. I didn't want him anymore. The day before we left, a man I had never met came to see me. He was Roy's father. "You could call me Dad," he said, a faint smile playing on his lips. "But I'd rather you call me Ryan." I told him everything about the past five years—how I had waited, how I had hoped. When I finished, he laughed softly, an unusual warmth in his voice. "If it was just business," he said, "perhaps your father should have tied a bow around me and sent me to your bed instead. But I hold my liquor well—if I ever end up wrapped in a bow, you can be sure it's by choice."