LOGINI don't know how long we both stayed crouched.
Long enough for the fluorescent light above us to flicker into a slightly different shade of bureaucratic white. Long enough for my ribs to remind me that crouching was, in fact, a thing I wasn't cleared for. Long enough for the sticky note to sit on the floor between us like a small, polite bomb.
He moved first.
He picked up the note. Slowly. Like he was giving me exactly enough time to look at it again, or to look at him, or to do neither of both. Then he folded it once and slid it into the front pocket of his white coat. The pocket that said Cedars-Sinai, Department of Surgery. The pocket where a man's wallet and a folded piece of paper and a small cracked piece of his dignity all sat together.
He stood. I stood. We were very close. He didn't step back.
"I'll see you out," he said.
"Okay."
He didn't say sorry. He didn't say forget you saw that. He didn't say anything at all. He just gestured at the door and I walked through it because my body has only one setting in these situations, which is follow the man and overthink later.
The hallway was quiet in the way hospitals are quiet when something is happening that everyone is politely ignoring. Two nurses at the station looked up when we came out. Looked back down. Looked back up. Then at each other. The universal L.A. hospital sign language for we are going to talk about this in the break room in about thirty seconds.
Aiden kept walking. I kept walking. Our footsteps made different sounds against the linoleum. Mine was the soft tap of sneakers that were not made for this. His was the quiet thud of shoes that probably cost more than my rent. We didn't talk. The silence was loud enough to have a weather forecast.
He stopped in front of the elevator. Pressed the button for me. Didn't look at me.
"Dr. Black"
"Ms. Park."
"The note."
"Don't."
He looked at me then. Not at my chart. Not at my file. Not at any part of me that was clinical. He looked at me, and for the first time since I'd met him, his expression was doing something I couldn't file. Annoyed? Embarrassed? Tired in a way that wasn't about his shift?
The elevator doors opened.
"Thank you for the appointment," I said, because that was the only thing a person could say when their brain was already halfway home drafting a seven-page text to Sophie.
"You're welcome."
The doors closed.
He stood there in the hallway. I watched through the gap as it shrank. He didn't move.
I think he ran his hand through his hair once, but I can't be sure, because the doors shut.
The lobby was bright and loud compared to the fourth floor. Tourists arguing about where the gift shop was. A guy in a Dodgers cap yelling into his phone about a flight. A small child screaming his opinion about a lollipop.
I stepped outside.
The L.A. sun hit me like an oven door opening. Ninety-two degrees. The kind of clean, dry warmth that makes you remember why everyone in this city is so weirdly tan. I squinted. The parking garage was fifty feet away. The walk felt long because I was moving slow, partly because of my ribs and partly because my entire brain was buffering.
I had almost made it to the crosswalk when I heard his voice.
"Ms. Park."
I turned.
He was standing in the doorway of the building. Still in scrubs. Still in his white coat. Still holding the door open for someone behind him, except there was no one behind him. Just air. Just him, holding the door open, looking at me like he hadn't meant to call out but had anyway.
I walked back. He didn't move. He just looked at me for a second too long.
"What are you doing for your birthday?"
"My birthday?"
"Yes, tomorrow."
It was tomorrow. It was literally tomorrow. October fourth. I had forgotten. I had completely forgotten my own birthday because I had been busy almost dying and then being professionally unbothered by a tall man with good bone structure.
My mouth went dry. My brain sent me a text that just said DO NOT SAY ANYTHING STUPID.
"Nothing," I said.
He blinked. "Nothing?"
"Nothing. Lying around. Watching something. Eating ice cream. Standard almost-thirty stuff."
He didn't say anything for a second.
Then he looked away. Looked back. His jaw did the thing.
"Don't," he said.
"I'm sorry"
"Don't do nothing."
And he turned. And walked back inside. And the glass door closed behind him. Just like that. Like he hadn't just broken every professional rule there was, and I wasn't standing on a Los Angeles sidewalk trying to remember what year it was.
