LOGINMarianna.
He'd said he'd call after the debrief. Debriefs run long after wins—I know this now, I know so much useless beautiful trivia now—so I told myself not to expect anything before ten. Very mature. Very reasonable.
By nine I had showered, changed into the good sleep shirt (the good sleep shirt! for a phone call! he can't even see—okay, it was a video call, he could see, that's exactly why), checked my hair in my phone camera twice, hated it, given up, and rearranged the two paper airplanes on my windowsill so they'd be... I don't know. Visible? In the background? I moved them a quarter inch to the left and then felt so stupid I moved them back.
Twenty-three years old. A licensed healthcare provider. Staging paper airplanes for a boy.
At 9:14 the screen lit up with his name, and I let it ring twice so I wouldn't seem like I'd been holding the phone.
I had been holding the phone.
"Hi," I said, and it came out breathless, which, great, terrific, off to a strong start.
"Hi." He was in his hotel room, lamp on, hair still wet from the shower, in a gray T-shirt I'd never seen. He looked loose in a way he only gets after a race, like someone had unlocked all his joints. "You watched."
"Barely. Had it on in the background. Wasn't really paying attention."
"Derek texted Patrick that you crouched in front of the TV for forty minutes."
"DEREK—" I closed my eyes. "Derek is a snitch and I hope his coffee machine wins their war."
And then Duane laughed.
Not the exhale. An actual laugh, short and low and real, and it went through me like warm water, and I thought: oh no. Oh no, I would do genuinely humiliating things to hear that sound again.
"It was a good race," I said, recovering approximately none of my dignity. "You made everybody else look like they were driving school buses."
"The car was good today."
"The car. Sure. The car crouched in the tunnel and threaded the hairpin—"
"You know the corner names now."
I stopped.
"Some of them," I said. "A few. For work."
"For work," he repeated, and I could hear him not believing me, and I could see him not believing me, which is the problem with video calls, there's nowhere to hide, he could probably see me blushing through the screen and four time zones.
"Your brother was in the garage," he said, taking mercy on me. "He gave me a message for you."
"Oh no. Is it about my rent—"
"He said he's proud of you." Duane's voice shifted—quieter. "That you're doing something real. His words. He said, 'Tell her. She actually listens to you.'"
I looked away from the screen. At the wall. At nothing.
"He could've texted me that," I said, when I could talk.
"That's what I said."
"What did he say?"
"He said, 'You've met her, right?'"
A laugh burst out of me, wet around the edges. My family communicates like spies passing notes through embassies, and somehow this ridiculous man in a hotel in Montreal had become our courier, and somehow that made it better, not worse. Some things you can only hear secondhand.
"Duane."
"Yes."
"The thing you did. After the flag. You touched your visor." My heart started up again, the trip-and-catch. "What is that?"
He went quiet. On the phone I'd never have known if he was thinking or dodging. On video I could see him deciding—looking at me, actually looking, the way he does that makes me feel like the only channel he gets.
"My way of marking something," he said. "When something matters. When I want to remember it."
"What were you remembering?"
"Marianna."
"What?"
"You know what."
I did know. I knew it in my stomach and my hands and my dumb tripping heart, and I sat there on my brother's guest bed grinning at a phone screen like a lunatic, and he watched me do it, and neither of us looked away, and for a good five seconds nobody said anything and it wasn't even slightly awkward. It was the opposite of awkward. I don't know the word for the opposite of awkward. I'm going to need it a lot, I think.
"Go to sleep," I finally said. "You have media in the morning."
"You go to sleep."
"That's not—we can't both—someone has to hang up—"
"You first."
"Duane Richter, are you doing the you hang up thing? You? The man who answers texts with one word?"
"I have no idea what you're talking about."
"Hang up."
"You hang up."
I hung up—laughing, actually laughing alone in a dark room—and then immediately texted him: You lost the game, by the way.
The reply came in four seconds: I never lose.
Then, right after: Goodnight, Marianna.
I held the phone against my chest like a fourteen-year-old. There's no clinical way to say that. That's just what I did.
Jill called at ten, as threatened.
"Tea," she said. "Start with the tea and leave nothing out."
So I told her. The tea. The floor-sitting. The stitches and the forehead kiss. The paper airplane hitting my window at two in the morning. I could hear her getting quieter and quieter, which for Jill is like watching the ocean drain.
"Say something," I said, when I finished. "You're scaring me."
"I'm just—" She stopped. "Mari, do you hear yourself right now?"
"What do I sound like?"
"Happy," she said. "You sound happy. Like, dumb happy. You've told me the story of a man giving you tea for eleven minutes."
"It was really good tea—"
"You sound like someone turned a light on in you," she said. "Not a big light. A lamp. In a room that's been dark for so long you forgot there was a lamp."
I looked at the windowsill. The two airplanes—his perfect one, my terrible one—sitting side by side where I'd staged them and un-staged them, glowing a little at the edges in the streetlight, like they were in on something.
"Don't make it a thing," I said.
"It's already a thing. It's the best thing." Then her voice changed. Went soft and careful, the voice she almost never uses. "Can I ask you something?"
"You're going to anyway."
"When's the last time somebody took care of you?"
And just like that, all the flutter in my chest went still.
Not gone. Just still. Like a bird that heard something.
The bar down the street was playing something slow. The airplanes glowed on the sill. And I sat there in the dark with the phone warm against my ear, running back through it—the boyfriends, the jobs, the years of handling everything myself and calling it independence—looking for the answer, and finding the answer, and not being able to make my mouth say it.
