MasukI don't sleep.
I lay on the silk sheets in my clothes, staring at the ceiling until the sun bleeds through the glass.
When the knock comes, it isn't Spadino. It’s a guard.
"Boss wants you," he grunts. "Office."
He doesn't wait. He turns and walks down the hall. I scramble to follow, my shoes loud on the marble.
Aureliano’s office is on the ground floor. Double doors. heavy dark wood. The guard opens one, jerks his head inside, and leaves.
I walk in.
The room smells like old paper, espresso, and the sharp, metallic tang of ink. It’s freezing. The air conditioning is humming, keeping the temperature low enough to preserve a corpse.
Aureliano is sitting behind a massive mahogany desk. He’s writing in a ledger. He doesn't look up.
"Lock the door," he says.
My heart stutters. I turn. The lock is heavy brass. Click.
"Come here."
I walk toward the desk. My legs feel like lead.
One step. Two steps. Three.
I stop in front of the desk.
"Closer," he says. He still hasn't looked at me.
I step around the edge of the desk. I am standing right beside his chair now. I can smell him—bergamot and cold detachment.
He finishes writing a number. He closes the ledger with a snap.
Finally, he looks at me.
His eyes are grey ice. There is no anger in them. No lust. Just assessment.
"You are here to pay down the interest," he says.
He spins his chair toward me. He spreads his knees.
"Jacket off."
I freeze.
"Jacket," he repeats. His voice doesn't rise. It doesn't have to.
My hands shake as I fumble with the zipper. I shrug the oversized coat off my shoulders. It falls to the floor. I’m wearing a thin t-shirt and leggings underneath. I feel naked.
"Sit," he commands. He points to the edge of the desk.
Not his lap. The wood.
I hesitate.
His hand shoots out. He grips my wrist. His skin is dry and warm. He yanks me forward.
My hip hits the desk. He lifts me effortlessly, planting me on the hard mahogany surface. He steps between my legs before I can close them.
"Rule number one," he says softly. "You don't hesitate. Hesitation costs time. Time is money."
He leans in. He doesn't kiss me. He grips my jaw, holding my face still.
"Rule number two. You belong to the house. That means you belong to me. To Ciro. To Spadino."
He pushes my t-shirt up. His palm is rough against my stomach.
"Look," he orders.
He turns my head toward the wall on the left.
It isn't a wall. It’s a pane of one-way glass that looks out into the hallway.
And they are there.
Ciro is leaning against the opposite wall, arms crossed. Spadino is standing next to him, eating an apple.
They are watching.
They can see me. They can see my legs spread on the boss's desk. They can see Aureliano’s hand sliding under the waistband of my leggings.
Heat floods my face. It’s not arousal. It’s shame. Thick, choking shame.
"Don't close your eyes," Aureliano says against my ear. "They like to watch."
He yanks my leggings down.
I gasp. The air is cold on my skin.
He doesn't unzip his pants. He just undoes the front, freeing himself. He is ready. He has been ready.
He pushes into me.
It’s dry. It hurts.
I make a sound—a small, pathetic whimper.
"Quiet," he hisses.
He starts to move. It is clinical. He isn't making love. He isn't even fckng me with passion. He is using me. I am a tool. A stress ball. A warm place to empty himself before a meeting.
I turn my head away from the glass. I look down at the desk.
I focus on the wood.
Mahogany. Reddish-brown. Grainy.
I start to count.
One grain. Two grains. Three grains.
He thrusts harder. My body rocks back, my head hitting his computer monitor.
Four grains. Five.
There is a knot in the wood near my left hand. It looks like an eye.
Six grains. Seven.
Aureliano’s breath hitches. His grip on my hips tightens until I know there will be bruises. Fingerprint bruises.
"Look at them," he growls.
I don't. I can't.
Eight grains. Nine. Ten.
I count the swirls in the varnish. I count the seconds.
He is big. He fills me completely, stretching me until I feel like I might tear. But I’m not here. I’m in the wood. I’m swimming in the grain.
Thirty-two. Thirty-three.
Spadino must be smiling. Ciro is probably blank.
Forty-five. Forty-six.
Aureliano groans. It’s a guttural, angry sound. He slams into me one last time, deep and hard, grinding his hips against mine.
He stiffens. He shakes.
He pours himself into me.
I count the pulses. One. Two. Three. Four.
He stops.
He pulls out immediately.
He fixes his pants before I can even sit up.
I feel hollowed out. Used. Wet.
Aureliano walks back around the desk. He sits in his chair. He opens the ledger again. He picks up his pen.
I am still sitting on his desk, exposed, trembling.
He writes something down. A number. Maybe he’s deducting a thousand euros from my debt. Maybe five hundred. I don't know the exchange rate for dignity.
He doesn't look up.
"Get off my desk," he says. His voice is back to normal. Ice cold.
I slide off. My legs almost give out. I grab my coat from the floor, clutching it to my chest to cover myself.
"Clean yourself up," Aureliano says, flipping a page. He points his pen at the mahogany surface where I was just sitting.
There is a smear of fluid on the dark wood.
"You made a mess of my ledger."
I turn and run. I unlock the door with shaking hands.
I burst into the hallway. The glass wall is opaque from this side. Just a mirror.
I see my own reflection. Wild hair. Swollen lips. Dead eyes.
I don't see Ciro or Spadino. They’re gone. The show is over.
I wrap the coat around me and start to walk.
One step. Two steps.
I survived the first payment.
Only nine million, nine hundred thousand to go.