I got home.
My apartment in Koreatown was on the second floor of a building with a creaky stairwell and a neighbor who played cello at odd hours. I dropped my bag on the floor, my keys on the counter, and myself onto the couch.
I didn't move for ten minutes.
Then I picked up my phone and called Sophie.
"TELL ME EVERYTHING."
"He..."
"DON'T YOU DARE SKIP A DETAIL. Was he there? Was he hot? Did you faint?"
"He was there."
"And?"
"And he called me Emma when he thought I wasn't listening."
"What."
"And he remembered my coffee order."
"What."
"And... Sophie, sit down, there's more he held up an exam room for me, and there's apparently a sticky note in his handwriting in my file that says"
"WHAT?"
"Check on her birthday."
Silence.
"Emma."
"Yeah."
"Emma Park."
"Yeah."
"That man is down bad."
"I KNOW."
"What did you do?"
"I asked about his tan line."
"OH MY GOD."
"I asked if he was divorced, Sophie."
"EMMA PARK YOU ABSOLUTE"
"He said yes. Then he walked me out. Then he asked what I was doing for my birthday. Then he said 'don't do nothing.' Then he went back inside."
"Emma. I'm going to ask you a question and I need you to take a breath before you answer."
"What."
"Do you have the coffee cup?"
I stared across the apartment.
The coffee cup from last week was on my kitchen counter. Still in its little paper sleeve. Foam heart and all. I had absolutely been planning to keep it forever and absolutely not been planning to tell anyone about that.
"It's on the counter."
"And you're going to throw it away?"
"No."
"Good. Don't."
"Don't what?"
"Throw it away. Replay the entire thing. Tell me word for word exactly what he said."
I replayed it. Word for word. He had said don't do nothing like it physically hurt him to imagine me alone on my birthday. I had said nothing so I wouldn't tell him the truth, which was probably texting Sophie and crying about my ex while eating Trader Joe's salted caramel in bed.
I told Sophie.
"He's not a doctor," she said.
"He's a doctor."
"Real doctors don't say don't do nothing to a patient on a sidewalk, Emma."
"He's an exception."
"He's a man who is down bad and pretending to be a doctor."
I started laughing. I shouldn't have. My ribs screamed. I didn't care. I laughed until I cried and then I cried because laughing hurt, and Sophie was laughing too through the phone, and somewhere in the middle of it she said happy almost-birthday and we talked until she got sleepy and hung up.
I cleaned my face. Brushed my teeth. Got into bed. Stared at the ceiling.
It was 11:46 p.m.
My phone buzzed.
Unknown number. Los Angeles area code. I almost didn't open it.
This is Dr. Black. Don't drive for 2 more weeks.
I read it.
I read it again.
I read it a third time because the first two times my vision kept blurring.
A man who does not text his patients had texted his patient. A man who called me Ms. Park in public and Emma in private had signed with his first initial. A man who had a wedding ring tan line and a sore shoulder and a sticky note had thought about me at eleven forty-seven p.m. on a Tuesday.
I opened the text.
I stared at it for eleven more minutes.
Then I started typing.
To be continued...
