ВойтиDante
The morning starts with logistics, which is how I prefer my days and my people. Lyra prefers coffee before being briefed—she makes that clear with a glare that could file a grievance. “The glam team arrives at nine,” I tell her. “Do they do exorcisms?” she asks, cradling her mug. “Because I might need that first.” “They’ll handle hair, makeup, and wardrobe. They’ll also make conversation,” I warn. “Ignore half of what you hear.” “Noted. Do they know this isn’t a wedding?” she asks. “They do now.” When the team shows up—three women and one man with cheekbones that could start wars—the penthouse fills with perfume and gossip. “Mr. Marcellus never brings dates,” the blonde one whispers while curling Lyra’s hair. “Well, not to charity events. He’s… selective.” The stylist doing her makeup murmurs, “Selective? He was practically engaged to Claudia Verin for two years.” “Was not,” the first says. “That was PR.” “Still counts,” the man adds. “She’s on the list tonight, by the way. Front row, wearing vengeance.” Lyra catches my eye in the mirror, her expression unreadable but amused. “Your fan club’s thorough.” “I don’t have a fan club,” I say. “Sure,” she says. “You have a waiting list.” The team laughs, and for the first time all morning, I understand the phrase outnumbered. I make a polite exit, getting myself dressed and then go back out to the living room to wait. When they finish, the room goes quiet—like even the air forgot how to be casual. The black gown from last night clings to her with less politeness this time; the pearls gleam at her throat like they have opinions. She stands, smooths the fabric, and gives me a look that’s half dare, half well? “You look acceptable,” I say, because complimenting her honestly feels too much like confession. “High praise,” she says dryly. “Remind me to embroider that on a pillow.” Rhoades clears his throat by the door. “Car’s ready.” Lyra If wealth had a smell, it would be the inside of this car—leather, restraint, and the faintest note of danger. Dante sits beside me, checking his phone like a man who’s never had to scroll too long for good news. The driver turns off the main avenue, and the gala looms ahead: chandeliers visible from the street, cameras blooming like flowers. “Remember,” Dante says, sliding his phone away. “We’re not here to convince anyone we’re happy. Just credible.” “I’ll tattoo that on my arm,” I say. “Right next to pretend you belong here.” He smiles faintly. “You do.” I want to ask why that sounds like a promise but the door opens, and flashbulbs interrupt the thought. Dante exits first, then turns back to offer his hand to me. The moment my heels hit the carpet, the air changes—brighter, louder, thinner. Reporters lean in, voices bouncing off marble. “Mr. Marcellus! Over here!” “Is this your fiancée?” “When’s the engagement party?” “Who’s she wearing?” The last one’s directed at me. Before I can answer, Dante’s hand finds the small of my back, subtle but claiming. He lowers his head until his mouth is near my ear. “Right hand to my chest,” he murmurs. “Left on the clutch. It reads as intimate but not proprietary.” His breath ghosts against my skin. “You rehearsed this, didn’t you?” “I plan,” he says. I do as instructed, fingers grazing the expensive fabric of his suit. His heart beats steady beneath it, which only makes mine worse. We turn toward the cameras. The flash hits us both—his stillness, my nerves, the careful illusion of ease. Someone calls his name. He laughs lightly, and the vibration moves through my palm. It feels… real, which is ridiculous. Then I see her. A woman in red silk stands by the champagne bar, watching us. The kind of face the world keeps a permanent record of. The kind you could build epic stories around. Claudia Verin. She smiles, slow and amused. Her gaze slides over me, down my neckline, then up to Dante’s hand on my waist. Her expression says oh, that’s what he’s doing now. Dante notices. I feel it before I see it—his posture tightens, his hand shifts from polite contact to a steady anchor. Fingers firm at my hip, thumb tracing a small, invisible warning. “Smile,” he whispers. “You’re winning.” I do, though the flash blinds and the heat of his hand makes it impossible to remember what game we’re playing. Dante Claudia’s gaze lingers too long, and something ugly stirs in my chest—something I thought I buried beneath years of control and quarterly earnings. Lyra senses it; I can tell by the angle of her head, by how she doesn’t step away when I don’t move my hand. “Agitation doesn’t suit you,” she murmurs through