Is 'Dragon Ball GT A Second GT' Considered Canon In The Series?

'Dragon Ball GT A Second GT' takes the foundation of the original 'GT' but spins it into a darker, more introspective saga. While the original had a playful tone with Goku's kid form and the Black Star Dragon Balls hunt, 'A Second GT' dives deeper into the consequences of unchecked power. The Shadow Dragons arc is expanded, with new variants of the dragons embodying deeper sins—greed isn’t just destructive; it corrupts souls. The fights aren’t just flashy; they’re psychological battles where characters confront their flaws. Visually, 'A Second GT' amps up the stakes with cinematic animation—think 'Super' but with GT’s grit. The ending isn’t a cheerful farewell; it’s bittersweet, leaving room for debate about Goku’s legacy. The original GT felt like an epilogue, but this reimagining feels like a necessary critique of the Dragon Ball world’s excesses.

The new villains in 'Dragon Ball GT A Second GT' are a fascinating mix of raw power and twisted ambition. Leading the pack is Omega Shenron, a fusion of all seven Shadow Dragons born from the overuse of the Dragon Balls. His sheer arrogance and god-like strength make him a nightmare for Goku and friends. Then there’s Dr. Myuu, a mad scientist who creates Baby—a parasitic Tuffle seeking revenge on Saiyans. Baby’s ability to possess bodies and amplify hatred makes him uniquely terrifying. The lesser-known but equally dangerous villains include General Rilldo, a machine mutant with metal-controlling powers, and Super 17, the deadly android fusion of Hell Fighter 17 and Android 17. Each villain represents a different kind of threat—Omega’s brute force, Baby’s psychological warfare, Rilldo’s technological dominance, and Super 17’s cold, calculated destruction. Unlike previous foes, these villains exploit the heroes’ past mistakes, like the Dragon Balls’ corruption or Dr. Gero’s old scheming, adding layers to their menace.

In 'Dragon Ball GT A Second GT', the transformations push beyond the limits seen in earlier arcs. Goku’s Super Saiyan 4 remains a standout, blending raw power with primal instincts—his furred, red-hued form exudes dominance. But the new material introduces subtle variations, like refined energy control that lets him maintain the state longer without fatigue. Vegeta’s version gets a tactical upgrade, emphasizing precision over brute force, making their teamwork against revived foes like Omega Shenron even deadlier. New characters also debut transformations. Uub’s latent potential unlocks a fusion of human ki and Majin energy, manifesting as a shadowy aura with erratic bursts of power. Pan experiments with partial Saiyan awakenings, her hair flickering gold mid-battle but not fully stabilizing, hinting at untapped growth. Even non-Saiyans like Piccolo undergo changes; his Namekian heritage evolves into a spectral ‘Elder Mode,’ trading physical bulk for illusory clones and regenerative mist. These twists keep the power scaling fresh while respecting the series’ roots.

As a longtime 'Dragon Ball' enthusiast, I’ve dug deep into this. 'Dragon Ball GT: A Second GT' isn’t an official release—it’s a fan-made project that surfaced around 2015, inspired by the original 'GT' series. Unlike Toei Animation’s works, it lacks a concrete release date because it’s a passion project, not a studio production. The original 'GT' aired from 1996 to 1997, but 'A Second GT' exists in a nebulous space, shared sporadically on forums and niche platforms. Its episodes drop unpredictably, fueled by creators’ free time rather than a schedule. For those craving more 'GT,' it’s a creative homage, but don’t expect corporate polish or timetables. What makes it intriguing is how it reimagines the 'GT' arc—stronger focus on Pan, wilder space adventures, and even a darker take on the Shadow Dragons. The animation quality varies wildly, blending hand-drawn scenes with rudimentary CGI. It’s a testament to fandom’s love, but without official backing, it’ll never have a premiere date like 'Super' or 'Z.'

In 'Dragon Ball GT', the concept of Super Saiyan 5 doesn’t officially exist—it’s purely fan-made. The series caps at Super Saiyan 4, a visually striking form with red fur and primal energy. Fans often debate hypothetical transformations, but GT’s lore sticks to its own rules. Super Saiyan 4’s design reflects a fusion of human and ape DNA, giving it a raw, beastly edge. The form’s limitations are clear: no further evolution occurs in the canon. That said, fan artists and writers love imagining what a Super Saiyan 5 might look like—usually with silver hair or cosmic auras. But GT’s creators never endorsed it. If you’re hoping for wilder transformations, the non-canal material like video games or fan comics might scratch that itch. For purists, though, Super Saiyan 4 remains GT’s pinnacle.

Let's be fair, the canon status of 'Dragon Ball GT' is not all that clear. The original creator of the Dragon Ball series, Akira Toriyama, didn't do much work on 'Dragon Ball GT'. Generally speaking, fans turn their noses up at it because it is noncannon - in part since it cannot be reconciled with shenlong and the general story as told in the original manga so far. On the other hand, there are some fans, as well as Toei Animation (the company behind the anime) and contrary that claim it is again usable as another continuity altogether although. To put it however you want, which side are you on?

However, it is generally thought that 'Dragon Ball GT' is not canon.For the most part, that is because Akira Toriyama was not involved as deeply with 'GT' as he was the original 'Dragon Ball' and 'Dragon Ball Z'. Still, there are cool elements and bad guys in 'GT plus super saiyan type opponents for so many fans to love! So while it isn't canon--it keeps up some distinct fun in the Dragon Ball world.

As someone who's devoured both series, 'This is Definitely Not Dragon Ball!!' absolutely feels like a love letter to 'Dragon Ball' wrapped in parody. The visual gags mirror iconic moments—like a protagonist doing push-ups to 'power up' instead of screaming for episodes. Character designs play with expectations too; the not-Goku wears a tracksuit instead of a gi, and the not-Vegeta obsesses over salad rather than pride. The humor lands because it understands 'Dragon Ball's tropes inside out. Fight scenes parody the endless charging sequences with absurd alternatives, like waiting for microwave popcorn between blows. The parody never feels mean-spirited, just an affectionate roast from a true fan.