Saturday, 11:14 a.m.One year.It has been one year. It has been one year since the day the man married the woman at the bench in the small park on the hill in Los Angeles with the view of the lobby of the hospital. It has been one year in the way that years are years when the years are the kind of years the women the years are the years of are the kind of women who are the kind of women the men the years are the years of are the kind of men the women the years are the years of are the kind of women the men the years are the years of are the kind of men the women the years are the years of are the kind of women the men the years are the years of are going to be the wives the men the years are the years of are the kind of men the years are the years of.I am at the bench. I am the kind of wife who is at the bench in the small park on the hill in Los Angeles with the view of the lobby of the hospital on a Saturday in November in Los Angeles one year after the day the man married the wom
Saturday, 11:14 a.m. I am walking to the bench. I am walking to the bench the way the woman the man is going to marry walks to the bench the man the woman is going to marry is at. I am walking to the bench in the small park on the hill in Los Angeles with the view of the lobby of the hospital. I am walking to the bench the man asked the woman to marry the man at six weeks ago on a Thursday in October in Los Angeles. The small white flowers are on the ground. The small white flowers are on the ground the way small white flowers are on the ground at benches in small parks on hills in Los Angeles on the mornings of the days the women the flowers are the flowers of are going to marry the men the flowers are the flowers of. The small white flowers are the kind of small white flowers Lena liked. The small white flowers are the kind of small white flowers that are at the weddings the women the small white flowers are the small white flowers of are going to have with the men the small white
Saturday, 6:14 a.m. It is the day. The day is the kind of day the day is the day of. The day is the day the man is going to marry the woman at the bench in the small park on the hill in Los Angeles with the view of the lobby of the hospital. I wake up. I am alone. The bed is the kind of bed that is empty on the mornings of the days the women the beds are the beds of are going to marry the men the beds are the beds of. The bed is empty the way beds are empty on the mornings of the days the women the beds are the beds of are going to marry the men the beds are the beds of when the men the beds are the beds of are the kind of men who are the men the women the beds are the beds of are going to marry are the kind of men who are the men the beds are the beds of who have already gone to the benches in the small parks on the hills in Los Angeles to wait for the women the men the beds are the beds of are going to marry. There is a note on the pillow. The note is in the blocky, slightly tilt
Friday, 9:14 p.m. It is the night before. The night before is the kind of night before the night before is the night before the Saturday in November. The night before is the night before the day the man is going to marry the woman at the bench in the small park on the hill in Los Angeles with the view of the lobby of the hospital. The apartment is quiet. The apartment is the kind of apartment that is quiet on the nights before the nights before the days the women the apartments are the apartments of are going to marry the men the apartments are the apartments of. The apartment is quiet the way apartments are quiet on the nights before the nights before the days the women the apartments are the apartments of are going to marry the men the apartments are the apartments of when the apartments are the kind of apartments the men the women are going to marry are the men the apartments are the apartments of. Lincoln is on the couch. Lincoln is the kind of small gray dog who is on the couc
Tuesday, 3:14 p.m. Margaret is at the door. Margaret is the small, quiet, very real person who is at the door of the apartment of the man her daughter used to live in, in the way that mothers of women who are gone are at doors of apartments of men the women used to live with when the mothers of the women are the kind of mothers who are at doors of apartments of men the women used to live with on Tuesday afternoons in October in Los Angeles because the mothers of the women are the kind of mothers who are at doors of apartments of men the women used to live with on Tuesday afternoons in October in Los Angeles with small boxes the mothers of the women are the small boxes of. Margaret has a small box. The small box is the kind of small box that mothers of women who are gone have on Tuesday afternoons, in the way that small boxes are the small things mothers of women who are gone have on Tuesday afternoons when the small boxes are the kind of small boxes that have the small things of the
Sunday, 9:14 p.m. Joan and Richard are at the hotel. Joan and Richard are the small, quiet, very real people who are at a hotel in Los Angeles on Sunday nights, in the way that parents of men are at hotels in Los Angeles on Sunday nights when the parents of the men are the kind of parents of the men who are at hotels in Los Angeles on Sunday nights because the parents of the men are the kind of parents of the men who are visiting the sons the parents of the men are the parents of on Sundays in October in Los Angeles. I am at the counter. I am a person who is at the counter of the apartment of the man the woman is going to marry. I am a person who is at the counter on a Sunday night in October in Los Angeles. I am a person who is at the counter on a Sunday night in October in Los Angeles with a small bag from Boston, in the way that women are at counters of apartments of men the women are going to marry on Sunday nights in October in Los Angeles with small bags from Boston when the wo







