INICIAR SESIÓN
Marianna
My phone is dead.
Dead like "I dropped it in a puddle the size of Lake Michigan while sprinting through the airport like someone fleeing a crime scene" dead. The screen is black. Completely, utterly, fuck-my-life black.
I stare at it for another thirty seconds, like maybe if I concentrate hard enough, sheer force of will might resurrect it.
Spoiler: It doesn't.
I'm standing in baggage claim at what has to be the most depressing airport terminal in America—all fluorescent lights and that specific smell of recycled air and broken dreams—watching the carousel spin. Around and around and around. My suitcase is not on it. Has not been on it for the past twenty minutes. Will probably never be on it.
Twenty-four hours ago, I walked into the apartment I shared with Josh—five whole months together, a personal record—and found him fucking Melissa from accounting. On our couch. The one I picked out.
"You're a wooden board, Mari," he'd said afterward, pulling on his pants like we were having a completely normal conversation and not standing in the ruins of our relationship. "A freak. You won't even let me kiss you properly. What kind of girl doesn't like sex?"
Stop.
The sky outside the terminal windows is doing that thing where it goes from grey to black in about thirty seconds, like someone's pulling a curtain over the world. Rain hammers against the glass in sheets. Thunder rolls. Very atmospheric. Very "pathetic fallacy." If my life were a movie, this would be the part where the protagonist realizes she's made a terrible mistake.
Except I already know I've made a terrible mistake. Multiple terrible mistakes. A veritable greatest hits compilation of terrible mistakes, and I'm only twenty-three.
I should've told my brother I was coming today. Should've given him my flight number and arrival time instead of that vague "I'm thinking of visiting soon" call yesterday where I tried to sound casual and not like my entire life was imploding in real-time. Should've charged my fucking phone before leaving.
Should've, should've, should've.
Instead, I'm standing here with no luggage, no working phone, soaking wet from my sprint through the parking lot (because of course I parked in the cheapest lot, which is basically in a different zip code), and—here's the kicker—no idea where my brother's apartment actually is.
I know it's in the city. I know it's somewhere in the downtown area. I know absolutely nothing useful beyond that because I figured I'd just... GPS it? Like a normal person in the twenty-first century with a functioning phone?
My white sundress is plastered to my body, and I'm wearing a black bra under a white dress. The lacy edge is completely visible. I look like a lingerie ad gone wrong. Or right, depending on your perspective and your thoughts on public decency.
A family walks past. The dad does a double-take. His wife smacks his arm.
Great. Wonderful. Perfect.
I could call my brother from the courtesy phone. Hope he actually answers an unknown number, which—knowing him—he won't, because who does that anymore? I could take a cab downtown and just... wander around until something looks familiar. Sleep in the airport like Tom Hanks in that movie, except less charming and more "girl who clearly made some life choices."
Or I could call my parents.
Which would mean explaining why I'm here. Why I left the gallery internship—the one they pulled strings to get me, the one with three months still on the contract. Why I'm single again. Why I can't just be normal, can't just stay in one place with one job and one boyfriend like everyone else manages to do without their entire life catching fire every six months.
So. Not that.
I'm standing there, mentally rehearsing what I'd even say to the courtesy phone operator—Hi, I need to reach my brother, I'm his sister, the one who shows up unannounced during personal emergencies—when headlights cut through the rain outside.
I squint through the glass. Someone's double-parked at the curb, hazards on, clearly not giving a fuck about the airport police who live to give tickets. The car is... Jesus Christ. Is that a Bugatti?
Who drives a Bugatti to the airport?
The window rolls down. I can't see the driver's face through the rain and my own reflection in the glass, but I can see enough.
Dark hair. Sharp jaw. The kind of profile that should be illegal.
No.
No.
Not him. Anyone but him.
I have three rules. Three very simple rules that have kept me alive—emotionally speaking—for exactly nine years.
Rule number one: Don't fall for your brother's best friend.
Rule number two: Don't fall for your brother's best friend, especially when he's the most desired man in the world, when he could have anyone, when he wouldn't look twice at you even if you were the last woman on Earth.
Rule number three: When you've already broken rules one and two at age fourteen in the most humiliating way possible, don't let it happen again.
The driver's door opens.
