LOGINDana POV: Dana Leaves
I stare up at the towering glass facade of the penthouse, the place that's been my home, our home, for two years. The document I just signed says: immediate eviction. No grace period, no second chances. My hands tremble as I clutch the strap of my handbag. I try to catch my breath, to swallow the sobs clawing up my throat, but the ache in my chest is a living thing that keeps twisting and tearing through me. But I must stop crying. I have to be strong. But how? How do I walk away from everything?
The elevator doors slide open with a soft ding, and I step inside, pressing the button for the top floor. As the car ascends, the weight of it all crashes down on me and my knees buckle. I collapse against the mirrored wall, sliding to the floor. Sobs rack my body, ugly and uncontrolled. I should never have fallen in love with Alex. I should have kept my guard up, resisted the pull of his touch, his whispered promises in the dark. But I couldn't help it anymore. After months of pretending, of keeping it professional, I let myself believe he felt the same. That that one night tangled in sheets meant something real. God, what a fool I've been.
The doors open to the familiar marble foyer, and I stumble out, wiping my face on my sleeve. The apartment smells like dinner—Maria's doing, always keeping it perfect. And there she is, the kind-hearted housekeeper who's become more like a friend, a surrogate mother these past months. Her eyes widen at the sight of my puffy eyes and shattered walk.
"Ma’am Dana? Mi Dios, what happened? Are you hurt?" She rushes over, her apron dusted with flour from whatever she's baking.
I shake my head, words failing me. The pain is too great and too deep. I brush past her gently and head to the bedroom, the room where Alex and I shared so many nights playfighting and cuddling after the first month of our contract marriage. I can still feel him—his scent on the pillows, his warmth in the air. It's like he's inside me, in my blood, my soul, refusing to let go.
Maria follows me, her footsteps insistent. "Ma’am, please, talk to me. Did something terrible happen? Is it your family?"
I sink onto the edge of the bed, the king-sized haven where we made love two weeks ago. My body feels heavy, powerless. Tears stream down again, and I can't even lift my arms to pack.
"It's okay," I whisper, but it's a lie. Nothing is okay.
"No, it's not." Maria kneels in front of me, her warm hands on my knees. "I'm not watching you cry like this. I'm calling Mr. Alex right now."
"No!" I cry out desperately, meeting her shocked gaze. "Please, Maria. Don't."
She recoils, her own eyes glistening with impending tears. "But why? You're breaking my heart. What if someone died? Your dad? Tell me, niña."
I wipe my eyes with the back of my hand, forcing air into my lungs. "I'm leaving. That's all."
Her face crumples, but she nods slowly. I find a sliver of strength then, rising to open the walk-in closet. It's a shrine to Alex's generosity: rows of designer dresses that hug my curves just right, stilettos in every color, handbags from Chanel and Gucci, perfumes that cost more than my old rent, jewelry sparkling under the lights—diamond earrings, gold necklaces, watches encrusted with gems. Makeup palettes from high-end brands, lingerie he picked out himself. All of it screams luxury, love, possession. But it was never mine. Not really.
I ignore it all, pulling out the duffel bag I came with. Simple jeans, faded T-shirts, a pair of worn sneakers, a couple of books, my laptop. It barely fills half the bag, but I don't mind. These are me, the real Dana, not the polished version Alex molded.
"Where are you going?" Maria asks me as I head for the doorway. "Did you and Mr. Alex fight?”
My shoulders sag. “Maria—”
“Husbands and wives fight all the time,” she continues earnestly. “My Roberto and I, we yell, we make up. It passes."
I pause, the bag slung over my shoulder. The city skyline mocks me through the floor-to-ceiling windows, indifferent to my heartbreak. "Wait here, Maria. Please don't follow."
