BLOOD AND VOW
--- CHAPTER TWO TERMS OF PEACE “Power doesn’t ask permission. It makes demands.” --- Emilia sat across from Alessio in a room full of enemies pretending to be allies. Right now, she's holding herself from snapping the head of this motherfuckers sitting across the table. The table between them was long, polished, and empty—except for a single folder. Inside were the terms. Marriage contract. Asset clauses. Conditions. All dressed up in clean legal language to make it look civilized. It wasn’t. This was a blood deal. Alessio didn’t speak. He just watched her with that same unreadable expression. Like he was trying to decide whether to argue with her or eliminate her. Don Salvatore Moretti cleared his throat. “You’ll keep your family name. Publicly, at least.” “How generous,” Emilia said, voice like ice. “There will be joint control over neutral territories,” her uncle added. “The church wedding is next month. Press and politics will be handled discreetly.” “And the funeral?” she snapped. Silence. Alessio leaned forward, eyes steady. “It will be done with respect. No cameras. No stage.” “That’s what you think I care about?” she said. “Respect?” He didn’t blink. “I think you care about power. And this is how you keep it.” --- Later, Rosa found her alone in the greenhouse. The air was damp and thick with lavender and decay. “You going to sign it?” Rosa asked. Emilia didn’t answer. “I know you hate him,” Rosa said. “But you’ll survive this. You always do.” Emilia stared through the glass at the storm clouds rolling in. “This isn’t survival,” she said. “This is surrender.” “No,” Rosa said gently. “This is strategy.” --- That night, she signed the contract. Not for peace. Not for family. For control. If they were going to use her name, her body, her life—she’d make damn sure they couldn’t control her soul. --- STRANGERS WITH GUNS “Marriage built on lies is still binding in blood.” --- The first time Emilia set foot in the Moretti estate, she wore black. Not for mourning. For war. Two SUVs escorted her through the gates. Every guard she passed stared too long. Like they didn’t know if they should salute her or search her. Inside, everything smelled expensive—leather, tobacco, silence. The kind of silence that only comes from money and the promise of violence. Alessio met her in the grand hall. He wore a crisp suit and a colder expression. No smile. No welcome. Just a nod. “This is your house now,” he said. “It’s not a house,” she replied, eyes sweeping the marble, the chandeliers, the armed guards. “It’s a mausoleum.” His mouth twitched like he almost smiled. “You'll fit in perfectly.” --- Her room was three doors down from his. Not connected. Not shared. There was no talk of honeymoon or affection. Only territory, image, alliances. He laid out the rules that night over a glass of bourbon in the library. “No public drama,” he said. “You smile when the cameras flash. You don’t talk to the press. You don’t touch anything without clearing it with me.” Emilia sipped her wine. “Is that your idea of foreplay?” He looked at her then. Really looked. And something shifted in his gaze. Interest. Annoyance. Hunger. She couldn’t tell. “You think this is a game,” he said. “No,” she replied, voice cool. “I think you’re underestimating your bride.” --- She found the hidden gun in her nightstand before midnight. A message, not a gift. Loaded. Safety off. She slid it under her pillow and didn’t sleep. --CHAPTER FIFTYTHE ENDING WE CHOSE (PART II)“The best stories don’t end when the violence stops. They end when the ones who survived finally allow themselves to live.”The days stretched longer now. In Palermo, summer was creeping in with the scent of sea salt and lemons, and Bianca had come to love how the sun hit the café windows just before 7 a.m. The light wasn’t sharp. It was golden, like honey dripping over the stone floors and warm wood tables. The walls inside were whitewashed, the old beams above exposed. On the left, near the counter, a faded frame held a single photograph: Emilia on the hood of a car, laughing, middle finger up, cigarette in her teeth. Below it, a small brass plaque read: “She chose us. So we could choose something else.”The café, Rina’s, had grown into something none of them planned. At first, it was just a front—a quiet place where four survivors could anchor themselves after tearing open the bones of the past. But then neighbors started coming. First ou
