MasukI don't sleep.
I lay on the silk sheets in my clothes, staring at the ceiling until the sun bleeds through the glass.
When the knock comes, it isn't Spadino. It’s a guard.
"Boss wants you," he grunts. "Office."
He doesn't wait. He turns and walks down the hall. I scramble to follow, my shoes loud on the marble.
Aureliano’s office is on the ground floor. Double doors. heavy dark wood. The guard opens one, jerks his head inside, and leaves.
I walk in.
The room smells like old paper, espresso, and the sharp, metallic tang of ink. It’s freezing. The air conditioning is humming, keeping the temperature low enough to preserve a corpse.
Aureliano is sitting behind a massive mahogany desk. He’s writing in a ledger. He doesn't look up.
"Lock the door," he says.
My heart stutters. I turn. The lock is heavy brass. Click.
"Come here."
I walk toward the desk. My legs feel like lead.
One step. Two steps. Three.
I stop in front of the desk.
"Closer," he says. He still hasn't looked at me.
I step around the edge of the desk. I am standing right beside his chair now. I can smell him—bergamot and cold detachment.
He finishes writing a number. He closes the ledger with a snap.
Finally, he looks at me.
His eyes are grey ice. There is no anger in them. No lust. Just assessment.
"You are here to pay down the interest," he says.
He spins his chair toward me. He spreads his knees.
"Jacket off."
I freeze.
"Jacket," he repeats. His voice doesn't rise. It doesn't have to.
My hands shake as I fumble with the zipper. I shrug the oversized coat off my shoulders. It falls to the floor. I’m wearing a thin t-shirt and leggings underneath. I feel naked.
"Sit," he commands. He points to the edge of the desk.
Not his lap. The wood.
I hesitate.
His hand shoots out. He grips my wrist. His skin is dry and warm. He yanks me forward.
My hip hits the desk. He lifts me effortlessly, planting me on the hard mahogany surface. He steps between my legs before I can close them.
"Rule number one," he says softly. "You don't hesitate. Hesitation costs time. Time is money."
He leans in. He doesn't kiss me. He grips my jaw, holding my face still.
"Rule number two. You belong to the house. That means you belong to me. To Ciro. To Spadino."
He pushes my t-shirt up. His palm is rough against my stomach.
"Look," he orders.
He turns my head toward the wall on the left.
It isn't a wall. It’s a pane of one-way glass that looks out into the hallway.
And they are there.
Ciro is leaning against the opposite wall, arms crossed. Spadino is standing next to him, eating an apple.
They are watching.
They can see me. They can see my legs spread on the boss's desk. They can see Aureliano’s hand sliding under the waistband of my leggings.
Heat floods my face. It’s not arousal. It’s shame. Thick, choking shame.
"Don't close your eyes," Aureliano says against my ear. "They like to watch."
He yanks my leggings down.
I gasp. The air is cold on my skin.
He doesn't unzip his pants. He just undoes the front, freeing himself. He is ready. He has been ready.
He pushes into me.
It’s dry. It hurts.
I make a sound—a small, pathetic whimper.
"Quiet," he hisses.
He starts to move. It is clinical. He isn't making love. He isn't even fckng me with passion. He is using me. I am a tool. A stress ball. A warm place to empty himself before a meeting.
I turn my head away from the glass. I look down at the desk.
I focus on the wood.
Mahogany. Reddish-brown. Grainy.
I start to count.
One grain. Two grains. Three grains.
He thrusts harder. My body rocks back, my head hitting his computer monitor.
Four grains. Five.
There is a knot in the wood near my left hand. It looks like an eye.
Six grains. Seven.
Aureliano’s breath hitches. His grip on my hips tightens until I know there will be bruises. Fingerprint bruises.
"Look at them," he growls.
I don't. I can't.
Eight grains. Nine. Ten.
I count the swirls in the varnish. I count the seconds.
He is big. He fills me completely, stretching me until I feel like I might tear. But I’m not here. I’m in the wood. I’m swimming in the grain.
