Where Can I Watch A Video Of Lirik I Started A Joke Cover?

Aku sering nyanyi-nyanyi sambil nyiapin kopi, dan kalau lagi pengin lirik penuh 'I Started a Joke' aku biasanya buka beberapa sumber supaya yakin kalau liriknya lengkap dan benar. Pertama, Genius (genius.com) biasanya rapi dan sering ada penjelasan baris demi baris dari komunitasnya—berguna kalau kamu penasaran arti liriknya. Kedua, Musixmatch (musixmatch.com) enak kalau kamu pengin lirik yang sinkron waktu denger di Spotify atau YouTube, dan kadang ada terjemahan Indonesia. Ketiga, AZLyrics (azlyrics.com) dan LyricsFreak (lyricsfreak.com) sering punya versi lengkap juga. Untuk versi resmi, cek halaman artis atau rilisan album di situs resmi Bee Gees atau liner notes album. Kalau kamu butuh terjemahan bahasa Indonesia, beberapa blog musik atau situs lirik lokal sering memasang terjemahan, tetapi kualitas terjemahannya bervariasi. Kalau mau mendukung musisi, pertimbangkan pakai layanan streaming yang menampilkan lirik atau beli sheet music—rasanya beda kalau pegang fisiknya sambil baca lirik. Semoga kamu nemu versi yang pas buat dinyanyiin di kamar atau dikirim ke teman!

I can get a little nerdy about 1960s songwriting, so this one is a favorite to unpack. The song 'I Started a Joke' is officially credited to Barry, Robin, and Maurice Gibb — the three Bee Gees brothers — and it was released in 1968 on the album 'Idea'. Even though the publishing credit lists all three, fans and music historians often point to Robin Gibb as the primary lyrical voice behind the piece. Robin himself has said in interviews that much of the lyric sprang from a stream-of-consciousness feeling he was having at the time, and that sense of odd, mournful detachment in the lines really matches his vocal delivery on the record. If you dig into interviews and biographies, you’ll find a couple of layers to the “why.” On one hand, the Gibbs wrote together frequently and shared melodies and ideas, so official crediting as a trio was normal practice for them. On the other hand, Robin later described writing the song out of a sort of late-night introspective mood — a surreal, almost dreamlike frame of mind where a small, private joke turned into something that felt tragic and misunderstood. That helps explain the lyrics’ ambiguity: they read like a personal confession, but also like an allegory about being out of step with the world, or the way small missteps can balloon into emotional fallout. Over the years people have projected all sorts of meanings onto it — from dark political readings to interpretations about depression — but there’s no definitive single-event origin that everyone agrees on. As a longtime record-buyer and someone who plays this on bad-mood days, what grabs me is how the brothers’ collaborative process turned that melancholy into something universally poignant. Barry’s sense of melody and production, Maurice’s arrangements, and Robin’s fragile-sounding lead all blended into this haunting, concise pop-ballad that feels bigger than the sum of its parts. That’s part of why the song stuck: it’s both specific (you can almost picture the narrator’s private regret) and open-ended enough for listeners to insert their own story. I love that it still surprises me: put 'I Started a Joke' on and people around you either go quiet or start humming along, because the tune lodges in your head while the words keep nudging at you afterward. If you haven’t listened to it in a while, try it with headphones and pay attention to the way the vocal sits in the mix — it’s like hearing someone confess a strange little truth in a room of soft instruments. It doesn’t answer the why completely, but it leaves you with a feeling, and sometimes that’s the point.

When I got pulled into a karaoke night with friends a few months ago and someone suggested 'I Started a Joke', I had to double-check the legality in my head mid-serenade — because it’s one thing to belt out a tune and another to unknowingly step on copyright toes. Speaking as someone in my mid-twenties who loves singing covers for fun, here’s the deal in everyday terms: singing a copyrighted song in a private setting (like your living room with friends) is usually fine. If it’s truly private and non-commercial, no formal permission is generally required. The tricky parts appear when the performance is public, recorded, broadcast, or you display the lyrics in a printed or digital format for others to copy or use. If you’re doing karaoke at a commercial venue — a bar, karaoke box, club, or a restaurant — most legitimate venues already pay blanket public performance licenses to performance rights organizations. In the U.S., that’s groups like ASCAP, BMI, or SESAC; in the UK it's PRS for Music; other countries have their own societies. These licenses cover live vocal performances of copyrighted works, so as a singer you’re usually cleared to perform 'I Started a Joke' on stage at a licensed venue without chasing down the songwriter yourself. But if you’re planning to stream the performance live on social media, post a video on YouTube, or display the lyrics on-screen in a commercial environment, that introduces other rights (synchronization rights for video, mechanical rights for reproduced music, and sometimes specific permissions for printed lyrics). Practical tips from someone who’s learned the hard way: pay attention to the source of your karaoke track. Use licensed karaoke services or well-known karaoke machines that explicitly state they have rights cleared. If the event is at a place you’re renting or organizing, ask whether they have public performance licenses. Don’t project or hand out printed lyrics from the internet — copying and distributing lyrics without permission is more likely to trigger infringement claims than just singing. And if you plan to upload a performance video, check the platform’s copyright tools and the song’s publisher policies; sometimes the platform handles rights and monetization automatically, sometimes it mutes or claims your video. Bottom line: sing it loud for your pals at a licensed spot or at home, but be more careful if the stage includes cameras, a paying audience, or printed lyrics for distribution. Personally, I love hearing that song at open mic nights — it always feels strangely bittersweet — and with the right setup I’d happily sing it again knowing the permissions are in place.

