Who Are The Main Antagonists In 'DC: Reborn As Zeus (Omniverse)'?

In 'DC: Reborn as Zeus (Omniverse)', the main antagonists are a mix of cosmic entities and classic DC villains twisted by the omniverse's chaos. Darkseid stands out as the primary threat, but this version is amplified by his connection to the Anti-Life Equation, which he wields like a god. His goal isn't just conquest—it's the erasure of free will across all realities. The Joker also appears as a wildcard, his madness dialed up to omniversal levels, making him unpredictable even to Zeus. Ares, the Greek god of war, plays a surprising role too, betraying Olympus to side with Darkseid for the promise of endless conflict. The story introduces new foes like the Shadow Pantheon, a group of fallen deities from forgotten myths who want to reclaim their dominance by devouring modern gods. Their powers are terrifyingly abstract—one can unravel time just by speaking. What makes these villains compelling is how they exploit the omniverse's instability, creating threats that even Zeus struggles to counter.

The antagonists in 'DC: Reborn as Zeus (Omniverse)' are layered like an onion, each more dangerous as you peel back their motives. At the surface level, you have Lex Luthor, who's traded his human ego for godlike arrogance after tapping into Source Wall fragments. His genius combined with stolen divine tech makes him a tactical nightmare—he doesn't fight Zeus head-on but manipulates entire civilizations into wars that drain Olympus's resources.

Deeper in, there's the Time Trapper, an entity that exists outside the omniverse. Unlike other villains, he doesn't want power—he wants to freeze all existence in a single moment forever. His manipulation of temporal paradoxes creates battles where Zeus must fight versions of himself from collapsed timelines. The most chilling part? The Trapper isn't evil—just indifferent, like a child tearing apart clockwork to see the gears.

The story's real masterstroke is how it reimagines Circe. Here, she's not just a sorceress but the last surviving Titan, hiding in human form. Her magic doesn't just transform people—it rewrites their destinies. When she turns Amazons into beasts, they don't just physically change; they become the monsters of legend, complete with centuries of imagined history. Her grudge against Zeus isn't personal—it's evolutionary, as she believes gods are just parasites on reality's flesh.

What ties these antagonists together is their refusal to fit traditional hero/villain dynamics. They aren't seeking thrones or destruction but are forces of nature with philosophies that challenge Zeus's very existence. The comic's art reinforces this—Darkseid's presence warps panels into jagged shapes, while the Time Trapper's scenes look like half-erased sketches.

Forget cookie-cutter bad guys—'DC: Reborn as Zeus (Omniverse)' delivers antagonists that redefine cosmic stakes. My personal favorite is the Black Racer, Death's avatar in the DC universe, now fused with the Speed Force. Imagine a grim reaper that doesn't just chase you—it outruns your soul. When Zeus tries to outpace death itself, the resulting battle cracks the sky into stained-glass shards of frozen time.

Then there's Eclipso, but not the gem-bound imp you know. This version is the shadow cast by the first murder in existence, grown sentient. It doesn't possess people—it amplifies their darkest impulse until civilizations crumble from within. In one arc, it turns Themyscira's peace into violent anarchy by convincing the Amazons their justice is hypocrisy.

The comic also introduces The Hollow, a void that feeds on divine belief. As gods fight, it grows stronger by absorbing humanity's fading faith. Its true horror? It isn't evil—just hungry. Zeus can't punch starvation. These villains work because they aren't obstacles to overcome but inevitable forces that force Zeus to question his role. Is he a ruler or a relic? The art style shifts when these antagonists appear—Eclipso's scenes look like oil paintings bleeding into ink, while The Hollow's presence turns panels into negative space.