Thirty-two. Thirty-three.
Spadino must be smiling. Ciro is probably blank.
Forty-five. Forty-six.
Aureliano groans. It’s a guttural, angry sound. He slams into me one last time, deep and hard, grinding his hips against mine.
He stiffens. He shakes.
He pours himself into me.
I count the pulses. One. Two. Three. Four.
He stops.
He pulls out immediately.
He fixes his pants before I can even sit up.
I feel hollowed out. Used. Wet.
Aureliano walks back around the desk. He sits in his chair. He opens the ledger again. He picks up his pen.
I am still sitting on his desk, exposed, trembling.
He writes something down. A number. Maybe he’s deducting a thousand euros from my debt. Maybe five hundred. I don't know the exchange rate for dignity.
He doesn't look up.
"Get off my desk," he says. His voice is back to normal. Ice cold.
I slide off. My legs almost give out. I grab my coat from the floor, clutching it to my chest to cover myself.
"Clean yourself up," Aureliano says, flipping a page. He points his pen at the mahogany surface where I was just sitting.
There is a smear of fluid on the dark wood.
"You made a mess of my ledger."
I turn and run. I unlock the door with shaking hands.
I burst into the hallway. The glass wall is opaque from this side. Just a mirror.
I see my own reflection. Wild hair. Swollen lips. Dead eyes.
I don't see Ciro or Spadino. They’re gone. The show is over.
I wrap the coat around me and start to walk.
One step. Two steps.
I survived the first payment.
Only nine million, nine hundred thousand to go.
The silence in the church is a living thing. It breathes between us, heavy with dust and the echoes of Sofia’s scream.My wolves have emerged from the shadows.Aureliano stands on the altar, a dark god occupying the space where the priest should be. His rifle is raised, the laser sight a red dot steady on the center of Sofia’s forehead.Ciro is a massive silhouette in the choir loft, his sniper barrel resting on the railing.Spadino has dropped from the ceiling beams like a spider, landing silently behind Sofia’s guards. He holds a blade in each hand, his grin visible even in the gloom.Twelve guns are pointed at Sofia Greco.But she doesn't look at them. She looks at me.Her eyes are wide, manic, filled with a hatred so pure it feels like heat radiating off a fire. She is shaking, her hands clenched into fists at her sides."You trap me?" she whispers. "In a church? You think God will forgive this?""God isn't here, Sofia," I say calmly. "Only us."I stand up.The movement is slow, d
God left this place a long time ago.I sit in the center of the nave, a solitary figure on a high-backed wooden chair. The church of San Bartolomeo is a skeleton of its former glory. The roof has collapsed in the corner, allowing a shaft of dusty, solid light to pierce the gloom. It illuminates the floating dust motes like suspended gold, a stark contrast to the shadows clinging to the peeling frescoes of saints who look down on me with indifferent eyes.The air smells of dry rot, ancient incense, and the damp, earthy scent of stone that has forgotten the sun.I am the offering.I am dressed in white—a sharp, tailored suit that mimics the one I wore to the commission meeting. It is a calculated choice. White is the color of truce. It is the color of surrender.But under the jacket, I am wired for war.I reach up, adjusting the lapel of my jacket. The movement causes the hidden earpiece to shift slightly."Stop fidgeting," Aureliano’s voice whispers in my ear.It is a low, granular sou
The farmhouse kitchen has been stripped of its chaos.There are no more orange peels on the table. No more disassembled radios. The smell of fear and uncertainty that permeated the walls for weeks has been scrubbed out, replaced by the sharp, electric scent of ozone and lethal purpose.We are no longer refugees hiding in a hole. We are a war machine fueled by a singular, terrifying synergy.I stand at the head of the table.The topographic map is spread out before me. The red circle around the airstrip is bold, angry. It is the only thing that matters.My wolves surround me.They do not crowd me. They do not question me. They move around me like water, fluid and silent, anticipating the flow of my thoughts before I speak them."The airstrip is private," I say, tracing the access road with my finger. "Single runway. Hangar to the north. If Sofia is running, she has a plane waiting."Before I can ask for the satellite view, Spadino slides a tablet across the wood.It stops perfectly und
