INICIAR SESIÓNMarianna
The elevator opens directly into the apartment.
Of course it does. Because Duane Richter doesn't have a front door like a normal person. He has a private elevator that requires a key card and probably a blood sample and maybe a retinal scan, for all I know.
I step out onto marble floors so polished I can see my reflection—wet hair, smudged mascara, dress still clinging to places it shouldn't. The ceiling is approximately three stories high. The windows span an entire wall, floor to ceiling, showcasing Miami's skyline like it's a painting he commissioned specifically to remind visitors that he's richer than God.
Everything is grey. Grey marble. Grey walls. Grey furniture that probably costs more than my college education. The only color comes from the city lights outside, bleeding gold and red through the rain-streaked glass.
It looks like a museum. Or a mausoleum. Somewhere designed to be looked at, not lived in.
"Guest room is down the hall. Second door on the left." Duane's already walking away, not bothering to check if I'm following. "Bathroom's attached. There should be towels."
Should be. Like he's not entirely sure what's in his own apartment.
"Thanks," I say to his retreating back. He doesn't respond.
I stand there for a moment, dripping onto his million-dollar floors, feeling approximately the size of an ant. A wet, pathetic ant who somehow wandered into the wrong habitat and is now deeply regretting all of her life choices.
The guest room is bigger than my entire apartment back in New York. King-sized bed with grey linens—shocking—a walk-in closet that's completely empty, and a bathroom with a rainfall shower and a tub that could comfortably fit four people.
I catch my reflection in the mirror and immediately wish I hadn't.
I look like a drowned rat who got into a fight with a mascara bottle and lost. My white sundress is basically transparent at this point. My black bra is very much visible. My hair is plastered to my skull in a way that makes me look vaguely like a Victorian ghost.
Sexy. Very sexy. Definitely the impression I wanted to make.
I shower for approximately forty-five minutes, using products that probably cost more than my monthly grocery budget, and try very hard not to think about the fact that I'm naked in Duane Richter's apartment.
Naked. In his apartment. Using his soap.
Nope. Not thinking about it.
When I finally emerge, wrapped in a towel that's softer than anything I've ever owned, I find clothes laid out on the bed. A t-shirt—black, obviously—and a pair of sweatpants that are going to be comically large on me.
His clothes.
I'm going to be wearing Duane Richter's clothes.
This is fine. Totally fine. People wear other people's clothes all the time. It doesn't mean anything. It's just fabric. Fabric that smells like him, like that dark woody cologne that's been messing with my head since I got in his car—
Stop. Stop it.
I pull on the shirt. It falls to mid-thigh, drowning me completely. The sweatpants require rolling the waistband approximately seventeen times before they'll stay up, and even then they're pooling around my ankles.
I look ridiculous. Like a child playing dress-up in her father's closet.
Except my father never smelled like this. Never made my skin prickle just from the residual scent on fabric.
God, I need help. Professional help. The kind that involves a therapist and possibly medication and definitely not standing in my brother's best friend's guest room, inhaling his t-shirt like a complete creep.
There's a phone on the nightstand. Old model iPhone, cracked screen, but when I press the button, it lights up.
He left me a phone.
I don't know why that makes my chest feel tight. It's practical. Logical. I needed a phone, he had a spare, end of story. It doesn't mean anything.
Nothing means anything.
I spend the next twenty minutes navigating through password resets and two-factor authentication hell, proving to various apps that yes, I am in fact Marianna Reyes, and no, I haven't been kidnapped by someone trying to access my very unimpressive social media presence.
Finally—finally—I get into my messages.
Forty-seven texts from Jill.
I scroll through them with a mixture of guilt and affection. They start concerned ("where are you??"), escalate to panicked ("MARI I SWEAR TO GOD IF YOU DON'T ANSWER"), and eventually settle into resigned acceptance ("okay I'm assuming you're either dead or on a plane, please confirm which one when you can").
Me: Not dead. In Miami.
The response is almost instantaneous.
Jill: EXCUSE ME???
Jill: MIAMI????
Jill: You were supposed to be wallowing in our apartment eating ice cream and watching sad movies!!