When I sit down at the piano and hum through 'I Started a Joke', I usually put it in G major because the simple open-voiced chords let the melody breathe and it's kind on most voices. Below is a practical, playable map you can use straight away — one chord per lyric line is a good place to start, and then you can add fills and passing tones once you know the shape. Verse (laid-back, one chord per line): G Em I started a joke, which started the whole world crying C D But I didn't see that the joke was on me, oh no G Em I started to cry, but the joke was on me C D I looked at the skies, running my hands over my eyes Pre-chorus / bridge-ish lines (give this a little lift with Em and Bm): Em Bm And I found that my life was the joke you wanted to play C D And I started to joke, which started the whole world crying Simple chord voicings I use: G (G-B-D), Em (E-G-B), C (C-E-G), D (D-F#-A), Bm (B-D-F#). For a more lush sound, swap G for Gmaj7 (G-B-D-F#) or Em for Em7 (E-G-B-D). If you want smoother bass motion, use D/F# (F#-A-D) leading into G. Technique tips and feel: keep your left hand on root or octave and play a soft rolling arpeggio (broken-chord pattern) while the right hand plays chord tones or the melody. For the line 'running my hands over my eyes' I soften, drop to single-note accompaniment (low G in left hand) and let the chord ring — that creates the fragile moment the song needs. Use pedal sparingly; clear arpeggios without wash tend to read better for the lyric. If the key is too low/high for your voice, transpose the whole chart up or down, or play a capo equivalent on guitar if you want to match a recording. Above all, experiment with adding small passing chords (like Em7 to Bm) and inversions (C/E) to connect lines more smoothly — those little changes are what make a piano rendition feel like a living cover rather than a chord-print. If you want, I can write the chords line-by-line with exact syllable placements or transpose the whole thing to a different key for your vocal range — tell me what range you’re in and I’ll tailor it.

Kalau aku lagi nyari lirik plus akord sebuah lagu lawas, biasanya aku mulai dari beberapa situs dan toko sheet music resmi dulu—jangan buru-buru ambil dari hasil pencarian acak kalau mau kualitas dan legalitas yang aman. Untuk 'I Started a Joke' kamu bisa cek situs-situs populer seperti Ultimate Guitar (tab/akord user-submitted), Chordify (yang menganalisa audio jadi akord otomatis), atau e-chords. Untuk lirik yang resmi, 'Genius' sering lengkap dan ada pembahasan, tapi kalau mau lembaran notasi resmi yang bisa diunduh dan dicetak, toko digital seperti Musicnotes, Sheet Music Plus, atau penerbit besar seperti Hal Leonard biasanya jual versi piano/guitar/lead sheet yang legal dan rapi. Aku sering beli satu-atau-dua lembar partitur dari Musicnotes kalau mau perform kecil-kecilan di kafe—print-nya bersih dan ada opsi transposisi otomatis di file digitalnya. Langkah praktis yang biasa kubuat: ketik di mesin pencari kata kunci yang jelas, misalnya "lirik 'I Started a Joke' + akord" atau kalau mau versi PDF tambahkan kata "sheet" atau "chords pdf". Di Ultimate Guitar perhatikan rating tab (votes) dan komentar—tab dengan rating tinggi cenderung lebih akurat. Di Chordify, kamu bisa upload versi rekaman atau sambungkan ke YouTube, lalu ia keluarkan versi akord yang lumayan rapi; ini sering membantu kalau belum nemu tab yang cocok. Kalau mau file resmi yang bisa diunduh untuk dimainkan live, cari di Musicnotes atau Sheet Music Plus—foto produk biasanya menunjukkan preview halaman sehingga kamu bisa memastikan formatnya cocok untuk gitar atau piano. Satu hal yang kerap kulewatkan tapi berguna: beda situs beda kualitas dan cara penulisan akord. Banyak tab user-submitted yang mengandung variasi atau simplifikasi; itu bukan selalu salah—kadang justru lebih nyaman dimainkan. Kalau mau seratus persen legal dan mendukung musisi, pilih versi berlisensi. Bila ingin offline, aplikasi seperti Ultimate Guitar dan Chordify punya mode offline atau fitur premium untuk menyimpan lagu. Untuk yang butuh cetakan cepat, ada juga beberapa blog musik atau forum komunitas yang menyediakan transkripsi pribadi (ingat selalu untuk menghormati hak cipta), dan komunitas di Reddit atau grup Facebook musik sering berbagi versi yang mudah dibaca. Praktik sederhana yang kuterapkan saat main: mainin dulu bersama rekaman aslinya untuk tahu feel dan tempo, gunakan capo untuk menyesuaikan kunci vokal tanpa repot transposisi, dan cek komentar tab sebelum mulai latihan. Kalau kamu mau, aku bisa bantu kasih trik transpose dan tunning capo berdasarkan range vokalmu—atau kalau mau rujukan link spesifik ke versi yang aman dan berbayar, bilang saja preferensi kamu (PDF resmi, tab gratis, atau tutorial video), aku akan tunjukkan opsi yang cocok. Selamat berburu dan semoga versi yang kamu dapat pas buat dinyanyiin bareng kopi sore!