CHAPTER FOURTY-NINETHE ENDING WE CHOSE (PART I)“There is no silence without someone choosing not to speak.”The sun over Vienna didn’t rise—it revealed. The way light slips between ancient stones, over copper gutters, across rooftops that had watched two world wars and thousands of quiet betrayals, always listening, never intervening. Alessio stood on the roof of the holding house, coat zipped to his throat, hands in his pockets. Below him, the city woke without knowing what had almost happened. People poured coffee. Children cried. Streetcars hummed. Life, utterly unbothered.Behind him, the door creaked.Bianca stepped onto the roof, scarf loose around her neck, eyes red but dry. Neither of them had slept. After the Austrian vault fell, the shockwave wasn’t physical. No explosion. No electromagnetic pulse. No headline. But something lifted—something buried so deep in the collective mind that when it left, the world took a breath it didn’t know it had been holding. The other vaults
---CHAPTER FOURTY EIGHT WE ARE THE ARCHIVE“They thought they built vaults to hold memory. But memory always needed bodies.”The air in the vault turned warm, like breath exhaled through old lungs. The stone beneath Alessio’s boots wasn’t just floor anymore—it pulsed, faintly, rhythmically, like something ancient had aligned itself with the beat of his heart. He holstered his weapon slowly. Matteo was gone—reduced to ash that didn’t smoke, didn’t drift. It just settled, like dust from a burned history book. No scream. No warning. Just the end of a man who wasn’t a man anymore.Bianca dropped to one knee beside the shattered remains of the chair. She reached down, brushed her fingertips over the remains. They were warm. Alive, somehow. Not residue from a life lost—but fragments of memory still being held.Sofia scanned the open floor beneath them. The section where Matteo had sat was no longer solid. A perfect circle of stone had retracted, revealing not a staircase or tunnel—but a v
CHAPTER FOURTY-SEVEN ALL THAT WE BURIED “The deeper you dig into the past, the more it starts digging back.” The mountains rose like broken teeth from the Austrian horizon, white-capped and indifferent. They held no memory of blood, no record of names. Snow covered every ruin eventually. But buried beneath the southern slope of what the locals called Todesspitze—Death Peak—was a structure that predated the Cold War, the Reich, the Empire before it. No markers. No flags. Just the hum beneath the ground, faint and rhythmic, like a second heartbeat waiting to be acknowledged. Alessio sat in the rear of the modified transport van as they climbed the narrow mountain path. A three-man team from Sofia’s personal network drove ahead in a decoy vehicle. They didn’t know the mission. Just that the people inside the main van carried something older than bullets and more dangerous than explosives: memory that refused to stay buried. Bianca sat across from him, gloves on, eyes locked on t
CHAPTER FORTY-SIX THE ONES WHO WATCHED IT HAPPEN “The worst kind of witness isn’t the one who speaks after the crime. It’s the one who knew it was coming and stayed silent.” The room was colder than when they left it. That was the first thing Bianca noticed. No change in temperature on paper. No obvious shift in the thermostat. But the air had changed. Heavier. Stiller. As if the oxygen had stopped circulating the moment they found the body in the Istanbul vault. As if the vault had not sealed, but exhaled something that still lingered in their lungs. Back inside the house, their boots left faint imprints on the marble that hadn’t been there before. The dust was disturbed—not by footsteps that came in through a door, but by something that had been there already. The kind of presence that doesn’t enter from outside, but simply waits for the right silence to step forward. Sofia noticed first. Her hand twitched toward the weapon at her side. Alessio simply stopped walking. No or
--- CHAPTER FORTY-FIVE WHAT THE SILENCE COVERED “Not everything buried was meant to be found. Some things were buried to keep the living from becoming worse than the dead.” The plane touched down in Istanbul just after midnight. No official manifest. No customs. No one waiting. Alessio, Bianca, Sofia, and Rosa stepped onto the tarmac wearing plain black coats, faces clean, no weapons in hand—but every one of them carried the weight of the last vault under their skin. Tomaso stayed behind to lock down the estate. Someone had to keep the fire lit in case they didn’t come back. The van waiting at the edge of the runway had no plates. A driver sat in the front seat, face hidden beneath a gray cap, no words spoken. When Alessio opened the side door, he found a folder waiting on the seat. Inside—coordinates, a skeletal map of the Old City, and a list of known “anomalies.” That was the word used. Not threats. Not traps. Anomalies. As if they weren’t heading into danger, but into som