เข้าสู่ระบบChapter 3 — Terms of Surrender
Dante Lyra steps in like the room might try something and she’d enjoy stopping it. “Ms. Quinn,” I say. “Mr. Marcellus.” Her gaze flicks once over the office—windows, books, the black piano I never play—then back to me. The ink-blue dress has dried at the hem and darkened to midnight. It suits her; she looks like a decision. “Water?” I ask. “I’ll live dangerously.” She sits without waiting for permission and crosses an ankle. The move’s efficient, not coy. “Downstairs,” I say, “you were right.” She tilts her head. “About what? The part where your VP tried to talk to the room instead of me, or the part where ‘legacy’ sounds like ‘you don’t count anymore’?” “The promise,” I say. “That we shouldn’t make what we can’t keep.” “Mm.” She props her elbow on the chair arm, fingers light at her mouth. “It wasn’t philosophy. It was a reminder. Customers are humans, not line items.” “Humans are line items with hearts,” I say. “The heart is what gets the invoice paid.” She huffs out something like a laugh. “That the line you use at weddings?” “I don’t go to weddings.” “Right,” she says. “Too many promises.” I let that sit. Rain picks at the glass; the city answers in light. “I have an offer,” I say, and watch her brace in the smallest ways. “Not the one you think.” She lifts her brows. “Try me.” “Short-term advisory,” I say. “Direct to me. Help steer the integration from the client’s side—what to say, what to avoid, what will actually keep people. You tell me the truth; I make sure it sticks.” “That’s very tidy,” she says. “My boss will love the part where I report to you behind his back.” “It would be aboveboard,” I say. “A retainer. Visibility. You pick the hours.” “And if I say no?” “Then I listen to you anyway,” I say. “From farther away.” She studies me. “What’s the part I’m supposed to want? The money? The proximity? Or the ego of fixing the giant everyone loves to hate?” “Yes,” I say. She smiles despite herself. “I have a job.” “Keep it. This is additional.” “Additional is how you say ‘burnout’ with a tip jar.” She leans forward a fraction. “Mr. Marcellus—Dante—what do you actually want?” There’s the right question. “Someone who knows what matters and says it out loud,” I tell her. “On my side.” “And why me?” “You didn’t flinch,” I say. “Most people do. Or they flinch fancy.” She sits back, considering, then shakes her head. “Tempting. But I’m not your fixer.” “You’re not.” I nod once, accepting the refusal like it was part of the plan. Because it was. “Then something less tidy.” “Ah,” she says, amused. “There it is. The real reason I’m here.” I take the folder from the drawer and set it on the desk without pushing it forward. “It’s unconventional.” “Now I’m bored,” she says lightly. “Try illegal.” “Unconventional,” I repeat. “And legal.” She pats the cover. “If this is a non-disclosure about your skincare routine, I’m signing immediately.” “Read.” She opens the folder. Her eyes track the heading. Proposed Agreement of Marriage. A heartbeat passes; then another. She doesn’t gasp or flail or turn it into a joke. She goes very still and human—and then looks up. “No preamble,” she says. “I gave you one,” I say. “You declined.” She exhales through her nose, a laugh’s ghost. “You’re serious.” “Yes.” “A year.” She scans. “Public devotion. Private rules. ‘Mutual discretion.’ Monthly stipend. Clean exit.” “That’s the spine,” I say. “We write the rest together.” She taps the paper. “So… optics for you, oxygen for me.” “Order for me,” I say. “Options for you.” “And the thing where you get to point at me and say ‘See, I’m domesticated, board members, calm down’?” “I prefer ‘stable,’ but yes.” “Why,” she asks, and it’s not coy. “You don’t strike me as a man who crowds his life.” “I need a partner in rooms where people pretend to be sharks,” I say. “Who won’t need rescuing. Who will let me do the talking when it matters and take the knife when it doesn’t.” Her mouth curves. “I’ve never had ‘knife-taker’ on my résumé.” “You have it now.” She looks back down. “No obligation for… intimacy.” She says the word like a test. “Consent in plain language. Safewords.” Her eyes flick to mine. “You wrote this?” “I dictated it,” I say. “That’s worse,” she says, but there’s a heat under the joke. “Okay. If this isn’t a prank, we’re going to change things.” “Such as.” “Work stays mine,” she says immediately. “You don’t get to ‘suggest’ I step back to be your accessory. My name stays on my work email, not yours.” “Agreed.” “Security,” she goes on. “Visible when it needs to be. Not on my phone, not shadowing my bathroom door, and not making my family nervous.” “Visible at events,” I say. “Driver at night. No surveillance on your devices. Your family is off-limits unless there’s a credible threat. If Rhoades breaks that, I fire him.” Her gaze flicks to the door as if she can see Rhoades absorbing this with priestly calm. “Wardrobe,” she says. “I choose. You can hate it in private.” “I