It is two in the morning.The house is sleeping. The monsters are in their caves.But the light under the library door is still on.I stand in the hallway. I am wearing my oversized t-shirt, my bare feet cold on the marble. I am shivering, but not from the temperature.I am shivering because I am about to walk into the lion’s den and ask him not to eat me.I touch the spot on my chest where the diary burned against my skin earlier.I am blood.But blood isn't enough. Blood gets spilled. I need leverage. I need time.Sofia Greco is coming in a week. Once she is here, I am done. I will be locked in the basement, or sold, or "disappeared" to keep the new bride happy.I need a shield.I push the door open.Aureliano is there. He is sitting in a leather armchair by the fire, a glass of whiskey in his hand. He isn't reading. He is staring at the flames.He looks up as I enter.He doesn't look surprised. He looks bored."I didn't call for you," he says. His voice is gravel and smoke.I walk
The cleaners have already scrubbed the blood from the patio. The bullet holes in the kitchen window are covered with plywood.In the Vitale house, violence is just a spill to be wiped up.I am in the drawing room. It is a space of dark leather, heavy velvet, and silence.Aureliano stands by the fireplace. He looks pristine. Not a hair out of place. It is impossible to believe that hours ago, his house was under siege.Ciro sits in the corner, nursing a whiskey. Spadino is sprawled on the sofa, still vibrating with that manic energy, cleaning his nails with a knife."The Corsicans were a message," Aureliano says calmly. "But we do not reply with noise. We reply with structure."He gestures to the crystal decanter on the low table."Graziella. Wine."I move.One step. Two steps.My body aches. My thighs burn from the friction of the panic room. My lip is swollen where Spadino bit me. But I am moving.I pick up the heavy crystal bottle. It weighs a ton.I pour for Ciro first. He doesn't
The diary burns against my skin.I can feel the leather cover pressing between my breasts, hidden by my dress. Every breath I take reminds me it’s there.I am blood.The thought echoes in my head, louder than the clatter of pans in the kitchen. I am scrubbing a copper pot, my hands red and raw from the hot water. Ciro is nowhere to be seen.The house is quiet. Too quiet.Then the world explodes.CRASH.The kitchen window—reinforced glass, bulletproof, I assumed—doesn't shatter. It spiders. A web of white cracks blooms instantly across the pane.Pop. Pop. Pop. Pop.The sound is distant at first, then deafening. Automatic gunfire. It sounds like a typewriter from hell.I drop the pot. Water splashes my legs."Get down!"I don't know who yells it. I don't move. I freeze. It’s my instinct. Be a statue. Be a ghost.The back door kicks open.Spadino Vitale slides into the room. He isn't holding a gun. He’s holding a knife, and he’s laughing.He looks wild. His curls are a mess, his eyes wid
The library smells of dust and dead words."Clean it," Ciro had said this morning, tossing me a rag. "Every shelf. Every book."It was a punishment for the broken wine bottle. Or maybe just a reminder that I am less than a servant here. Servants get paid. I just get to survive another day.I climb the ladder to the highest shelf.I pull down heavy, leather-bound volumes. History. Law. Politics. The Vitales study power like other people study religion.My arms ache. My cheek still throbs where Aureliano struck me. The heat of it hasn't faded, even if the redness has.I pull a thick book on Sicilian maritime law from the shelf.It’s stuck.I frown. I tug harder.It slides out, but something clicks behind it. A hollow sound. Not wood hitting wood. Metal hitting metal.I freeze. I look around. The library is empty. The door is closed.I push the books on either side apart.There, set into the dark wood of the shelving unit, is a small, grey panel. A safe.It’s old. Electronic, but an olde
The dress lies on the bed like a puddle of smoke.It isn't a dress. It’s an insult.It’s sheer grey chiffon. No lining. No structure. Just a whisper of fabric meant to veil, not hide."Put it on," the guard says from the hallway. "And nothing else."I dress with shaking hands.The fabric settles against my skin. It’s cold. It clings to every curve, every scar, every goosebump. I look in the mirror. I can see the dark circles of my areolas. I can see the shadow between my legs.I am naked. Worse than naked. I am wrapped in a suggestion.I walk down the stairs. My bare feet make no sound on the marble.The dining room doors are open. The sound of male laughter spills out, heavy and thick with cigar smoke.I stop at the threshold.There are six men at the long table.Aureliano sits at the head. He looks like a king in a black suit. Ciro is on his right, silent, drinking water. Spadino is on his left, spinning his knife on the tablecloth.The other three are strangers. Associates. Men wit
The bathroom light is unforgiving. It hums, flickering slightly, casting a sickly yellow pallor over my skin.I lean into the mirror.There are three marks on my collarbone.One. Two. Three.They aren't love bites. They are bruises. Dark, angry purple blooming into ugly yellow at the edges.Spadino came to my room late last night. After Aureliano.He didn't ask. He didn't knock. He just opened the unlocked door and claimed his turn. He was frantic, messy, his hands grasping too hard, his teeth scraping against my skin. He treated me like a toy he was trying to break just to see how the pieces fit together.I unscrew the cap of the cheap concealer I managed to keep from my old life. It’s almost empty.I dab the beige cream onto the purple skin.Tap. Tap. Tap.I have to hide them. If Aureliano sees them, he’ll be annoyed. Not because I’m hurt, but because the property is damaged. Damaged goods lose value.The door opens behind me.There is no sound. No footstep. Just the sudden displace







