What Are You Doing Now

The author of 'As We Are Now' is May Sarton, a Belgian-American writer who poured raw emotion into her works. This novel stands out as a haunting exploration of aging and isolation, written with the kind of honesty that makes you forget it’s fiction. Sarton’s background in poetry bleeds into her prose—every sentence feels deliberate, weighted. She didn’t just write books; she carved out slices of human experience, and this one’s no exception. It’s gritty, lyrical, and unflinchingly real, mirroring her own struggles with identity and solitude. What’s fascinating is how Sarton’s life echoes in the protagonist’s voice. She wrote this during a turbulent period, and you can feel the urgency in every page. The book’s not just a story; it’s a manifesto against society’s dismissal of the elderly. Sarton’s other works, like 'Journal of a Solitude,' follow similar themes, but 'As We Are Now' hits harder because it’s fiction with the soul of a memoir. It’s a testament to her ability to turn pain into something beautiful.

'As We Are Now' is a haunting exploration of aging and dignity, written with raw emotional power. The protagonist’s descent into neglect within a care facility feels uncomfortably real, her voice oscillating between defiance and despair. The prose is sparse but devastating, stripping away illusions to reveal the fragility of human respect. What lingers isn’t just the injustice but the quiet moments of solidarity—a nurse’s kindness, a fellow resident’s whispered secret. The novel doesn’t offer easy resolutions, leaving readers to grapple with its bleak yet necessary truths. The setting itself becomes a character: peeling wallpaper, stale air, and the oppressive weight of routine mirroring the protagonist’s eroding autonomy. Critics praise its unflinching honesty, though some find the tone unrelentingly grim. Yet that grimness serves a purpose—it’s a mirror held up to societal indifference. The book’s brilliance lies in how it transforms personal suffering into a universal indictment, making it impossible to look away.

The ending of 'As We As Now' is a haunting culmination of Caro Spencer's struggle against the dehumanizing conditions of the nursing home. After enduring neglect and abuse, she makes a final, defiant act—burning down the institution with herself inside. It's a tragic yet empowered choice, her only means of reclaiming control. The fire symbolizes both destruction and purification, a stark critique of how society discards the elderly. The novel closes with chilling ambiguity. Some interpret her diary—the very narrative we’ve read—as evidence her story might survive. Others see the flames as silencing her forever. What lingers is her voice: sharp, witty, and unbroken until the end. It’s less about the act itself than what it reveals—how systemic cruelty can corner someone into such desperation.

I’ve always been fascinated by the spiritual depth of 'Be Here Now', and digging into its origins feels like unraveling a piece of counterculture history. The book was written by Ram Dass, a name that carries immense weight in the world of spiritual literature. Before he became Ram Dass, he was Richard Alpert, a Harvard psychologist who, alongside Timothy Leary, explored the transformative potential of psychedelics in the 1960s. His journey took a radical turn after meeting the Indian guru Neem Karoli Baba, who reshaped his understanding of consciousness and love. 'Be Here Now' isn’t just a book; it’s a manual for awakening, blending psychedelic insights with Eastern philosophy in a way that feels both chaotic and profoundly grounding. The handwritten text, whimsical illustrations, and fragmented structure make it feel like you’re holding a sacred artifact from the hippie era. Ram Dass’s voice in the book is raw and unfiltered, like a friend whispering secrets across a campfire. He doesn’t preach; he shares his stumbles and epiphanies with such vulnerability that it’s impossible not to feel connected. The book’s title itself—'Be Here Now'—captures the essence of his teaching: a call to presence that’s as simple as it is elusive. What’s remarkable is how the book bypasses intellectual pretension. It’s filled with playful doodles, abrupt shifts in tone, and even practical guides for meditation and yoga, making spirituality feel accessible rather than esoteric. Ram Dass’s legacy extends far beyond the pages, though. His later work, like 'Polishing the Mirror', and his podcast lectures continue to ripple through modern spiritual circles. 'Be Here Now' wasn’t just a product of its time; it became a timeless bridge between Eastern wisdom and Western seekers, and Ram Dass’s humility in admitting his own imperfections makes his authority feel human, not hierarchical.

'What I Know Now' is a touching song by 'They Don't Know About Us'. The lyrics depict the singer reflecting on past experiences, expressing regret over not utilizing the wisdom they possess now in the past. It's replete with nostalgic sentiments; poignant and heartfelt, the lyrics sure ring a bell!

The deaths in 'How I Live Now' hit hard because they feel so real and sudden. Daisy's cousin Isaac dies early in the story when the war breaks out—a quiet, artistic kid who didn't deserve it. Then Piper, the youngest, vanishes during their escape, presumed dead, which guts Daisy emotionally. But the most brutal loss is Edmond, Daisy's love. He sacrifices himself to save her during a bombing, leaving her shattered. The book doesn't glorify war deaths; they're messy, unfair, and leave permanent scars. It's why the story sticks with readers—it captures how conflict steals innocence without warning.

I remember the controversy around 'How I Live Now' like it was yesterday. The book got banned in several school districts because of its raw portrayal of war and teenage sexuality. Some parents and educators freaked out over the graphic scenes where the protagonist, Daisy, experiences the brutal realities of war firsthand, including violence and survival instincts kicking in. The romantic relationship between Daisy and her cousin also stirred up a hornet's nest—people called it inappropriate due to the incestuous undertones, even though the book handles it with nuance. Censors couldn’t stomach the unflinching way it shows a teen’s descent into chaos, both emotionally and physically. What’s ironic is that these elements are precisely what make the story so gripping and authentic. If you want a book that doesn’t sugarcoat adolescence or war, this one’s a punch to the gut.

Tanya Flanders has been making waves in the indie game development scene lately. After her amazing work on 'Ember's Journey,' she’s focused on creating immersive storytelling experiences. I follow her on social media, and she shares behind-the-scenes of her projects and her passion for blending art and gameplay. It’s so inspiring to see her journey and creativity unfold!