I've spent too many late nights poring over old vinyl and playlists, and one little detail always pops up when we talk about 'I Started a Joke' — the original studio cut by the Bee Gees clocks in at roughly 3 minutes and 5 seconds (about 3:05) on most classic releases. That’s the running time you’ll see on many single pressings and on a lot of streaming services that use the original 1968 master from the album 'Idea'. It’s concise and heartbreakingly effective: under three and a half minutes but it leaves this giant hangover of melody and melancholy that lingers long after it stops. If you get picky about exact seconds, different pressings and reissues sometimes list slightly different runtimes — 3:04, 3:06, or occasionally 3:08 — usually because of differences in the silence at the start or end, or because of a remaster that trims or stretches fade-outs. Mono versus stereo mixes can also produce tiny timing differences. So if you're comparing a 1968 UK single, a US promo, and a modern remaster on your streaming app, don’t be surprised to see a second or two of variance. For the purist, check the matrix numbers on the vinyl or the metadata on a lossless rip; for casual listening, the 3:05 figure is a reliable shorthand. I still get a little thrill when that last line hits and the instruments quiet — it’s one of those songs where every second counts. If you’re tracking different versions for a playlist, I’d suggest grabbing the vinyl-mastered remaster if you want warmth, or the original single pressing if you want the exact historical cut; both will be right around that three-minute mark, and both are lovely in their own way.

I still get a little thrill when that melancholy guitar intro of 'I Started a Joke' kicks in, and over the years I’ve poked around trying to find translations for the lyrics because sometimes the words feel like they belong to another language anyway. From what I’ve dug up and learned the hard way, there aren’t many widely distributed, officially authorized translations floating around for public consumption. Translations of popular songs do exist, but they tend to be handled piecemeal: an official translated lyric might appear in the booklet for an international album pressing, in a licensed songbook, or as part of a cover release where the rights-holder has approved a translated adaptation. Those cases are relatively rare and usually tied to formal publishing or licensing channels rather than fan-compiled lyric sites. When I wanted a trustworthy version I checked a few places: official artist or label websites, licensed sheet-music retailers, and performance-rights organizations. Often the publisher controls translated lyrics because a translation is considered a derivative work and needs permission. If you see a neat Indonesian or Spanish version on some karaoke or lyrics site, chances are it’s a fan translation. That isn’t a bad thing for personal use—some are lovely and heartfelt—but it’s not the same as a version vetted and approved by whoever controls the Bee Gees’ catalog. If you need an authorized translation (for print, performance, or commercial use), the practical route is to contact the song’s publisher or the label listed on the original release; they handle licensing and can tell you whether an official translation exists or whether they’ll grant permission for one. For casual singing or understanding the song, I usually compare a few fan translations, then check literal translations with a quick dictionary or translator so I don’t lose the original’s tone. My final tip: if you ever find a translation credited to a licensed artist’s release or in an official songbook, treat that as the closest thing to an official version — otherwise, enjoy the many unofficial translations and remember they’re someone’s personal take on a classic line like “I started a joke, which started the whole world crying.” It still gets me every time.

I get a little giddy thinking about translating songs, so here’s how I’d tackle translating 'I Started a Joke' into Bahasa Indonesia in a way that keeps both meaning and feeling. First, I’d listen to the song a bunch of times and write down a literal, line-by-line gloss in my native Indonesian — not worrying about rhyme or meter, just capturing who’s speaking and what each image means. That gives me a base to work from. Next, I’d make a second pass where I shape those literal lines into natural Indonesian phrasing. For a melancholic, ambiguous song like 'I Started a Joke', I focus on preserving the speaker’s regret and the surreal, almost dreamlike images. That might mean swapping a literal word for a slightly different one that carries the same emotional weight in Indonesian — for example, choosing between 'menyesal' and 'rugi' depending on whether the line feels introspective or wry. After that, I’d test the lines against the melody: count syllables, move words around, and don’t be afraid to change line breaks so the phrasing breathes with the music. Finally, I ask a couple of friends to read it aloud and tell me what emotion they feel; translations are conversations, not commandments.