Is Across The River And Into The Trees Worth Reading?

2026-01-01 10:32:17 151

4 Answers

Peter
Peter
2026-01-03 00:31:36
I’ll admit, I almost DNF’d this one halfway through. The repetitive musings on war and love felt like Hemingway was retreading ground he’d covered better elsewhere. But then I hit that scene where Cantwell revisits an old battlefield, and suddenly the whole thing clicked. It’s less about plot and more about the weight of memory—how the past bleeds into the present. The ending, too, is quietly devastating in a way that haunted me for days. Not a fun read, but a meaningful one if you stick with it.
Quincy
Quincy
2026-01-04 19:26:28
Mixed feelings on this one. The writing’s gorgeous, no surprise there, but the romance subplot aged like milk. Still, as a snapshot of post-war disillusionment, it’s compelling. Would I reread it? Probably not. But I don’t regret the time spent, either—it’s like visiting a museum exhibit where you admire the craftsmanship even if the subject leaves you cold.
Grace
Grace
2026-01-06 06:09:23
If you’re into character studies steeped in existential angst, yeah, give it a shot. Cantwell’s bitterness and nostalgia make him frustrating but weirdly relatable—like that uncle who won’t stop talking about 'the good old days.' The dialogue crackles with Hemingway’s trademark machismo, though it sometimes veers into parody. What saved it for me were the quiet moments: the duck hunting scenes, the way he describes light on the water. It’s not his best, but it’s got pockets of brilliance that make it worth picking up if you’re in the right headspace.
Yara
Yara
2026-01-06 14:44:11
Hemingway's 'Across the River and Into the Trees' is a divisive book, and I totally get why. Some folks dismiss it as self-indulgent or weaker compared to his classics like 'The Old Man and the Sea,' but there’s a raw, melancholic beauty to it that stuck with me. The protagonist, Colonel Cantwell, feels like Hemingway grappling with his own mortality and lost youth—something that hits harder if you’ve read his later works or know about his life. The prose is sparse yet vivid, especially in the Venice scenes, which almost feel like a love letter to the city.

That said, it’s not a book I’d recommend as someone’s first Hemingway. The pacing can drag, and the romantic subplot might come off as oddly sentimental for his usual style. But if you’re already a fan of his voice and want to see him wrestling with aging and regret, it’s a fascinating, flawed gem. I finished it feeling like I’d eavesdropped on a private conversation Hemingway was having with himself.
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