Two down. One to go.I leave Spadino tangled in the sheets, his face buried in the pillow, sleeping the sleep of the absolved.I walk down the hallway. My body feels different. It feels lighter, scrubbed clean by the truth I have finally spoken. The fear that choked me for months—the fear that loving them would destroy me—has evaporated. In its place is a terrifying clarity.I am not just surviving them. I am of them.I reach the heavy oak door at the end of the corridor. Aureliano’s makeshift office.The door is closed. A line of yellow light spills from beneath it, cutting across the dusty floorboards.I don't knock. I push it open.The room is small, claustrophobic, smelling of stale coffee and the sharp, ozone tang of overheating electronics. The walls are covered in maps. The desk is a disaster of tactical reports and encrypted hard drives.Aureliano is standing by the window, staring out at the pitch-black forest.He is still wearing his tactical gear, though the vest is unbuckl
Leaving Ciro is like stepping out of a warm, fortified bunker into a hurricane.The hallway is quiet, but my skin is still humming from the weight of his hands. I feel tethered to the ground now, anchored by the stone of his confession.But the house has another element. Fire.I find Spadino in the second bedroom.He isn't resting. He is dismantling a radio on the small desk, surrounded by a chaos of wires, screws, and circuit boards. His hands are moving at a blur, twitching with that frantic, kinetic energy that defines him.He is humming a tune—something discordant and manic. It sounds like a nursery rhyme played backward.He hears me enter.He doesn't turn around. His shoulders tense up, the muscles bunching under his t-shirt."Did you fix Ciro?" he asks, his voice tight. "Did you tell him to stop brooding?""I told him something else," I say.Spadino stops moving. He drops the screwdriver. Clatter.He turns slowly in the swivel chair.He looks wrecked. His hair is a disaster of c
I choose Ciro first.Not because he is the easiest. Ciro is a monolith; moving him is like trying to shift a tectonic plate with bare hands.I choose him because he is the steadiest.If I am going to break myself open, I need to do it against a wall that will not crumble.I walk down the hallway to the third bedroom. The door is ajar.The room smells of him—cedar, gun oil, and the sharp, medicinal sting of iodine. It is sparse. A cot. A footlocker. A weapon rack. It is the room of a soldier who expects to be deployed at any second.He is in the small adjoining bathroom.He stands in front of the sink, shirtless. The fluorescent light hums above him, casting harsh shadows on the topography of his back—the ridges of muscle, the valleys of old scars.He is struggling.He is trying to tape a fresh piece of gauze over the bullet wound on his left shoulder. It is an awkward angle. His massive frame gets in the way, his good hand fumbling with the adhesive strips.He hisses a curse, low and
It is two in the morning.The house is sleeping. The monsters are in their caves.But the light under the library door is still on.I stand in the hallway. I am wearing my oversized t-shirt, my bare feet cold on the marble. I am shivering, but not from the temperature.I am shivering because I am a
The diary burns against my skin.I can feel the leather cover pressing between my breasts, hidden by my dress. Every breath I take reminds me it’s there.I am blood.The thought echoes in my head, louder than the clatter of pans in the kitchen. I am scrubbing a copper pot, my hands red and raw from
The silverware sounds like swords clashing.Clink. Scrape. Clink.It is our final meal. The Last Supper. But there is no messiah at this table, only three Judases and the woman they sold for thirty pieces of silver.I sit in the chair to Aureliano’s right—the Queen’s chair—one last time. I am weari
The house settles into an uneasy silence after the brawl. The maids have swept up the glass in the foyer, but the stain of violence hangs in the air like cigar smoke.I am sitting on the window seat, knees pulled to my chest, watching the moon reflect off the black water below.Five days.One hundr







