MasukAfter her father’s death leaves behind nothing but a ten-million-euro blood debt, Graziella is dragged into the world of the Vitale brothers, men who rule the city’s underworld with violence, power, and a loyalty that has no room for mercy, and who, by law and history, are also her stepbrothers. In their hands, debt is not something to be repaid but something to be owned, and because her father failed them, Graziella becomes the collateral they inherit, allowed to exist only as long as she remains useful and silent. For months, she survives by making herself small, enduring cruelty and indifference alike, learning that in a house built on fear, silence is not submission but survival. To the Vitale brothers, she is temporary, a problem that will eventually disappear once its value is exhausted. Everything changes when the eldest announces his political marriage, a union meant to secure alliances and erase liabilities, and Graziella realizes how easily she will be discarded. Instead of begging, she makes a single request: thirty days as their wife and queen, not as property but as a recognized presence, after which she will vanish forever. They believe she is desperate. They believe she wants protection or love. What they fail to see is that Graziella is not bargaining for affection, but for access. Because in those thirty days, she watches, listens, and learns, and by the time they understand what she has become, the quiet debt they ignored will be ready to rule them all.
Lihat lebih banyakI stood in the mud, staring at the cheap pine box. It was already warping in the rain.
My father, Matteo, was inside. He died the way he lived—broke, alone, and terrifying.
I didn't cry. I couldn't. The tears were stuck somewhere deep inside my chest, frozen by a cold, hollow numbness. I just wanted this to be over. I wanted to go back to my tiny, damp apartment and pretend none of this was real.
The priest checked his watch. He muttered a few words, rushing through the prayer. He wanted to leave.
I couldn't blame him. I wanted to leave too.
Suddenly, the few people who had shown up—low-level associates of my father—went quiet.
The air shifted. It turned heavy. Suffocating.
Then, without a word, they backed away. They scurried off, disappearing into the grey mist.
My stomach dropped.
I turned around.
A black umbrella cut through the gloom. Beneath it stood Aureliano Vitale.
I stopped breathing.
He was thirty-four, but he looked ancient. Terrifying. He wore a charcoal suit that looked cleaner than my soul. He didn't look at the grave. He didn't look at the priest.
He looked straight at me.
His gaze wasn't just heavy. It was ownership.
"Graziella," he said.
My name sounded like a curse in his mouth.
"Aureliano." My voice cracked. I tried to stand tall, but my knees were shaking. I dug my fingernails into my palms until it hurt. "You... you didn't come here to mourn."
He stepped closer. He took up all the space. He smelled of expensive leather and rain. He was too big. Too close.
"Mourning is for people who lose something," he said coldly. "I came to collect."
Collect?
Panic flared in my chest. "Collect what?"
He reached into his jacket and pulled out a stack of papers. He shoved them at me.
My hands were shaking so bad I almost dropped them. I stared at the numbers. My vision blurred.
"He's dead," I whispered, the paper rattling in my grip. "Whatever he owed you... it’s gone. He’s gone."
Aureliano’s lips curled. It wasn't a smile. It was a baring of teeth.
"In my world, debt doesn't die. It inherits."
He stepped into my personal space. I wanted to run, but my feet were stuck in the mud.
"Ten million euros, Graziella. That was the final tally when his heart stopped."
Ten million.
The world spun. I couldn't breathe. I couldn't think.
Ten million? I had twelve euros in my pocket. I was starving. I was three months behind on rent.
"I don't have it," I gasped. "You know I don't! I have nothing!"
"I know."
His voice was terrifyingly calm.
"Matteo knew it too. That’s why he signed the secondary clause."
He reached out, his gloved hand brushing my freezing skin. I flinched. He flipped to the last page.
There, at the bottom, was my father’s shaky signature.
And right above it, a single line of text that made my heart stop beating.
Collateral: Graziella.
No.
No, no, no.
"You can't do this," I choked out. I stepped back, stumbling. "I’m a person! You can't own a person!"
Aureliano caught my chin. His grip was iron. He forced me to look at him, to see the absolute, cold emptiness in his grey eyes.
"Yesterday, you were a person," he said softly. "Today? You’re an asset."
He released me, checking his watch like I was a boring meeting he had to attend.
"The interest is compounding every second you stand there arguing. Get in the car."
He pointed toward the gate. A line of black SUVs sat idling.
Panic clawed at my throat. I looked around wildly.
The priest was gone. The mourners were gone.
I was alone.
There was no one to help me. No one to call. No one coming to save me.
My father had sold me. He had gambled his life, lost, and paid with mine.
"And if I refuse?" I asked, my voice trembling. "If I run?"
Aureliano turned back to me. His eyes were dead.