don’t hate good decisions,” I say. “Stylists are available. You’re not a mannequin.” “Intimacy,” she says, voice smaller, then steady. “If it happens, it happens because we both want it. No tallying. No weird punishments for saying stop.” “Yes,” I say. “And we talk after.” “Aftercare,” she says, and the word sits warm between us like a candle. “Fine.” We’re both quiet then. I realize I’ve been gripping the corner of the desk and loosen my hand. She realizes she’s been worrying the edge of the folder and flattens her palm. “Exclusivity,” she adds. “On both sides. And say it like a person, not a policy.” “I won’t touch anyone else while this agreement exists,” I say. “You won’t either.” “Better,” she says softly. She slides the folder back toward me. My hand comes out to steady it; hers is still on the plastic sleeve when our fingers meet. Not accident—there was time to avoid it. My thumb finds the inside of her wrist and rests there. Her pulse kicks, hard and betrayed. Mine answers. We both watch my hand and then we both watch each other watching my hand, and the room tilts just enough to make sense. I let go. Too late. “Apologies,” I say. The apology is for how good the heat felt. “Noted,” she says. Her voice has changed. More air. “Look… this is a lot.” “It is.” “I need forty-eight hours.” “No,” I say. Her chin lifts. “Excuse me?” “Twenty-four.” I hold the number like a door. “You don’t need forty-eight to know if you can stand me. You already know.” “I don’t make decisions like this on a stopwatch,” she says. “Then don’t decide,” I say. “Check the facts. Call a lawyer. Eat something. Sleep. Wake up with your answer.” She stares, trying to find the trap. “You’ll pay the lawyer?” “Yes. Whoever you choose.” “And if I say no?” “We shake hands,” I say. “We don’t mention it again. We’re polite in elevators.” She squints, amused despite herself. “You have a very specific elevator plan.” “Routine lowers blood pressure.” “I’ll send you a tea recommendation,” she says, and stands. I stand with her, because I can’t not. The space between us feels personal. “I’m not a problem you get to solve,” she says, softer now. “If I wanted a problem,” I say, “I’d buy another company.” “God, you’re arrogant.” “Correct,” I say. “But not wrong.” Something like a smile touches her mouth and almost stays. She tucks the folder under her arm. “Twenty-four,” she echoes, like tasting the word. “Rhoades will set up counsel whenever you text him,” I say. “You people and your handlers.” “He’s not a handler,” I say. “He’s a guardrail.” “Same shape,” she says, and moves to the door. She’s nearly out when she glances back. “If I do this, I’m not here to make you look soft.” “If you do this,” I say, “you’ll make me look like I chose well.” That stops her just enough that I feel it. She recovers. “We’ll see.” “Twenty-four,” I say again. “Drink water,” she says, like a curse and a kindness, and leaves me with the rain and the city and the mark her wrist made on my hand that I won’t admit I can still feel.Dante I’ve survived hostile takeovers, boardroom coups, and a childhood that felt like living inside a collapsing cathedral. None of that terrified me the way tonight does. Lyra saw me break. She wasn’t supposed to. I told her to go. She stayed. I told her not to look at me. She did anyway. And worst of all— I wanted her there. It takes me an hour to work up the nerve to knock on her door. I don’t touch it at first. I brace my hand an inch away and wait until I’m sure I won’t tremble. Finally, I tap once. “Lyra.” A soft rustle. Then: “Come in.” Her room is dimly lit, warm. She’s sitting cross-legged on the bed, hair down, wearing one of the soft shirts she stole from my side of the closet. The sight hits me low in the chest. “You shouldn’t be up,” I say. “You shouldn’t be alone,” she replies. I inhale slowly. “May I sit?” She nods. I sit on the edge of the bed, hands clasped, posture too perfect—like a man preparing to make a confession in court. “
Lyra The first time I attend a press lunch as Dante Marcellus’s fiancée, I learn two things immediately: 1. The salad forks alone cost more than my monthly rent used to. 2. Reporters can smell blood in the water even when no one’s actually bleeding yet. The private dining room is staged like a peace treaty conference—white tablecloths, curated floral arrangements, low gold lighting meant to make everyone look richer, calmer, softer than they really are. Dante’s hand hovers at the small of my back as we enter. Not touching—just a breath away, like a promise or a warning. “They’ll play nice at first,” he murmurs. “Don’t let the smiles fool you.” “I work in finance,” I whisper back. “I’ve met sharks.” He gives me a look—brief, sharp, appreciative. “You’ve met minnows. This is different.” I smile like I’m unbothered. I absolutely am bothered. The seating has already been arranged: place cards with looping calligraphy, the kind of handwriting that implies generational wealth.
