I began a new painting the week after Eleanor Sarah’s wedding, something different from the smaller, individual pieces I’d grown accustomed to over the years — this one considerably larger, ambitious in scope, an idea that had been quietly forming ever since watching Ethan in his workshop that evening, surrounded by decades of his own patient work.“I want to paint everyone,” I told him, spreading a large blank canvas across the greenhouse floor, the biggest I’d ever attempted. “The whole family. Everyone who’s part of this now.” “That’s considerable,” Ethan said, studying the canvas’s scale with visible admiration. “How many people are we talking about?” I began listing them aloud, counting on my fingers as the number grew steadily larger. “Us, Eleanor Sarah and David, Marianne. Marcus, Elena, and their five. Reyes, James, and their two. Colette, Thomas, and their two. Daniel, Samuel. Josephine, when she’s able. Richard.” I paused, genuinely startled by the total. “That’s nearly thir
ปรับปรุงล่าสุด : 2026-08-17 อ่านเพิ่มเติม