"There is no refusal. You belong to the Vitale estate now. You run, I hunt you. And when I catch you..."
He let the threat hang in the air. It was worse than if he’d screamed it.
"Get. In."
I looked at the cheap casket one last time.
I hate you, Papa. I hate you.
I walked through the rain. My legs moved on autopilot. I felt sick. Dizzy.
The driver held the door open. I slid onto the plush leather seat next to Aureliano.
The door slammed shut. Thud.
The silence was instant. It trapped me. It smelled of new car and old money.
Aureliano tapped on his tablet, already ignoring me. He didn't look at me. He didn't offer a towel. He didn't care that I was shivering.
"Driver," he said calmly. "Home."
The engine purred to life. As we pulled away from the cemetery, dragging me away from the only life I knew, Aureliano finally glanced at me.
His eyes swept over my wet clothes, my shaking hands, my terrified face. He looked satisfied.
"Don't look so scared, Graziella," he said, his voice dark and smooth.
He leaned in close. Too close.
"The debt is just the beginning. Wait until you see how you're going to pay it."
It is two in the morning.The house is sleeping. The monsters are in their caves.But the light under the library door is still on.I stand in the hallway. I am wearing my oversized t-shirt, my bare feet cold on the marble. I am shivering, but not from the temperature.I am shivering because I am about to walk into the lion’s den and ask him not to eat me.I touch the spot on my chest where the diary burned against my skin earlier.I am blood.But blood isn't enough. Blood gets spilled. I need leverage. I need time.Sofia Greco is coming in a week. Once she is here, I am done. I will be locked in the basement, or sold, or "disappeared" to keep the new bride happy.I need a shield.I push the door open.Aureliano is there. He is sitting in a leather armchair by the fire, a glass of whiskey in his hand. He isn't reading. He is staring at the flames.He looks up as I enter.He doesn't look surprised. He looks bored."I didn't call for you," he says. His voice is gravel and smoke.I walk
The cleaners have already scrubbed the blood from the patio. The bullet holes in the kitchen window are covered with plywood.In the Vitale house, violence is just a spill to be wiped up.I am in the drawing room. It is a space of dark leather, heavy velvet, and silence.Aureliano stands by the fireplace. He looks pristine. Not a hair out of place. It is impossible to believe that hours ago, his house was under siege.Ciro sits in the corner, nursing a whiskey. Spadino is sprawled on the sofa, still vibrating with that manic energy, cleaning his nails with a knife."The Corsicans were a message," Aureliano says calmly. "But we do not reply with noise. We reply with structure."He gestures to the crystal decanter on the low table."Graziella. Wine."I move.One step. Two steps.My body aches. My thighs burn from the friction of the panic room. My lip is swollen where Spadino bit me. But I am moving.I pick up the heavy crystal bottle. It weighs a ton.I pour for Ciro first. He doesn't
The diary burns against my skin.I can feel the leather cover pressing between my breasts, hidden by my dress. Every breath I take reminds me it’s there.I am blood.The thought echoes in my head, louder than the clatter of pans in the kitchen. I am scrubbing a copper pot, my hands red and raw from the hot water. Ciro is nowhere to be seen.The house is quiet. Too quiet.Then the world explodes.CRASH.The kitchen window—reinforced glass, bulletproof, I assumed—doesn't shatter. It spiders. A web of white cracks blooms instantly across the pane.Pop. Pop. Pop. Pop.The sound is distant at first, then deafening. Automatic gunfire. It sounds like a typewriter from hell.I drop the pot. Water splashes my legs."Get down!"I don't know who yells it. I don't move. I freeze. It’s my instinct. Be a statue. Be a ghost.The back door kicks open.Spadino Vitale slides into the room. He isn't holding a gun. He’s holding a knife, and he’s laughing.He looks wild. His curls are a mess, his eyes wid
The library smells of dust and dead words."Clean it," Ciro had said this morning, tossing me a rag. "Every shelf. Every book."It was a punishment for the broken wine bottle. Or maybe just a reminder that I am less than a servant here. Servants get paid. I just get to survive another day.I climb the ladder to the highest shelf.I pull down heavy, leather-bound volumes. History. Law. Politics. The Vitales study power like other people study religion.My arms ache. My cheek still throbs where Aureliano struck me. The heat of it hasn't faded, even if the redness has.I pull a thick book on Sicilian maritime law from the shelf.It’s stuck.I frown. I tug harder.It slides out, but something clicks behind it. A hollow sound. Not wood hitting wood. Metal hitting metal.I freeze. I look around. The library is empty. The door is closed.I push the books on either side apart.There, set into the dark wood of the shelving unit, is a small, grey panel. A safe.It’s old. Electronic, but an olde






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