Jill: What happened to the PLAN
Me: Plan changed. Josh happened.
Jill: Oh god
Jill: What did that limp dick do now
I snort. Jill has never liked Josh. Called him "aggressively mediocre" the first time she met him and never revised her opinion upward.
Me: Caught him fucking Melissa from accounting. On our couch.
Jill: I'M SORRY WHAT
Jill: I will murder him. I will fly to New York and murder him with my bare hands.
Me: Please don't. Orange isn't your color.
Jill: Worth it. So worth it.
Jill: Are you okay?? Where are you staying? Please tell me you're with your brother and not alone in some sketchy motel
Here's where it gets complicated.
Me: About that.
Me: Marco's in Monte Carlo.
Jill: Of course he is. Your brother is USELESS. I've always said this. Absolutely useless.
Jill: So where are you???
I stare at the screen for a long moment. Consider lying. Consider saying I found a nice hotel, everything's fine, nothing to see here.
But this is Jill. She'll find out eventually. She always does.
Me: At Duane's.
Three dots appear. Disappear. Appear again.
Jill: I'm sorry
Jill: I think I hallucinated
Jill: Did you just say you're at DUANE'S
Jill: As in DUANE RICHTER
Jill: As in THE Duane Richter
Jill: As in the man you've been having sex dreams about since you were fourteen????
I wince. I really need to stop telling Jill things.
Me: It's not like that. He picked me up from the airport because Marco asked him to. I'm staying in his guest room. It's purely practical.
Jill: Purely practical
Jill: You're staying in the apartment of the man who makes your panties disintegrate just by existing
Jill: And it's PRACTICAL
Me: I hate you.
Jill: You love me. I'm the only one who tells you the truth.
Jill: Speaking of which
Jill: Did you know he's single now?
My stomach does something uncomfortable.
Me: What?
Jill: Duane. He and that model finally called it quits. For real this time, apparently.
Jill: Alina something. The one with the cheekbones.
I know exactly who she's talking about. Alina Lindqvist. Six feet tall, legs for days, the kind of bone structure that makes mere mortals weep. She and Duane have been on-again, off-again for the past two years—a relationship chronicled extensively by tabloids and F1 fan accounts alike.
Me: So?
Jill: SO????
Jill: So you're single, he's single, you're LIVING IN HIS APARTMENT
Jill: The universe is literally handing you an opportunity on a silver platter
Me: The universe is handing me a logistical nightmare. That's all this is.
Jill: Keep telling yourself that babe
Jill: But maybe put on something cute tomorrow. Just in case.
Me: I'm wearing his sweatpants and a t-shirt that could fit three of me.
Jill: ...kinky
Me: GOODBYE JILL
Jill: LOVE YOU
Jill: USE PROTECTION
I close the app before she can say anything else that makes me want to throw the phone across the room.
She's wrong. This isn't an opportunity. This is a disaster waiting to happen—a slow-motion car crash that I can see coming but can't seem to steer away from.
I'm staying in Duane Richter's apartment for three days. That's seventy-two hours of close proximity with a man who makes my body forget all its rules. Seventy-two hours of trying not to stare, not to want, not to remember every dream I've ever had about him.
Three days of pretending I don't feel anything.
I can do that. I've been pretending my whole life.
