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THE TRUTH

Author: Neetah
last update publish date: 2026-08-07 17:58:25

Victor Rossi stands at the window of his study, a glass of untouched scotch in his hand, watching the city lights flicker below like nothing in the world is wrong.

His hands are steady. His voice, when Adrian finally picks up the phone, is calm as still water.

"She's still alive," Victor says. "The men I sent are dead. Moretti's men killed them both."

"I heard." Adrian's voice comes through easy, almost cheerful, like he is discussing the weather instead of a failed hit.

"You're losing men faster than you're losing patience, Victor. That's not like you."

"Don't test me tonight."

"I never test you. I just observe." A pause, the soft clink of a teacup on the other end of the line. "How is our girl?"

Victor's jaw tightens. "Getting close to him. Too close."

"That was rather the plan, wasn't it? Get close, find his weakness, destroy him."

"Not this close." Victor sets his glass down, hard enough that the ice rattles. "She's starting to remember things.

I can hear it in her voice on the phone. She hesitates now. She never used to hesitate."

Adrian is quiet for a moment. When he speaks again, there is something new in his tone. Interest.

Sharp and hungry, like a man who has just been handed a puzzle he didn't know he had been missing.

"How fascinating."

"It is not fascinating. It is a problem."

"Everything is fascinating if you look at it correctly." Adrian's chair creaks faintly through the phone, like he is leaning back, settling in.

"You erased ten years of her life, Victor. Memories don't stay buried forever, not when the very thing that triggers them is standing right in front of her every day.

You put her back in that penthouse. What did you expect?"

"I expected her to do her job."

"You expected the impossible." Adrian's voice softens, almost gentle, almost kind, which is somehow worse than if it had stayed cold. "Let me handle her."

Victor's grip tightens around the phone. "What does that mean?"

"It means I built her mind once already. I can manage what is happening inside it now." A pause, deliberate, savoring. "I'll pay her a visit. As her old psychologist, checking in. Nothing suspicious about that."

"If her memory comes back—"

"If her memory comes back," Adrian cuts in smoothly, "then everything you've built collapses, and you know it. So let me do my job, and you do yours. Keep Moretti distracted. I'll keep her quiet."

Victor stares out at the skyline a long moment, jaw working, before he finally answers. "Fine. But Adrian—do not enjoy this too much."

Adrian laughs, soft and delighted, before the line goes dead. "No promises."

---

Sofia Rossi hears the whole thing through the wall.

She stands frozen in the hallway of Victor's mansion, one hand pressed flat against the cool plaster, breath caught somewhere in her chest.

She is only there to drop off paperwork for her uncle's charity foundation—the fake one, the one that launders more than it donates—and she was never supposed to hear any of this.

Her heart pounds so loud she is sure it will give her away.

He is going to use Adrian on her. He is going to bury her deeper.

Sofia backs away from the door slowly, careful not to let her heels click against the marble floor.

She doesn't breathe right again until she is outside, sitting in her car three blocks away, hands shaking too hard to turn the key.

She pulls out her phone instead.

I need to see you, she types to Elena. It's important. Please.

The reply comes fast. Can it wait? Working a shift tonight.

No, Sofia writes back. It really can't.

---

They meet at Sofia's bookstore in Brooklyn, after hours. The front door is locked. The OPEN sign is flipped to CLOSED.

Sofia paces behind the counter while Elena leans against a shelf of secondhand paperbacks, arms crossed, watching her cousin with a wary kind of confusion.

"You're scaring me a little," Elena says. "You never pace."

"I have a reason to pace." Sofia stops, finally, and turns to face her. For the first time Elena notices how pale she looks, how her hands won't stay still. "Elena, I need you to listen to me. Really listen. And I need you to not run out of here before I finish."

"You called me Elena."

Sofia freezes. "What?"

"You called me Elena. Not Amara." Something cold moves through Elena's chest. "Why did you do that?"

Sofia's eyes fill fast, too fast. She presses a hand to her mouth like she can push the words back in before they escape.

"Because that's your name," she says finally, voice breaking. "That's your real name. It's always been your real name."

The bookstore goes very quiet. Somewhere outside, a car horn blares and fades.

"That's not funny," Elena says, but her voice comes out thin, unsteady, nothing like she means it to.

"I'm not joking." Sofia crosses the space between them and grips Elena's hands in both of hers. Tight. Desperate.

"I have kept this secret for ten years because I was terrified, and I am so sorry, I am so, so sorry, but I can't watch him do this to you again."