Dante I stand there for a moment, hand still on the handle, wanting to knock again and knowing I shouldn’t. She didn’t slam it — she’s too controlled for that — but the message was unmistakable: Give me space. Or maybe: Don’t follow me if all you’ll give me is half-truths. I let go of the doorknob. The hallway is too quiet. The whole penthouse feels wrong — like all the angles shifted when she walked out of that dining room. I turn back toward the living area. Elias is still sprawled in Dante’s favorite chair like he’s auditioning for the role of “person I regret knowing.” Victor stands near the bar, watching the doorway I came through. Langford has already fled — probably texting his therapist. The room falls silent as I enter. “Everything alright?” Victor asks. He already knows the answer. “Yes,” I lie. “We’re finished.” “With dinner?” Elias asks, swirling his drink lazily. “Or with her?” I look at him. Slowly. He smiles like a child poking a bruise. “
Lyra I should have known dinner with men like this wouldn’t involve “dinner.” When the calendar invite showed up on my phone I should’ve just declined. But I’m stubborn. And curious. It’s more of a display. A negotiation disguised as small talk. A stage with cutlery. Rhoades seats me at Dante’s right side, which already feels like a test. Across from me: three men who look like three different types of trouble. Langford is the kind who apologizes before he speaks. Victor is the kind who knows too much and says too little. And Elias…is the kind who thinks everyone at the table is a toy. “Lyra,” Elias says, lifting his glass. He stretches my name out like he’s tasting it. “We finally meet.” I smile politely. “You say that like I’ve been ducking you.” “Have you?” he asks, eyes bright with amused cruelty. Before I can answer, Dante says, “She hasn’t.” “It was a joke, Marcellus,” Elias says, leaning back in his chair. “Relax.” Victor glances at me. It’s quick,
DanteTomorrow starts with blood.Not hers. Not this time.The markets open red and stay there. A glitch in an algorithmic fund slams half the sector; three of our clients panic; one of them sends a seven-paragraph email accusing us of collusion with gravity.I skim it, flag it, and move on. This is the kind of chaos I know how to handle.The kind I don’t is waiting in my inbox.Subject: Draft — Quinn/Marcellus Human Interest Piece (Unapproved)The email is from Comms. The attachment is from hell.I open it.The headline is soft, like a knife with a smile.From Debt to Diamond: The Woman Who Captured Dante Marcellus.There’s a photo of Lyra outside our old building—hair pulled back, cheap canvas bag on her shoulder, Maya beside her with a coffee and a grin too big for the frame. The shot is zoomed, grainy, invasive. The kind you get when you wait in a car across the street.The captions speculate. They talk about “humble beginnings.” They call her “financially vulnerable.” They call M
LyraThe sound comes first.Soft piano, clean as breath. The kind of melody that’s too gentle for morning.I blink awake to the unfamiliar rhythm—the faint hum of something mechanical beneath it. A small, sleek device sits on my nightstand. Next to it: a folded silk mask, black, expensive, unapologetic.A card leans against the base. No logo, no flourish. Just his handwriting.For the hours that won’t behave.I trace the ink with my thumb before I can stop myself. The letters are precise, like he drafted them first. I should feel comforted. Instead, I feel cataloged.Because of course he would notice my insomnia. Of course he would solve it before I asked. That’s what he does—turns people into patterns and fixes them before they break.I switch off the machine. The silence that follows sounds too honest.He’s in the kitchen when I find him, sleeves rolled, phone face-down. Even like this—half-absent, half-effortless—he fills the room.He sees me before I speak. “Did you sleep?”“Event







