Is 'Who Goes There?' A Novel Or Short Story?

There are monsters in this world. And they used to be us. Now it's time to euthanize to survive in a hospice where Emily, a woman haunted by her past, only wants to do her job and be the best mother possible. Post-infection Chicago. Christmas. Inside The Hospice, Emily and her fellow nurses do their rounds. Here, men and women live out their final days in comfort, segregated from society, and are then humanely terminated before fate turns them into marrow-craving monsters known as ‘Smilers.’ Outside these imposing walls, rabid protesters swarm with signs, caught up in the heat of their hatred. Emily, a woman haunted by her past, only wants to do her job and be the best mother possible. But in a world where mortality means nothing, where guns are drawn in fear and nobody seems safe anymore – at what cost will this pursuit come? And through it all, the soon to be dead remain silent, ever smiling. Such is their curse. It won't be long before that snow-speckled ground will be salted by blood. ©️ Crystal Lake Publishing

A town with a strange past. A group of teenagers with secrets to hide. A world inside a box and a man who should no longer exist. Will they ever find out where they truly belong?

What happens when your life is just a lie? What happens when you finally find out that none of what you believe to be real is real? What if you met someone who made you question everything? And what happens when your life is nothing but a fiction carved by Mr. Fiction himself? "The truth is rarely pure and never simple." — Oscar Wilde. Disclaimer: this story touches on depression, losing someone, and facing reality instead of taking the easy way out. ( ( ( part of TBNB Series, this is the story of Clarabelle Summers's writers ))

Missing the last bus home shouldn’t have mattered. For Daniel Rogers, however, it’s about to matter a lot more. When Daniel is picked up by a stranger, Adrian Williams, while walking home one rainy night, he doesn’t think much of it. Polite, observant, and uncomfortably familiar, Adrian is a man Daniel can’t quite place. It’s supposed to end there, of course. But then Daniel meets Adrian again. And then again. Until Daniel realizes that these meetings aren’t quite so coincidental. Adrian doesn’t just see Daniel, Adrian understands Daniel. Too well, if you ask Daniel. As if Adrian knows Daniel’s deepest, darkest secrets, the ones Daniel keeps locked safely away from prying eyes. Caught up despite himself, Daniel finds himself opening up to Adrian, feeling something he hasn’t felt in years: seen, understood, desired. But Daniel can’t shake off the feeling that something is terribly wrong, that Adrian Williams, while not quite a stranger, is definitely not quite a friend. Is Daniel to walk away from something he doesn’t fully understand, or risk everything for someone who makes him feel like he’s found home? Some people don’t just show up by accident. They show up to stay.

The novel is mainly about the forgotten British poet/writer named C. J Richards who lived in Burma/Myanmar in colonial times and he believed himself as a Burmophile. He served as I.C.S (Indian Civil Servant) and when he retired from I.C.S service, he was a D.C (District Commissioner) and he left for England a year before Burma gained its independence in 1948. He came to Burma in 1920 to work in civil service after passing the hardest I.C.S examination. He wrote several books on Burma and contributed many monthly articles to Guardian Magazine published in Burma from 1953 to 1974 or 1975. Though he wrote several books which had much literary merit to both communities, Britain and Burma (Myanmar), people failed to recognize him. The story has two parts: one part is set in the contemporary Yangon (then called Rangoon) in 2016 context and a young literary enthusiast named “Lin” found out unexpectedly the forgotten writer’s poetry book and there is surely a good deal of time gap that led him into a quest to know more about the author’s life. The setting is quite different comparing to colonial Burma and independence Myanmar (Burma), early twentieth century and 2016 which is a transitional period in Myanmar. The writer’s life is fictionalized in the novel and most of the facts are taken from his personal stories and other reference books. It is a kind of historical novel with a twist and it has comparatively constructed the two different periods in Myanmar history to convince readers, locally and abroad more about history, authorship, humanity, colonialism, and transitional development in Myanmar today.

He knocked once. She opened the door. Nothing has been the same since. Maya has spent the last two years learning how to breathe again. After surviving a violent relationship that shattered her from the inside out, all she wants is silence. Safety. Control. But when a new tenant moves in next door, her carefully rebuilt life begins to unravel. Elias Graves is tall, quiet, and just out of prison. No past. No apologies. No promises. He doesn’t ask for anything. He just watches. And when Maya leaves her door unlocked one night, he walks in. What begins as a collision of need and heat quickly spirals into something darker, something Maya swore she would never want again. He gives her the pain she craves and the pleasure she hates herself for needing. But secrets live between their bodies, and some doors—once opened—won’t ever close again. This is not a love story. It’s a story about addiction. About survival. About surrendering to a man who might just ruin her… or finally teach her how to survive the fire.