How Accurate Is Ted Hughes: The Unauthorised Life Novel?

Ten years. Ten years I gave Viktor Volkov everything; my hands, my loyalty, my designs, my silence. When his father stepped in front of a moving truck to save my life and died on that pavement, I became his son's by debt. By duty. And somewhere along the way, by something far more dangerous than either. Love. Foolish, one-sided, ruinous love. Now the doors of the Volkov estate are closing behind me with the quiet finality of a verdict. No argument. No goodbye worth remembering. Just the click of a latch and the ghost of a matching tattoo Viktor had lasered off his wrist before she arrived Elara Conti, all silk and Italian marble, the woman he chose in the time it took me to stop pretending he ever saw me. He gutted my studio. Erased my name from every wall. Turned ten years into a footnote. What Viktor doesn't know is that I'm walking out of those gates carrying the one thing he can never erase. His. And I will burn this entire life to the ground before I let him find out.

On the night of her wedding anniversary celebration, Emma Taylor caught her husband, Harry Smith, kissing his own assistant. In an instant, her world collapsed before hundreds of guests, her dignity shattered beyond repair. But amid the betrayal, James Walker appeared—Harry’s uncle: cold, stern, and a man who despised infidelity. He became Emma’s strength… and the very reason she found herself drawn into a forbidden feeling. While Harry drowned himself in Sophie’s arms, news of his affair spread like wildfire, dragging the prestigious Smith family name into ruin. Between heartbreak and forbidden love, can Emma find a new path for her life? Or will she once again be consumed by her past? A story of love born from the ashes of destruction.

After Pierce Emery and I got back together, I started "renting him out." Every time his old flame, Daphne Roach, called him away, I stopped crying and causing scenes like before. I charged by the hour instead. Ten grand an hour during the day. Twenty at night. Triple on holidays. Three months later, my account was up almost two million dollars. Pierce had promised to help me pick a dress for a banquet, but Daphne called him crying, saying she'd sliced her hand while cooking. I didn't even look up. I just held out my phone with the payment screen open. One night, I came down with a brutal fever. While Pierce was driving me to the hospital, his phone rang again. Daphne. He stared at the screen for a long second before answering. Her voice came through shaky and tearful. "Pierce, the thunder's so loud. I can't sleep. Can you come stay with me?" I quietly pulled out an umbrella and told him to let me out at the next intersection. He looked at me like he wanted to explain something, but I just smiled. "Don't forget to transfer the money." The same thing happened again on the day our daughter went in for her routine checkup. Except this time, she was the one asking him for money.

The novel is mainly about the forgotten British poet/writer named C. J Richards who lived in Burma/Myanmar in colonial times and he believed himself as a Burmophile. He served as I.C.S (Indian Civil Servant) and when he retired from I.C.S service, he was a D.C (District Commissioner) and he left for England a year before Burma gained its independence in 1948. He came to Burma in 1920 to work in civil service after passing the hardest I.C.S examination. He wrote several books on Burma and contributed many monthly articles to Guardian Magazine published in Burma from 1953 to 1974 or 1975. Though he wrote several books which had much literary merit to both communities, Britain and Burma (Myanmar), people failed to recognize him. The story has two parts: one part is set in the contemporary Yangon (then called Rangoon) in 2016 context and a young literary enthusiast named “Lin” found out unexpectedly the forgotten writer’s poetry book and there is surely a good deal of time gap that led him into a quest to know more about the author’s life. The setting is quite different comparing to colonial Burma and independence Myanmar (Burma), early twentieth century and 2016 which is a transitional period in Myanmar. The writer’s life is fictionalized in the novel and most of the facts are taken from his personal stories and other reference books. It is a kind of historical novel with a twist and it has comparatively constructed the two different periods in Myanmar history to convince readers, locally and abroad more about history, authorship, humanity, colonialism, and transitional development in Myanmar today.

On the day of our wedding, my fiance Thomas Warsh was killed in a car accident on the way there. His adopted sister rushed toward me, clutching his ashes, accusing me of being a jinx who brought him misfortune. I was drowning in grief when a line of floating comments suddenly appeared before my eyes. [You must remain a widow for three years for your deceased husband. After three years, he will be reincarnated and return to love you again!] [Don’t ever remarry. Otherwise, the male lead will never rest in peace, and you will suffer for the rest of your life!] That was when I learned that my fiancé and I were the hero and heroine of a novel. Only by following the spoilers in the comments and completing the storyline could I reunite with him. I did not remarry. Guided by the comments, I remained a widow for three years, and then another three. However, it was not until I suddenly died from a severe illness that I discovered the truth–the comments had all been written by Thomas. He had faked his death, changed his appearance, married his adopted sister, and fed me endless empty promises so I would continue to slave away for the Warsh family. When I opened my eyes again, I had returned to the day before the wedding.

Her name was Cathedra. Leave her last name blank, if you will. Where normal people would read, "And they lived happily ever after," at the end of every fairy tale story, she could see something else. Three different things. Three words: Lies, lies, lies. A picture that moves. And a plea: Please tell them the truth. All her life she dedicated herself to becoming a writer and telling the world what was being shown in that moving picture. To expose the lies in the fairy tales everyone in the world has come to know. No one believed her. No one ever did. She was branded as a liar, a freak with too much imagination, and an orphan who only told tall tales to get attention. She was shunned away by society. Loveless. Friendless. As she wrote "The End" to her novels that contained all she knew about the truth inside the fairy tale novels she wrote, she also decided to end her pathetic life and be free from all the burdens she had to bear alone. Instead of dying, she found herself blessed with a second life inside the fairy tale novels she wrote, and living the life she wished she had with the characters she considered as the only friends she had in the world she left behind. Cathedra was happy until she realized that an ominous presence lurks within her stories. One that wanted to kill her to silence the only one who knew the truth.