her smile. “I’m not agitated.” “Mm,” she says. “You’re just holding me like I’m a stress toy, ready to squeeze and make my eyes bulge.” I cover my chuckle with a cough before replying. “I’m holding you like I’m expected to,” I whisper. “If I were holding you like I wanted to, it wouldn’t look this good.” Her eyes flick up to mine—cool, unflinching. “Noted.” We make it through the photo gauntlet and into the ballroom. Light scatters from crystal, violins perform their modest servitude, and the city’s finest gather to be seen being good. Lyra stays at my side like she was born understanding the choreography. She smiles when I need her to, laughs when I don’t deserve it, listens to the right people and ignores the rest. The pearls at her throat catch the light like punctuation. At the far table, Elias King—hedge fund sociopath, former classmate, and walking nuisance—raises a glass toward me. When he spots Lyra, his smirk sharpens. “Well, well,” he says when we cross paths. “Didn’t think I’d see the great Dante Marcellus domesticated. And your fiancée—she’s a surprise.” Lyra smiles sweetly. “I specialize in surprises.” Elias chuckles. “That dress might cause an incident. You planning to share her, Dante?” I feel the muscle in my jaw tighten before my voice finds its footing. “You’re mistaking charity for tolerance, Elias.” He grins wider, the way men do when they know they’ve drawn blood. “Relax. We’re all friends here.” Lyra tilts her head, voice sugar over blade. “You must be confusing friend with leering creep who didn’t get the girl.” The laugh she earns from nearby guests is soft but lethal. Elias excuses himself with his pride leaking out of his smile. Lyra doesn’t look at me until he’s gone. “You’re welcome,” she says. “For what?” “For not stabbing him with my earring.” I exhale something dangerously close to laughter. “Remind me not to test you.” “Too late,” she says, and takes her glass of champagne like a weapon she knows how to use. Across the room, Elias and his circle watch us. I can feel it—the scrutiny, the curiosity, the suspicion that this engagement isn’t just convenient. That it’s… real enough to be dangerous. And for the first time all night, I can’t tell whether they’re wrong. Elias lifts his glass again, eyes narrowing as he studies Lyra’s hand on my arm, the way our bodies lean—not rehearsed, not posed, but gravitating. When he turns to whisper to the man beside him, I catch the look that passes between them. He’s clocked it. The attachment that I’m trying to keep contained, and yet somehow it seems to be slowly creeping out. And I don’t know if that makes me furious or relievedDante I’ve survived hostile takeovers, boardroom coups, and a childhood that felt like living inside a collapsing cathedral. None of that terrified me the way tonight does. Lyra saw me break. She wasn’t supposed to. I told her to go. She stayed. I told her not to look at me. She did anyway. And worst of all— I wanted her there. It takes me an hour to work up the nerve to knock on her door. I don’t touch it at first. I brace my hand an inch away and wait until I’m sure I won’t tremble. Finally, I tap once. “Lyra.” A soft rustle. Then: “Come in.” Her room is dimly lit, warm. She’s sitting cross-legged on the bed, hair down, wearing one of the soft shirts she stole from my side of the closet. The sight hits me low in the chest. “You shouldn’t be up,” I say. “You shouldn’t be alone,” she replies. I inhale slowly. “May I sit?” She nods. I sit on the edge of the bed, hands clasped, posture too perfect—like a man preparing to make a confession in court. “
Lyra The first time I attend a press lunch as Dante Marcellus’s fiancée, I learn two things immediately: 1. The salad forks alone cost more than my monthly rent used to. 2. Reporters can smell blood in the water even when no one’s actually bleeding yet. The private dining room is staged like a peace treaty conference—white tablecloths, curated floral arrangements, low gold lighting meant to make everyone look richer, calmer, softer than they really are. Dante’s hand hovers at the small of my back as we enter. Not touching—just a breath away, like a promise or a warning. “They’ll play nice at first,” he murmurs. “Don’t let the smiles fool you.” “I work in finance,” I whisper back. “I’ve met sharks.” He gives me a look—brief, sharp, appreciative. “You’ve met minnows. This is different.” I smile like I’m unbothered. I absolutely am bothered. The seating has already been arranged: place cards with looping calligraphy, the kind of handwriting that implies generational wealth.
