Theo’s Point of View I’m still laughing when I hang up the call with Parker. “Idiot,” I mutter fondly, slipping the phone into my pocket. “Absolute, glorious idiot.” “Problem?” Elias asks, strolling into the hall like he’s been expecting disaster all afternoon. “Not a problem. A comedy show.” I clap him on the shoulder. “We’re going on a rescue mission.” “Finally,” he grins. “It’s been, what, three whole days since you had to save Parker from himself? You must be getting rusty.” I shoot him a look as we head for the cars. “He brought three others with him this time. Full ensemble cast.” We take two cars—one for me, one for Elias. I’m not sharing my leather seats with four muddy, emotionally unstable wolves. Parker sent the location—faint signal, bad terrain, and knowing my luck, they’ll be half-dead or emotionally compromised when I find them. I lead. Elias follows, grinning like he’s just been told he gets to punch someone. The drive is quiet except for the occasional laug
Sonia’s Point of View For a second, I think the screaming has stopped because I broke the spell. Then the ground starts shaking. Not a polite little tremor. A full-on earthquake. “Oh, come on!” I shout to the universe. “Wasn’t the psychological torture enough?” The cracks in the mirrors widen, splintering into jagged spiderwebs of glass, until the whole cave starts collapsing in on itself. And then—because apparently physics doesn’t apply here—the floor disappears entirely, and we’re falling. No time to scream. Just falling. Colors twist around us like someone spilled oil on water. Black, green, violet—too many shades of wrong. And then—WHAM—we’re not falling anymore. We’re lying in a pile of limbs and curses in a muddy clearing somewhere very, very far from where we started. Trixie coughs and rolls off of me. “If I land on you one more time in this lifetime, I’m charging rent.” Michael groans. “Where—what the hell just happened—?” “We got spat out,” I mutter, brushing dir
Sonia’s Point of View I know exactly what this is. The moment the mirrors changed, I recognized it. Not because I’m clever—but because I’ve been here before. The screams. The guilt. The way the shadows wear familiar faces. This is the same black magic that almost killed me in that purification chamber. But this time—it’s worse. Because I’m not alone. I watch Michael shake beside me, whispering things I can’t hear. I watch Parker stiff as a statue, staring at something that’s clearly Eva. And Trixie—Trixie’s pretending she’s fine, but her jaw’s clenched so hard she might break her teeth. I can hear the flower retracting. That horrible, slow, soft scraping noise as it curls into the stone like a secret we’re not allowed to have. We don’t have time. I glance at Michael first. “Look at me.” He doesn’t move. “Michael. Look at me.” His eyes finally snap to mine, wide and wild. “They’re dead. I saw you die. I killed you. I can’t—I can’t breathe—” “It’s not real,” I say sharply.
Trixie’s Point of View I’ve seen a lot of bad ideas in my life, but standing in front of a glowing flower in a cursed cave with unresolved relationship drama? This might be the dumbest. It’s pulsing now—bright, then dim, then bright again. Like it’s breathing. Or laughing. I take a step back. “Okay… that’s not normal.” Michael rolls his eyes. “It’s a flower, not a bomb.” The moment he says it—of course—the ground shudders under our feet. “Oh, for the love of—” I don’t even finish the sentence before cracks start splintering up the cave walls like veins made of lightning. The light from the flower flares white hot, blinding, making all of us flinch. When the light fades, I realize we’re not standing in a cave anymore. We’re standing in a room made of mirrors. Everywhere I look—my reflection. Endless, stretched, warped in places like funhouse glass, but worse. They ripple like water when I move. And then… They start to change. The reflections don’t show me anymore. They sh
Parker’s Point of View It’s too quiet. We stand around that glowing flower like guilty suspects at a trial, pretending the air isn’t thick enough to choke on. Michael’s bouncing slightly on his heels, like he wants to get this over with. Sonia’s coiled like a whip ready to strike. Trixie… won’t even look at me. Honestly? I don’t blame her. Finally, Michael breaks the tension the only way he knows how—with unnecessary, loud confidence. “Well. This has been fun. Can we grab the cursed shrub and go before I scream again?” Sonia’s voice cuts through like a thrown knife. “Don’t even start.” Michael throws his arms wide. “What? Did I bring the creepy fog? Did I invite the shadow clones to the party?” “You—” Sonia takes a step toward him, voice dangerously calm, “—kissed Trixie. I saw it. Don’t play dumb with me.” Michael’s jaw tightens. “That wasn’t me. That was black magic.” “And yet, it felt real,” she spits. “I don’t care if it was a hallucination or a projection from some dar
Sonia’s Point of View I don’t like caves. Correction—I hate caves. I hated them before this mess, and I hate them even more now that they come with fog, whispering voices, and enough bones on the floor to qualify as a historical massacre site. The worst part isn’t even the darkness. It’s Parker’s breathing next to me—tight, controlled, like he’s about three seconds from snapping completely. We haven’t spoken much since stepping inside. What’s there to say? We’re both pretending we’re braver than we are, and I’m not in the mood to unpack that emotional suitcase right now. After a few more steps, I stop. “Wait.” Parker’s instantly alert. “What? What is it?” I rummage in my pocket like a raccoon desperate for loose snacks and instead come up with—“Ha.” A flashlight. I forgot I shoved this thing in here before we left the castle. I flick it on. A weak, flickering beam cuts through the thick dark like a tiny sword made of batteries and bad decisions. Parker leans in. “That’s i