Back in the bedroom, I grab a sheet of stationery from the nightstand, Alex's monogrammed paper, of course. My hand shakes as I write:
Alex,
I never expected this to end, but I should have. Thank you for the moments that felt like forever, for making me believe in something beautiful, even if it was just an illusion. I loved you with everything I had—my heart, my body, my soul. But I see now it wasn't enough. Be happy with her. Find the joy we almost had. Goodbye.
Tears smudge the ink, but I fold it and leave it on his pillow, where he'll find it later. Maybe it'll hurt him. Maybe not.
Back in the living room, Maria is wringing her hands, tears tracking down her cheeks. "Is it divorce? Are you separating? You'll come back, right? Please say you'll come back."
"It was never meant to last for us, Maria. Not like this. I won't be back."
She collapses onto the couch, her face crumpling as she groans, a sound of pure anguish that mirrors my own. I want to hug her, but if I do, I'll never leave. So I pick up my bag and slip out the door.
Downstairs, the night is suddenly cold, the streetlights casting long shadows. I realize with a sinking dread that I have no way out. No car of my own because I arrived in a cab two years ago. The Mercedes S-Class Alex gifted me sits in the parking lot, the keys probably already destined for Jodie, his new flame. My checking account has money, but the nearest ATM is miles away, and walking these streets at night feels reckless and dangerous.
I called Derek earlier but he said he might not make it on account of work. Still, I hoped.
And then, headlights appear up the street, and it’s not hope, it is Alex's car pulling up. He parks and steps out with Jodie. He doesn't even glance my way, his laughter mingling with hers as they head inside. The cruelty of it all cuts through me like a knife. How could he discard me so easily, like yesterday's trash? This was always the endgame, wasn't it? A contract wife, a temporary fix until the real one came along. But the betrayal, the indifference and seeing a new girl take my place rips me open anew.
Hot humiliating shame floods me. I can't stand here, exposed. I start walking down the street, the night closing in, my clopping footsteps sounding off my isolation. Tears blur my vision again, sobs hitching in my chest. How did I let myself fall so deep?
A car engine hums towards me. I tense, ready to run, but the door opens, and it's Derek.
"Dana!"
I fall against him, my bag dropping to the pavement. His arms wrap around me, and for the first time tonight, I don’t quite feel alone.
"It's going to be okay," he murmurs into my hair. "I've got you."
But as he guides me into the car, I glance back one last time. The penthouse lights glow high above, a world that's no longer mine. And in that moment, the pain pinches tighter, a tidal wave of loss—for the love I gave, the dreams I built, the woman I became. Will it ever stop hurting? I don't know. But for now, I must worry about my family.
Will they take me back?
Alex POV: Meeting Dana AgainI’m sitting in the temporary office I rented when my phone rings on the table. It is about eight in the morning and Stanton is calling. It is unusual. He is usually in court this early."Alex," he says, when I answer. "You alright, bro?"The question catches me off guard. Stanton doesn't do concern like this. "Yeah, I'm fine. Why?"He pauses. "Jodie called me this morning. Sounded . . . worried. She said you've been acting strange. Eating at some hole-in-the-wall diner last night, then handing your Patek Philippe to a guy sleeping on a grate near Dupont Circle. She thinks you're having some kind of episode."I laugh thinly, rubbing my eyes. "It's not an episode. I'm just . . . trying to live differently.""Differently how?" he asks, puzzled, not judgmental, but close. "You've worked your ass off to get where you are. That watch alone cost more than most people's yearly rent. You gave it away?""I saw the guy. He was shivering under a cardboard, his hands c