"Do what to me? Who?"

"Victor." Sofia says the name like it tastes bitter. "He is not your protector, Elena. He never has been. He is the reason you don't remember your own life."

Elena pulls her hands back, stepping away. Her breath comes fast now, too fast. "You're not making sense."

"Ten years ago you were engaged to be married. You were happy. You had a whole life, a real one, with people who loved you." Sofia's voice shakes with the effort of saying it all at once, like if she stops she will lose her nerve.

"And then your father found out something about Victor, something he wasn't supposed to know, and Victor killed him for it. You were the only witness."

"Stop."

"He couldn't kill you too—you're his blood, it would have raised questions he couldn't afford—so he did something worse. He erased you instead.

Wiped your memory clean and built you a whole new life out of lies, and framed an innocent family for your father's murder so no one would ever look at him twice."

Elena's back hits the bookshelf behind her. Her legs feel unsteady, like the floor has tilted sideways beneath her feet.

"You're talking about the Morettis."

"Yes."

"You're telling me Dante didn't kill my father."

"No." Sofia's eyes are wet now, spilling over. "He didn't. Victor did. And then Victor told you Dante did, because he needed you to hate him, because he needed a weapon he could point at the one family strong enough to challenge him."

The room tilts. Elena presses a hand flat against the shelf to steady herself, books digging into her palm.

"Then why do I dream about him?" she whispers. "Why does his voice feel like something I've heard my whole life?"

Sofia's face crumples. "Because you loved him, Elena. Before all of this. You loved him more than anything."

Elena's hand goes to the locket at her throat without her permission. Her fingers find the small clasp she has never once dared to open.

"The photo," she says. "The man in the photo."

"That's him." Sofia's voice breaks completely now. "That's Dante. From before."

Elena's fingers tremble too hard to work the clasp. Sofia reaches over gently and helps her. The locket finally springs open in her palm.

The same faded photograph she has stared at a hundred times without understanding. Except now, now she looks at it and something in her chest cracks wide open. Some door she didn't know was locked.

Underneath the photo, hidden in a compartment she never knew existed, there is something else. A folded scrap of paper, yellowed with age.

Elena unfolds it with shaking hands.

If you find this, it means I am gone. But my love is not. Come back to me, Elena. I am waiting.

She reads it once. Then again.

Her knees give out. Sofia catches her before she hits the floor, holding her tight while a sob tears its way out of Elena's chest. Ugly and raw and ten years overdue.

"I don't understand," Elena gasps against her cousin's shoulder. "I don't understand any of this."

"I know." Sofia holds her tighter, rocking her gently, tears falling into Elena's hair. "I know, I know. I'm so sorry. I should have told you years ago."

"Why didn't you?"

"Because I was scared. Because Victor is dangerous, and I thought I was protecting you." Sofia pulls back just enough to look her in the eyes, hands cupping her cousin's tear-streaked face.

"But you deserve the truth. Whatever happens next, you deserve to know who you really are."

Elena looks down at the note again. The ink is faded, but the words are still sharp enough to cut straight through ten years of lies.

Come back to me, Elena. I am waiting.

"I have to go back," she whispers.

"Elena—"

"I have to tell him." Her voice is stronger now, something steady rising up underneath the shock. "He needs to know I remember. Some of it. Enough."

Sofia hesitates, fear flickering across her face. "Be careful. If Victor finds out you know the truth—"

"I don't care anymore." Elena closes her fist around the note, around the locket, around ten years of a stolen life. "I have spent a decade hating the wrong man. I am done being afraid of the truth."

She hugs her cousin once, hard, and walks out into the night. The note is clutched tight against her chest.

Her feet already carry her toward the one place she once called home without even knowing it.

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  • SHADOWS OF OBLIVION    THE ROSSI FOUNDATION

    The letter doesn't show up. Not that day, not the next. Elena checks the mail slot every morning like it might bite her, and every morning there's nothing in there but bills and wedding catalogs and the odd sympathy card from someone who doesn't really get what they're being sympathetic about."Still nothing," she tells Dante on the third morning, shutting the mailbox a little harder than she means to."It'll come when it comes." He's watching her from the kitchen doorway, coffee in hand. "You don't have to stand guard over that mailbox, Elena. Waiting for it isn't going to speed it up any.""I know." She rubs at her temple. "I just hate not knowing what he's got planned. Even locked up, he's still finding ways to get inside my head.""So don't let him." Dante crosses the kitchen, sets his cup down, takes both her hands in his. "Give yourself something else to think about. Something that's actually yours."She thinks about that a second, and something in her straightens up, like a dec

