What Anime Features Characters With Jet-Black Hair?

On slow mornings when my hair decides to puff up like it has plans of its own, I really lean into lightweight, texture-first products. For a low taper fade with fluffy hair you want stuff that gives separation and hold without flattening the volume — think sea salt spray as a pre-styler, a light matte clay or cream for shaping, and a fine texturizing powder at the roots when you need an extra lift. I usually spritz a salt spray into towel-damp hair, scrunch with my fingers, then blow-dry on low with a round brush or my hand to encourage the fluff rather than smoothing it down. If I'm going out and want that lived-in look, I follow with a pea-sized amount of water-based matte clay worked between my palms, then rake through the top and crown. For stubborn spots I'll use a little fiber or paste for extra grip, but sparingly — too much product kills the airiness. A light flexible hairspray keeps everything in place without turning the style into armor. Maintenance-wise, a sulfate-free shampoo every other day and a dry shampoo on day two keeps the shape without weighing the hair down, and a leave-in conditioner used only on the ends prevents frizz. This combo keeps the fade crisp and the fluffy top lively, which I love because it looks styled but still effortless, like I actually slept well even if I didn't.

I can't help but geek out over the hockey flow — it's one of those styles that looks effortless but actually wants a little intention. For a classic, wearable flow I aim for about 6–10 inches (15–25 cm) at the longest points: that’s usually the crown and the back. The idea is for the hair to sit past the ears and either kiss the collar or fall to the top of the shoulders when it’s straight. Shorter than about 6 inches usually won’t give you that sweeping, helmet-buffed look; much longer than 10–12 inches starts to feel more like a mane than a flow, unless you want a dramatic version. Sides and layers are where the cut makes or breaks. I like the sides to be blended but not buzzed — somewhere around 3–5 inches (7–13 cm) so the hair can tuck behind the ears or sweep back without looking boxy. Ask for long, textured layers through the back to remove bulk and create movement; point-cutting or razor texturizing helps thin thick hair so it won’t balloon out. The neckline should be natural and slightly shaggy rather than cleanly tapered — that soft, lived-in edge is part of the charm. Styling-wise, I keep it low-effort: towel dry, apply a light sea-salt spray or creamy texturizer, then either let it air dry or rough-blow and brush back with fingers. If you wear helmets, add an extra half-inch to the crown so the flow re-forms after sessions. Trim every 6–10 weeks to maintain shape, and be open with your barber about how much helmet time you get — that little detail changes the exact length I request. I love how the right length turns a messy mop into something that actually feels stylish and sporty.

Every time I head into the Wilderness to hunt dragons I get this little electric buzz — brutal black dragons show up in the eastern Wilderness, specifically around the Lava Maze / Chaos Temple area in the multi-combat zone. From memory and a lot of runs, they tend to patrol the lava-maze-ish corridors and the open ground east of the Chaos Temple; that whole chunk of the Wilderness is their home turf. They’re proper high-risk targets because you’re in multi-combat and in deep Wilderness, so expect other players to be nearby and ready to PK. If you want to actually reach them I usually teleport to Edgeville and run straight north across the ditch, then head east toward the Lava Maze/Chaos Temple coordinates on your map. Bring reliable dragonfire protection — an anti-dragon shield or antifire potions — and decent melee or ranged gear. I tend to use Protect from Magic if I’m getting smacked by their fire, and have a teleport ready (varrock/house/looting tele) if things go south. Drops are worth it but not guaranteed; I always keep my prayers on and my mount of patience ready. It’s a tense, rewarding spot and I love the adrenaline, even if I lose a pack once in a while.

If I had to build one all-out melee kit for putting Brutal Black Dragons down fastest in 'Old School RuneScape', I’d focus on sheer single-target DPS plus a way to chew through their defences. My go-to combo is a high-accuracy stab or crush weapon (depending on your gear) paired with heavy strength bonuses, Piety, and a Dragon Warhammer/Bandos Godsword for the defence drop. For me that usually looks like a 'Ghrazi rapier' for raw stab accuracy and fast consistent hits, or the 'Abyssal bludgeon' if I want heavy crush damage — either of those will outpace most other melee choices on a single target. I slot a 'Dragon warhammer' in the inventory to smash their defence whenever the special is up; that little defence nerf multiplies your DPS over the fight. Armor-wise I favor a strength-focused setup: 'Bandos' chest and tassets (or the strongest hybrid chest you’ve got), 'Barrows gloves', 'Primordial boots' or 'Dragon boots', and an 'Amulet of torture' or 'Strength amulet'. Bring prayer gear (a switch to a prayer-boosting cape or using a 'Fire cape'/'Infernal cape' depending on what you own), and always run 'Piety'. Inventory should be super attack + super strength (or a single super combat potion), plenty of high-healing food like sharks/rocktails, a couple of restore potions for prayer, and an antidragonfire potion or an antifire shield — Brutal Blacks will spit dragonfire. Playstyle: burst with the Warhammer/Godsword special early to lower Defence, then pound them with rapier or bludgeon while keeping prayers up. If you want absolute fastest, a maxed player with 'Ghrazi rapier' + 'Dragon warhammer' specials timed perfectly will usually net the quickest kills; the bludgeon shines if you prefer higher max hits against their defences. Personally, I love the rhythm of popping that special then watching the HP drop — feels super satisfying every time.