Marianna POVDuane: Actually fine. McCartney checked it post-race. Eighty-six. The Parabolica exit was a six.I file the six. Add a note about the Parabolica exit load for the Suzuka call.Me: Get some sleep.Duane: You too.Then, after a pause that's longer than usual:Duane: You were right. About what you said last night. About deciding.I read this three times.Me: So were you. About okay being enough.No response for a few minutes. Then:Duane: Goodnight, Marianna.Me: Goodnight.Monday. The paddock dismantles itself with the efficiency of an operation that has done this seventy-odd times a year for decades. Trucks. Crates. The organized reverse of everything that took days to build.I'm packing the Kinetic kit when Oliver appears in the doorway with two espressos and the expression of someone who has been waiting for a reasonable hour to have a conversation and has decided this is it."Sit," I tell him. "The client chair."He sits. Hands me one of the espressos. "How are you?""B
Marianna POVI sit on Table 3 in the empty treatment room and let that land for a while.Sunday. Race day.The shoulder tape goes on at six fifty AM, seventeen minutes earlier than Thursday because Duane's pre-race focus sharpens the schedule—he arrives earlier, moves through preparation faster, the entire system of him calibrating toward the start lights. McCartney does the primary work; I assist with the AC anchor strip, which requires a specific angle that's easier with two sets of hands.We work in the efficient silence we've developed. McCartney assesses, I apply, Duane sits on the table and occasionally reports a sensation with the accuracy that has been consistent since Zandvoort. Eighty-seven percent today—he offers it unprompted when he comes in, before McCartney asks, which she notes in the file with what I've come to recognize as her version of being pleased."The 130R equivalent here is Parabolica," I tell him, while McCartney does the neck work. "Sustained lateral load in
Marianna POVHe arrives at the Kinetic space, still in team kit, hair slightly damp from the post-qualifying shower. He closes the door behind him and reads the room in approximately two seconds—me sitting on the edge of Table 3, hands in my lap, the specific quality of someone who has been waiting and has used the waiting time to organize her thoughts rather than spiral through them.He sits in the chair across from me. Oliver's sprawling chair. Alina's chair, from this afternoon."Tell me," he says.So I do.I keep it clean, the way McCartney delivers information. Alina's visit. What Luca has been saying. The word that's been circulating through paddock conversations. The probable chain of transmission from his apartment hallway to Alina's careless dinner conversation to Luca's deliberate distribution of something that was never his to touch.He listens without interrupting. His face does the controlled thing, the mask settling into place, but underneath it something is happening—I
Marianna POVThe thing about Alina Lindqvist is that she's very good at waiting.I don't fully understand this until Friday morning, when she doesn't do anything. She's just—present. In the paddock, which she has credentials for because she's been a Veloce brand ambassador for two years, a fact I learn from Oliver's comprehensive source network at approximately 9 AM.In the hospitality unit, talking to team partners with the easy fluency of someone who has been navigating these spaces since before I knew what a paddock was. Near the garage during FP1, standing with a group of sponsors in a way that puts her in Duane's sightline every time he comes off the pit wall.Not doing anything. Just being there.It's actually impressive. As a strategy, I mean. Clinically speaking.I treat Luca at eight, Oliver at ten, spend the lunch hour writing up the Suzuka preparation notes for Patrick's Wednesday call. McCartney finds me at two with an update on Duane's shoulder—AC joint down to minimal in
Marianna POVThe trattoria is exactly what Oliver described and also completely beyond what Oliver described, because Oliver's descriptions are enthusiastic but his sensory vocabulary is primarily sports-based, so the owner has been making it for forty years doesn't quite capture the specific atmosphere of a room with six tables and a ceiling that has absorbed forty years of good cooking, a woman in her sixties who assesses us when we walk in with the calm authority of someone whose cacio e pepe doesn't need our approval, and candles that are the working kind rather than the decorative kind.We're given a table in the back. The kind of table that a restaurant like this gives people it has decided to accommodate—tucked away, good light, slightly separate from the room's main current of activity.Duane orders in Italian, which I was not prepared for. Not tourist Italian, not the careful pronunciation of someone working through a phrase from their phone—actual Italian, easy and unaccente
Marianna POVMonza in September is everything Zandvoort is not.Where Zandvoort is compact and coastal and smells like the sea, Monza sprawls through a royal park north of Milan with the unhurried confidence of a circuit that has been here since 1922 and has no particular interest in impressing you. The trees are enormous. The tarmac is old in a way you can feel through your shoes. The main straight is so long that watching cars accelerate down it feels less like motorsport and more like witnessing something that should probably be illegal on principle.The espresso is extraordinary. Italy is doing this on purpose.My hotel is a twenty-minute bus ride from the circuit, in a part of Monza that is regular-city rather than race-weekend-city—a pharmacy, a bakery, a woman who yells something at a cat from a third-floor window every morning at seven, a specific kind of narrow street that seems designed to fit exactly one Fiat Punto and the memory of a Fiat Punto. My room has a window that l