  • SHADOWS OF OBLIVION    THE AFTERMATH OF JUSTICE

    The penthouse feels different the morning after the verdict. Quieter, somehow, like the whole place has finally let out a breath it's been holding for weeks.The light coming through the tall windows looks softer than usual, or maybe Elena's just imagining that part. Maybe it's just an ordinary morning and her whole body has simply forgotten what one of those feels like.She wakes before Dante does. Lies there a minute, just watching the ceiling, waiting for the familiar knot of dread to show up the way it has every single morning for weeks now. It doesn't come. There's just some strange, unfamiliar kind of calm sitting where the fear used to live, and she almost doesn't trust it."You're staring at the ceiling again," Dante mumbles beside her, eyes still shut, voice thick with sleep."Keep waiting to feel something bad. Some new disaster.""And?""Nothing." She turns onto her side to look at him properly. "It's actually a good morning. I don't really know what to do with that."He cr

  • SHADOWS OF OBLIVION    VICTOR'S VERDICT

    The name that comes back on the phone call isn't the one anyone wanted."A paralegal," Marco says, hanging up, dragging a hand down his face. "Low-level. Processed the transfer paperwork eighteen months ago because it came through with the right signatures, the right stamps.She had no idea whose money she was moving. Just followed orders from a partner who left the firm not long after.""Which partner?" Dante asks."Retired. Moved to Portugal two years back. Nobody's heard from him since." Marco shakes his head. "It's a dead end, Dante. A real one this time. Not a lie. She had no clue what she was part of."Elena lets out a breath, some of the tension leaving her shoulders, though not all of it. "So it's not someone still inside the family. Not right now.""Not that we can prove." Marco's voice carries a warning under the relief. "But somebody set that transfer up on purpose, years back, and used our own people to do it without anyone noticing. That's still worth losing sleep over."

  • SHADOWS OF OBLIVION    THE TRIAL CONTINUES

    Second week of the trial starts with an empty seat.Elena spots it before the judge even walks in — third row back, aisle side, a coat still slung over the chair like whoever left it plans on coming right back.A man's sat there every single day so far. Same gray coat. Same little notepad he never stops writing in, even during the boring parts, especially during the boring parts.Today the seat's just sitting there, empty, coat and all, like a held breath nobody's letting out."Who's that guy?" she whispers to Dante, nodding toward the empty chair."No idea." He's frowning at it too, the same small crease between his eyebrows he gets when something doesn't sit right with him."Been here since day three, maybe four. Always writing something down. Never looks up much.""Reporter, maybe?""Maybe." He doesn't say it like he believes it.The bailiff calls the room to order before either of them can think much more on it, and the day gets moving — a forensic accountant up on the stand now,

  • SHADOWS OF OBLIVION    MARCO'S CONFESSION

    Dante is in his study when Marco knocks, just once, then lets himself in without waiting for an answer, the way he's done a thousand times over the years they've known each other. Tonight, though, something about the way he stands in the doorway makes Dante set down the papers in his hand immediately."You look like you're about to tell me someone died," Dante says, only half joking."Nobody died." Marco steps inside and closes the door behind him, a small, deliberate click that makes the room feel smaller than it is. "I need to talk to you about something. And I need you to let me get through the whole thing before you say anything."Dante studies him a moment, something wary settling behind his eyes. "Alright. Sit down."Marco doesn't sit. He stands near the window instead, hands shoved in his pockets, looking out at the city like it might give him the courage to actually say what he came here to say."When I told you I recognized Elena at the club," he starts slowly, "I told you it

  • SHADOWS OF OBLIVION    THE CONFESSION

    The dining table is covered in fabric swatches, seating charts, and three different cake samples nobody has actually eaten yet.Elena is starting to understand why people hire someone else to do this. The swatches are spread out in neat rows, ivory and cream and white, all of them looking exactly the same to her tired eyes.The seating charts are covered in tiny handwriting that keeps smudging. The cake samples sit on small plates, slowly going stale."Okay," Sofia says, holding up two swatches of ivory that look, to Elena's eyes, completely identical. "This one, or this one?""They're the same color.""They are not the same color." Sofia squints at them, turning them this way and that in the light. "This one has a little more warmth to it. I think.""Sofia.""I don't know, Elena!" Sofia drops both swatches on the table, laughing despite herself."I have never planned a wedding either! We are two women who grew up with zero normal family traditions trying to plan a wedding from scratc

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