Marianna POVDuane: Actually fine. McCartney checked it post-race. Eighty-six. The Parabolica exit was a six.I file the six. Add a note about the Parabolica exit load for the Suzuka call.Me: Get some sleep.Duane: You too.Then, after a pause that's longer than usual:Duane: You were right. About what you said last night. About deciding.I read this three times.Me: So were you. About okay being enough.No response for a few minutes. Then:Duane: Goodnight, Marianna.Me: Goodnight.Monday. The paddock dismantles itself with the efficiency of an operation that has done this seventy-odd times a year for decades. Trucks. Crates. The organized reverse of everything that took days to build.I'm packing the Kinetic kit when Oliver appears in the doorway with two espressos and the expression of someone who has been waiting for a reasonable hour to have a conversation and has decided this is it."Sit," I tell him. "The client chair."He sits. Hands me one of the espressos. "How are you?""B
Marianna POVI sit on Table 3 in the empty treatment room and let that land for a while.Sunday. Race day.The shoulder tape goes on at six fifty AM, seventeen minutes earlier than Thursday because Duane's pre-race focus sharpens the schedule—he arrives earlier, moves through preparation faster, the entire system of him calibrating toward the start lights. McCartney does the primary work; I assist with the AC anchor strip, which requires a specific angle that's easier with two sets of hands.We work in the efficient silence we've developed. McCartney assesses, I apply, Duane sits on the table and occasionally reports a sensation with the accuracy that has been consistent since Zandvoort. Eighty-seven percent today—he offers it unprompted when he comes in, before McCartney asks, which she notes in the file with what I've come to recognize as her version of being pleased."The 130R equivalent here is Parabolica," I tell him, while McCartney does the neck work. "Sustained lateral load in
Marianna POVHe arrives at the Kinetic space, still in team kit, hair slightly damp from the post-qualifying shower. He closes the door behind him and reads the room in approximately two seconds—me sitting on the edge of Table 3, hands in my lap, the specific quality of someone who has been waiting and has used the waiting time to organize her thoughts rather than spiral through them.He sits in the chair across from me. Oliver's sprawling chair. Alina's chair, from this afternoon."Tell me," he says.So I do.I keep it clean, the way McCartney delivers information. Alina's visit. What Luca has been saying. The word that's been circulating through paddock conversations. The probable chain of transmission from his apartment hallway to Alina's careless dinner conversation to Luca's deliberate distribution of something that was never his to touch.He listens without interrupting. His face does the controlled thing, the mask settling into place, but underneath it something is happening—I
Marianna POVThe thing about Alina Lindqvist is that she's very good at waiting.I don't fully understand this until Friday morning, when she doesn't do anything. She's just—present. In the paddock, which she has credentials for because she's been a Veloce brand ambassador for two years, a fact I learn from Oliver's comprehensive source network at approximately 9 AM.In the hospitality unit, talking to team partners with the easy fluency of someone who has been navigating these spaces since before I knew what a paddock was. Near the garage during FP1, standing with a group of sponsors in a way that puts her in Duane's sightline every time he comes off the pit wall.Not doing anything. Just being there.It's actually impressive. As a strategy, I mean. Clinically speaking.I treat Luca at eight, Oliver at ten, spend the lunch hour writing up the Suzuka preparation notes for Patrick's Wednesday call. McCartney finds me at two with an update on Duane's shoulder—AC joint down to minimal in
Marianna POVThe trattoria is exactly what Oliver described and also completely beyond what Oliver described, because Oliver's descriptions are enthusiastic but his sensory vocabulary is primarily sports-based, so the owner has been making it for forty years doesn't quite capture the specific atmosphere of a room with six tables and a ceiling that has absorbed forty years of good cooking, a woman in her sixties who assesses us when we walk in with the calm authority of someone whose cacio e pepe doesn't need our approval, and candles that are the working kind rather than the decorative kind.We're given a table in the back. The kind of table that a restaurant like this gives people it has decided to accommodate—tucked away, good light, slightly separate from the room's main current of activity.Duane orders in Italian, which I was not prepared for. Not tourist Italian, not the careful pronunciation of someone working through a phrase from their phone—actual Italian, easy and unaccente
Marianna POVMonza in September is everything Zandvoort is not.Where Zandvoort is compact and coastal and smells like the sea, Monza sprawls through a royal park north of Milan with the unhurried confidence of a circuit that has been here since 1922 and has no particular interest in impressing you. The trees are enormous. The tarmac is old in a way you can feel through your shoes. The main straight is so long that watching cars accelerate down it feels less like motorsport and more like witnessing something that should probably be illegal on principle.The espresso is extraordinary. Italy is doing this on purpose.My hotel is a twenty-minute bus ride from the circuit, in a part of Monza that is regular-city rather than race-weekend-city—a pharmacy, a bakery, a woman who yells something at a cat from a third-floor window every morning at seven, a specific kind of narrow street that seems designed to fit exactly one Fiat Punto and the memory of a Fiat Punto. My room has a window that l