Quick heads-up: respawns in old-school generally stick to the same engine rules during events unless Jagex clearly says otherwise. From my experience hunting tough monsters, brutal black dragons follow the usual NPC respawn rhythm for their location — they don't get magical instant respawns just because there's a world event going on. Expect a spawn cycle on the order of a few dozen seconds (roughly 30–60s in most open-area camps), although high-value or instanced encounters can take longer. What changes during events is mostly what spawns are allowed to exist at all. If the event replaces NPCs in an area, or the event triggers a cutscene or temporary instancing, that can pause or remove normal spawns. Otherwise, each world keeps its own independent spawn state, so world-hopping is still the fastest way to find fresh brutal blacks if you're farming. I also watch the in-game event messages and patch notes — Jagex will call out any special spawn changes for festival content. Personally I prefer to farm outside peak event hotspots to avoid weird spawn suppression; it's more predictable and I can keep a steady kill rate while still enjoying the seasonal hype.

I get excited talking about why the brutal black dragon in 'Old School RuneScape' is considered such a money-maker, because it’s one of those encounters that mixes dependable loot with the chance for big spikes. First off, the core reason is simple: the resources it drops—bones and hides—are always in demand. Bones feed prayer training and hide is used in crafting, so those items have a steady buyer base. On top of that steady income, the Brutal Black Dragon has a handful of rarer items on its table that can sell for a lot on the Grand Exchange when they show up, and that possibility of a rare high-value drop makes every kill feel like it could pay off big. Beyond mere drops, how you kill them matters. The fight is fast if you optimize your setup—good gear, the right potions, and an efficient route between spawns. That translates directly to GP per hour: more kills, more loot. There are also QoL synergies like slayer assignments or group routes that reduce travel and downtime, so your effective hourly profit goes up. Some players take advantages like safe-spotting or multi-targeting to keep their kill speed high and their losses low. Finally, market dynamics push the profitability higher. When fewer people farm them—or when new content increases demand for hides/bones—the price spikes. Conversely, if more players flood the market, incomes dip, but because the drops are numerous and partly alchable or useful for skilling, it rarely becomes worthless. Personally, I love the rhythm of farming them: it’s satisfying, occasionally nail-biting when a rare pops, and reliably fills the bank over time.

Falling into the world of romance novels, particularly those centered around black love stories, has been a delightfully enriching experience for me. It’s heartening to see authors pouring their souls into narratives that not only highlight romance but also deeply resonate with cultural identity and the intricacies of love within the black community. One name that stands tall in this realm is Zuri Day. Her books like 'A Love Like This' explore the complexities of relationships, capturing the sweetness, challenges, and triumphs that can come with love in a relatable yet profound way. Reading her work feels like chatting with a friend over a cup of tea, where you share secrets and dreams. Then, we cannot overlook the talented couple, Eric Jerome Dickey and Tiffany D. Jackson. Both have a distinctive way of presenting love stories that are not just about romance but are also steeped in life lessons and character growth. Dickey’s 'Sister, Sister' brings to the forefront not just a love story but examines familial ties and loyalties, blending them masterfully with romantic undertones. Jackson's work, particularly 'Grown', explores themes of love and self-discovery, tangling them in thrilling suspense that keeps the readers on their toes. There’s also the remarkable work of Nic Stone, whose young adult novels like 'Dear Martin' don’t fit neatly into the romance category but include compelling elements of love that resonate deeply with readers. Stone crafts stories that weave together themes of social justice and personal relationships, creating a rich tapestry of experiences that celebrate love in all its forms. These authors contribute to a vibrant tapestry of literature that not only entertains but enlightens, leaving an indelible mark on the heart. In my personal reading journey, diversity in storytelling has drastically impacted my understanding of love and relationships. Discovering these authors has opened my eyes to new perspectives and has drawn me into their worlds in a way that feels just as magical as the stories themselves.

A lot of black love story books dive deep into the exploration of identity and cultural heritage. The struggles that characters face often reflect societal issues, like racism and classism, but also intertwine beautifully with themes of resilience and strength in love. For instance, in novels like 'The Color Purple,' the relationships are not just about romantic love; they encapsulate the complexities of familial bonds, sisterhood, and the fight for personal agency in a society that often seeks to limit it. Another fascinating theme is the celebration of joy and laughter amidst pain. Even within weighty subjects, black love stories often highlight the moments of triumph, unity, and intimacy that characters experience. You can see this in ‘Their Eyes Were Watching God,’ where Janie's journey is not solely marked by hardship but by her quest for true love, personal fulfillment, and the sweetness of life. This duality makes these narratives resonate on numerous levels, allowing readers to relate to the characters and their experiences personally. Lastly, there’s the beautiful theme of community and familial ties which is predominant in these stories. Relationships often extend beyond the couple and delve into the dynamics of friendships and kinships that influence the love story. These layers add depth and context, showcasing how love flourishes not only in isolation but within the support and sometimes the challenges posed by the surrounding community. Each layer adds richness, making these stories both poignant and relatable, and often leaving me with a warm, hopeful feeling about love's capacity to overcome the odds. It's these elements that really draw me in and keep me coming back for more.