Dana POV: Bert Loves The Painting Bert Friesen stares at the painting on the easel like he’s afraid the painting might vanish. He steps back and looks at me again, his eyes wide behind his round glasses.“You’re not messing with me,” he says. “You painted this?”I frown, my heart kicking up. “What’s wrong? You told me you liked it. You flew all the way here because of it.”He shakes his head, already pulling his phone from his coat pocket. “You don’t understand, Dana. It looks even better than in the photo you sent. You are something else.” “Oh.”Whew. He dials, puts the phone to his ear, and keeps staring at the canvas as he listens to the ringing. “Are you sure you’re not going to leave your dad’s business and move to France?” he asks me. I shake my head. “No way. Basquiat went out there and died.”“Basquiat died in his studio in Manhattan. He died here, not there.”“Okay,” I say, shrugging. “You get my point.” I grin and turn back to the painting. A text comes in on my phone
Alex POV: Making Some Changes Around HereBy the time I walk into one of the offices in my company, my head is still heady with questions. In Watson Bruen’s office, I'm listening to the COO’s voice drone along with the air conditioning. He’s pacing now, gesturing at the projected slide on the wall, the red arrows pointing up for costs, red arrows pointing down for margins. Watson is angry about Trump’s latest sanctions on China which caused a rerouting of our supply chain for Lex Automobile. Parts that used to come from Shenzhen now have to come from Osaka or Nagoya. It's a logistics nightmares. The tariffs area a headache. I nod at the right moments, but my mind is elsewhere, back in that small office on Dutch Crescent. Colt Wuckert’s quiet stare in my head. His question that still echoes in my head: How do you know who you are if you haven’t been tested?Watson stops pacing when he notices I’m not really listening. “Alex? You with me?”I blink, refocusing on his square face a
Alex POV: The Interview With Wuckert There is nothing striking about the Dutch Crescent address. It looks too small and ordinary. A narrow brick facade squeezed between a law office and a dry cleaner, the sign reading “Crescent Media Solutions – Cable Television Distribution” in plain block letters. Nothing about it screams power. Nothing about it matches the weight my father put behind the words “go see him” this morning.Dad’s call had come at dawn. He had sounded ominous when he said, “I need you to meet Colt Wuckert. He's a member of the Club of Eight. Dutch Crescent, West End. Be there at ten. Don’t be late.” He had offered no other explanation. He didn't prep me. All I had was the address and the expectation that I’d understand.I understand enough to know this is no casual meeting. After Orsini’s party, after seeing those six men at the table, I couldn’t stop thinking about the seat that had been empty. Who did it belong to? My father wants me there, I believe. Yesterday Jo
Dana POVI pay the taxi driver and step out onto Dutch Crescent. I look around at the old structures that make up West End and shake my head. Why would dad's friends have their office here?The sign on the sidewalk reads “Crescent Media Solutions – Cable Television Distribution,” a name I’ve never heard before, plain enough to blend into the row of professional offices. It looks like any other mid-tier company building with glass doors, brass plaque, and no fanfare. I lick my dry lips and try to composw myself. Inside, the lobby is cool and understated with marble floors, a single reception desk, abstract art on the walls that I suspect costs more than it looks like. The woman behind the desk glances up as I approach.“I’m here to see Colt Wuckert,” I say, exactly as he instructed over the phone.She smiles politely and her eyes brighten when I add, “Dana Travis.”She lifts the intercom receiver. “Ms. Dana Travis is here to see you, sir.”She waits, listens, then nods toward the wi
Dana POV: One Company To Birth Them AllDad’s old office will never cease to make me feel watched. I'm at the window, staring at the city skyline, trying to process the phone call that just ended. But I look back at the high backed chair and imagine my old man sitting there, looking at me. My phone rings and I pick it to hear mom's voice. “I'm at the hospital here, Dana,” she says. “How's it coming together in Washington?”“Its okay out here, mom. How's dad?” “He's doing his best, I guess,” she murmurs. “I'm happy about the sale of Wood and Ward,” she says and my eyes open a little wider. “Your dad loves that company. It is his favorite in his empire, did you know that?” No, I didn't. I start to giggle. “Dad never said anything like that?” “Men never tell you the one they love the most,” she says almost wistfully. “Your dad loves that company and would never let go if he wasn't in a hospital, dying.”My back stiffens and I catch my breath. I sit on the chair and lean back. “Mo