Dante I stand there for a moment, hand still on the handle, wanting to knock again and knowing I shouldn’t. She didn’t slam it — she’s too controlled for that — but the message was unmistakable: Give me space. Or maybe: Don’t follow me if all you’ll give me is half-truths. I let go of the doorknob. The hallway is too quiet. The whole penthouse feels wrong — like all the angles shifted when she walked out of that dining room. I turn back toward the living area. Elias is still sprawled in Dante’s favorite chair like he’s auditioning for the role of “person I regret knowing.” Victor stands near the bar, watching the doorway I came through. Langford has already fled — probably texting his therapist. The room falls silent as I enter. “Everything alright?” Victor asks. He already knows the answer. “Yes,” I lie. “We’re finished.” “With dinner?” Elias asks, swirling his drink lazily. “Or with her?” I look at him. Slowly. He smiles like a child poking a bruise. “
Lyra I should have known dinner with men like this wouldn’t involve “dinner.” When the calendar invite showed up on my phone I should’ve just declined. But I’m stubborn. And curious. It’s more of a display. A negotiation disguised as small talk. A stage with cutlery. Rhoades seats me at Dante’s right side, which already feels like a test. Across from me: three men who look like three different types of trouble. Langford is the kind who apologizes before he speaks. Victor is the kind who knows too much and says too little. And Elias…is the kind who thinks everyone at the table is a toy. “Lyra,” Elias says, lifting his glass. He stretches my name out like he’s tasting it. “We finally meet.” I smile politely. “You say that like I’ve been ducking you.” “Have you?” he asks, eyes bright with amused cruelty. Before I can answer, Dante says, “She hasn’t.” “It was a joke, Marcellus,” Elias says, leaning back in his chair. “Relax.” Victor glances at me. It’s quick,
DanteTomorrow starts with blood.Not hers. Not this time.The markets open red and stay there. A glitch in an algorithmic fund slams half the sector; three of our clients panic; one of them sends a seven-paragraph email accusing us of collusion with gravity.I skim it, flag it, and move on. This is the kind of chaos I know how to handle.The kind I don’t is waiting in my inbox.Subject: Draft — Quinn/Marcellus Human Interest Piece (Unapproved)The email is from Comms. The attachment is from hell.I open it.The headline is soft, like a knife with a smile.From Debt to Diamond: The Woman Who Captured Dante Marcellus.There’s a photo of Lyra outside our old building—hair pulled back, cheap canvas bag on her shoulder, Maya beside her with a coffee and a grin too big for the frame. The shot is zoomed, grainy, invasive. The kind you get when you wait in a car across the street.The captions speculate. They talk about “humble beginnings.” They call her “financially vulnerable.” They call M
LyraThe sound comes first.Soft piano, clean as breath. The kind of melody that’s too gentle for morning.I blink awake to the unfamiliar rhythm—the faint hum of something mechanical beneath it. A small, sleek device sits on my nightstand. Next to it: a folded silk mask, black, expensive, unapologetic.A card leans against the base. No logo, no flourish. Just his handwriting.For the hours that won’t behave.I trace the ink with my thumb before I can stop myself. The letters are precise, like he drafted them first. I should feel comforted. Instead, I feel cataloged.Because of course he would notice my insomnia. Of course he would solve it before I asked. That’s what he does—turns people into patterns and fixes them before they break.I switch off the machine. The silence that follows sounds too honest.He’s in the kitchen when I find him, sleeves rolled, phone face-down. Even like this—half-absent, half-effortless—he fills the room.He sees me before I speak. “Did you sleep?”“Event