Jill waited. She's good at waiting. It's her superpower and her weapon.
"Goodnight, Jill," I said, finally.
"Goodnight, babe," she said, gentle, letting me off the hook. "Water your lamp."
"That's not how lamps work."
"You know what I mean."
I did know.
I lay down. The airplanes stood watch on the windowsill.
And I fell asleep with my hand over my sternum, right where the flutter lives, holding it in place.
Marianna POVDuane: Actually fine. McCartney checked it post-race. Eighty-six. The Parabolica exit was a six.I file the six. Add a note about the Parabolica exit load for the Suzuka call.Me: Get some sleep.Duane: You too.Then, after a pause that's longer than usual:Duane: You were right. About what you said last night. About deciding.I read this three times.Me: So were you. About okay being enough.No response for a few minutes. Then:Duane: Goodnight, Marianna.Me: Goodnight.Monday. The paddock dismantles itself with the efficiency of an operation that has done this seventy-odd times a year for decades. Trucks. Crates. The organized reverse of everything that took days to build.I'm packing the Kinetic kit when Oliver appears in the doorway with two espressos and the expression of someone who has been waiting for a reasonable hour to have a conversation and has decided this is it."Sit," I tell him. "The client chair."He sits. Hands me one of the espressos. "How are you?""B
Marianna POVI sit on Table 3 in the empty treatment room and let that land for a while.Sunday. Race day.The shoulder tape goes on at six fifty AM, seventeen minutes earlier than Thursday because Duane's pre-race focus sharpens the schedule—he arrives earlier, moves through preparation faster, the entire system of him calibrating toward the start lights. McCartney does the primary work; I assist with the AC anchor strip, which requires a specific angle that's easier with two sets of hands.We work in the efficient silence we've developed. McCartney assesses, I apply, Duane sits on the table and occasionally reports a sensation with the accuracy that has been consistent since Zandvoort. Eighty-seven percent today—he offers it unprompted when he comes in, before McCartney asks, which she notes in the file with what I've come to recognize as her version of being pleased."The 130R equivalent here is Parabolica," I tell him, while McCartney does the neck work. "Sustained lateral load in
Marianna POVHe arrives at the Kinetic space, still in team kit, hair slightly damp from the post-qualifying shower. He closes the door behind him and reads the room in approximately two seconds—me sitting on the edge of Table 3, hands in my lap, the specific quality of someone who has been waiting and has used the waiting time to organize her thoughts rather than spiral through them.He sits in the chair across from me. Oliver's sprawling chair. Alina's chair, from this afternoon."Tell me," he says.So I do.I keep it clean, the way McCartney delivers information. Alina's visit. What Luca has been saying. The word that's been circulating through paddock conversations. The probable chain of transmission from his apartment hallway to Alina's careless dinner conversation to Luca's deliberate distribution of something that was never his to touch.He listens without interrupting. His face does the controlled thing, the mask settling into place, but underneath it something is happening—I
Marianna POVThe thing about Alina Lindqvist is that she's very good at waiting.I don't fully understand this until Friday morning, when she doesn't do anything. She's just—present. In the paddock, which she has credentials for because she's been a Veloce brand ambassador for two years, a fact I learn from Oliver's comprehensive source network at approximately 9 AM.In the hospitality unit, talking to team partners with the easy fluency of someone who has been navigating these spaces since before I knew what a paddock was. Near the garage during FP1, standing with a group of sponsors in a way that puts her in Duane's sightline every time he comes off the pit wall.Not doing anything. Just being there.It's actually impressive. As a strategy, I mean. Clinically speaking.I treat Luca at eight, Oliver at ten, spend the lunch hour writing up the Suzuka preparation notes for Patrick's Wednesday call. McCartney finds me at two with an update on Duane's shoulder—AC joint down to minimal in
Marianna POVThe trattoria is exactly what Oliver described and also completely beyond what Oliver described, because Oliver's descriptions are enthusiastic but his sensory vocabulary is primarily sports-based, so the owner has been making it for forty years doesn't quite capture the specific atmosphere of a room with six tables and a ceiling that has absorbed forty years of good cooking, a woman in her sixties who assesses us when we walk in with the calm authority of someone whose cacio e pepe doesn't need our approval, and candles that are the working kind rather than the decorative kind.We're given a table in the back. The kind of table that a restaurant like this gives people it has decided to accommodate—tucked away, good light, slightly separate from the room's main current of activity.Duane orders in Italian, which I was not prepared for. Not tourist Italian, not the careful pronunciation of someone working through a phrase from their phone—actual Italian, easy and unaccente
Marianna POVMonza in September is everything Zandvoort is not.Where Zandvoort is compact and coastal and smells like the sea, Monza sprawls through a royal park north of Milan with the unhurried confidence of a circuit that has been here since 1922 and has no particular interest in impressing you. The trees are enormous. The tarmac is old in a way you can feel through your shoes. The main straight is so long that watching cars accelerate down it feels less like motorsport and more like witnessing something that should probably be illegal on principle.The espresso is extraordinary. Italy is doing this on purpose.My hotel is a twenty-minute bus ride from the circuit, in a part of Monza that is regular-city rather than race-weekend-city—a pharmacy, a bakery, a woman who yells something at a cat from a third-floor window every morning at seven, a specific kind of narrow street that seems designed to fit exactly one Fiat Punto and the memory of a Fiat Punto. My room has a window that l







