What Things Should Be Included In Ya Fantasy Novel

I've been obsessed with YA fantasy novels ever since I stumbled upon 'Harry Potter' as a kid. These books are like a gateway to magical worlds where anything can happen, and they usually feature young protagonists discovering their powers or destinies. Think 'Percy Jackson' with its demigods or 'The Hunger Games' with its dystopian battles. The best part is how relatable the characters are—they deal with friendship, first love, and self-discovery while saving the world. The mix of adventure and emotion keeps me hooked, and I love how these stories often blend mythology, magic, and coming-of-age themes. YA fantasy is my escape when reality feels too dull.

Writing a YA fantasy novel feels like building a whole new world from scratch, but with emotions dialed up to eleven. The key is creating characters that teens can see themselves in—flawed, passionate, and constantly wrestling with identity. I always start with a core conflict that mirrors real adolescent struggles, like belonging or self-worth, but amplify it through magic or mythical stakes. In 'Shadow and Bone', Alina’s journey from outsider to Sun Summoner works because her powers externalize her insecurities. The best YA fantasy makes the fantastical feel personal. Worldbuilding should serve the story, not overwhelm it. I sketch just enough rules to make the magic system feel tangible—think 'The Hunger Games'’ arenas, where every detail reinforces the themes of control and rebellion. Pacing is crucial; chapters should end with micro-tensions to keep readers flipping pages. Dialogue needs to crackle with urgency, avoiding archaic language unless it’s integral (like 'A Darker Shade of Magic’s' Londons). The romance subplot, if included, must feel earned, not tacked-on—Peeta and Katniss’ bond grows from survival, not insta-love. Lastly, don’t shy from darkness. Teens crave stories that take their emotions seriously. 'Six of Crows’ heist plot works because the characters’ trauma fuels their choices without being edgy for edginess’ sake. Beta readers are gold—if they can’t picture your magic system or connect with your protagonist by chapter three, revise.

As someone who devours YA fantasy like it's my job, I've noticed most successful novels in this genre hit a sweet spot between 80,000 to 100,000 words. This length gives enough room for world-building without overwhelming readers. 'Six of Crows' by Leigh Bardugo sits comfortably in this range, balancing intricate plots with character development. Shorter than 70,000 words often feels rushed, especially for high fantasy needing elaborate magic systems. Some debut authors try to stay under 90K to appear less risky to publishers, while established writers like Sarah J. Maas regularly exceed 120K in later 'Throne of Glass' books. The key is ensuring every page advances either plot or character - no filler chapters just to hit word counts.

As someone who devours YA fantasy romance like it’s my lifeblood, I absolutely adore stories where love and magic collide. One standout is 'A Court of Thorns and Roses' by Sarah J. Maas—it’s got fierce heroines, swoon-worthy love interests, and a lush, dangerous world that pulls you in. The romance between Feyre and Rhysand is electric, and the series only gets better as it unfolds. Another favorite is 'Crescent City' by the same author, blending urban fantasy with a slow-burn romance that’s worth the wait. For something lighter but equally enchanting, 'The Cruel Prince' by Holly Black offers a enemies-to-lovers dynamic in a faerie court full of intrigue. If you prefer sci-fi twists, 'These Broken Stars' by Amie Kaufman and Meagan Spooner is a gorgeous blend of survival and romance in space. These books all weave fantasy elements seamlessly into their love stories, making them impossible to put down.

YA fantasy novels are this magical sweet spot where authors get to flex their creativity without drowning readers in a sea of words. I’ve noticed most fall between 60,000 to 90,000 words—enough to build a vivid world but short enough to keep the pacing snappy. Publishers often aim for this range because it’s digestible for teens while still feeling substantial. Longer series like 'Shadow and Bone' or 'Six of Crows' sometimes push past 100,000, but debut authors usually stick to tighter counts. It’s fascinating how the genre balances depth and brevity; every word has to pull its weight. World-building happens through sharp dialogue and lean descriptions rather than Tolkien-esque tangents. There’s also a practical side to this word count. YA readers often juggle school, hobbies, and social lives, so novels that respect their time thrive. Books like 'The Cruel Prince' or 'Children of Blood and Bone' prove you don’t need 500 pages to deliver complex characters and high stakes. Trends show standalone fantasies lean shorter (70k-ish), while trilogies expand later installments once readers are hooked. The best YA fantasies feel like sprinting through an enchanted forest—every turn reveals something new, but you never trip over unnecessary clutter.

I’ve always been drawn to young adult dystopian novels because they mix thrilling adventures with deep social commentary. These stories are set in dark, often oppressive futures where society has crumbled or been twisted by power. Think of worlds like 'The Hunger Games,' where kids fight to the death for entertainment, or 'Divergent,' where people are divided into factions that control their lives. The heroes are usually teens who rebel against the system, making it super relatable for younger readers. These books aren’t just about action—they explore big ideas like freedom, identity, and what it means to fight for change. I love how they make you think while keeping you on the edge of your seat.

I've always been drawn to YA fiction that blends romance with fantasy, creating those magical worlds where love feels even more epic. One of my absolute favorites is 'The Cruel Prince' by Holly Black. It's got everything—faeries, political intrigue, and a slow-burn romance that keeps you on the edge of your seat. The chemistry between Jude and Cardan is electric, and the way their relationship evolves from enemies to something more is pure perfection. Another great pick is 'A Court of Thorns and Roses' by Sarah J. Maas. The romance between Feyre and Tamlin (and later Rhysand) is intense, and the fantasy elements are richly detailed. If you're into something lighter but still packed with magic, 'Sorcery of Thorns' by Margaret Rogerson is a charming read with a sweet romance and a world where books literally come to life. These books all have that perfect mix of heart-pounding romance and fantastical adventures.

Adult fantasy worldbuilding often dives deeper into intricate political systems, moral ambiguity, and complex societal structures. I've noticed that books like 'The Name of the Wind' by Patrick Rothfuss or 'The Way of Kings' by Brandon Sanderson spend a lot of time crafting detailed histories, economies, and magic systems that feel almost scholarly. YA fantasy, on the other hand, tends to focus more on immediate emotional stakes and relatable coming-of-age themes. Think 'Shadow and Bone' by Leigh Bardugo—still rich in lore, but the world serves the protagonist's journey more than standing alone as a character itself. Adult fantasy isn't afraid to linger in the gray areas, exploring flawed civilizations or philosophies, while YA often simplifies conflicts for clearer heroism.