Which Anime Uses The Song By Your Side?

Oh wow, this question takes me back! The anime that features 'aishite aishite' as its theme song is 'Jujutsu Kaisen'—specifically, the second opening theme for its first season, titled 'Kaikai Kitan' by Eve. That song is an absolute banger, isn't it? The way it blends chaotic energy with melancholic undertones perfectly matches the show's vibe. I remember getting chills every time it played during the episode transitions. Eve's music has this unique ability to capture raw emotion, and 'Kaikai Kitan' is no exception. The lyrics, including the repeated 'aishite aishite,' feel like a desperate cry, which fits Yuji Itadori's struggles so well. The visuals paired with it are stunning too—dark, surreal, and packed with symbolism. It's one of those openings I never skip, even on rewatches. Just hearing those first few notes gets me hyped for the episode.

That phrase often crops up in translations and fan conversations because it's one of the natural English renderings of the Japanese song 'Itsumo Nando Demo', which is widely known in English as 'Always With Me' — and yes, that song was used as the ending theme for Hayao Miyazaki's film 'Spirited Away' (2001). The credit you usually see is Yumi Kimura on vocals, and the whole score sits within Joe Hisaishi's beautiful soundtrack work for the film. Folks sometimes translate or remember the title more poetically as 'I’ll Always Be With You', which is why you’ll see that exact phrasing in fan circles, subtitles, or AMV captions even if the official English title is 'Always With Me'. The way the song appears in 'Spirited Away' makes it feel like a gentle vow — it closes the movie with a soft, lingering reassurance that connects to the film’s themes of memory, belonging, and promises kept. Beyond the movie itself, I’ve heard this melody everywhere: orchestral concerts celebrating Studio Ghibli, acoustic covers on YouTube, piano recitals, and countless fan edits. People add the line 'I'll always be with you' in descriptions and captions because it encapsulates the song's emotional core, even if that exact phrase isn't the formal title. I still get a little misty when the credits roll and that tune starts; it’s one of those pieces that seems to wrap up a story and keep it warm in your chest. So if you heard 'I'll always be with you' in an anime context, there's a very good chance it was referring to the ending song of 'Spirited Away', or a cover/tribute that used that English rendering — and for me, it’s the kind of melody that sticks around all day after watching the film.

I've dug into this kind of thing a lot, and the short version is: there isn't one single person who wrote every song called 'I can do it' used in anime. Titles like that get reused a lot, and who actually wrote a particular track depends entirely on which show or soundtrack you're talking about. When I want a definitive name, I go hunting through three reliable places — the episode end credits, the CD/OST booklet (if one exists), and databases like VGMdb or JASRAC — because anime music credits are usually very explicit: lyrics by, music by, arranged by. If the song you mean is an insert or an ending theme from an official series, the composer/lyricist will usually be listed in the single or on the soundtrack. Sometimes it's a well-known anime composer, sometimes it's the singer themselves, and sometimes it's a production house staffer who rarely appears elsewhere. There are also cases where an English-language pop song titled 'I Can Do It' gets licensed into an anime; then the original pop songwriter gets the credit. For me, the fun part is tracing a song from the tiny onscreen credit to the full CD jacket credits and then to the songwriter’s other works — it’s amazing what you discover about arrangers and recurring collaborators. If you ever spot that credit, you’ll usually end up finding a neat chain of creators behind it — always satisfying to see a composer’s signature style once you know their name.

That hauntingly beautiful line 'Wherever you go, I won't be far to follow' instantly makes me think of 'Banana Fish'. It's delivered with such raw emotion in episode 24 by Ash Lynx to Eiji Okumura, and it absolutely wrecks me every rewatch. The phrase encapsulates their tragic bond—Ash, the street-smart gang leader, and Eiji, the gentle photographer who becomes his emotional anchor. What makes it hit harder is knowing Ash's background of abuse and isolation; those words are a vow from someone who never believed he deserved love. I'd argue this isn't just a romantic declaration but a thematic keystone. The series explores how trauma shapes pursuit (literally, with mafia chases) and emotional distance. The English dub actually strengthens the line's impact—Jaden Waldman's voice cracks perfectly. Side note: Yoshida's manga extends their story in 'Private Opinion', but the anime's ending makes this line linger like a ghost.

I can confirm that 'Stand By You' by Rachel Platten was used as the ending theme for the anime 'Kamisama Hajimemashita' (also known as 'Kamisama Kiss'). This song perfectly captures the emotional depth of the series, blending with the romantic and supernatural elements of the story. The anime follows Nanami, a high school girl who becomes a land god, and her evolving relationship with the fox familiar Tomoe. The choice of 'Stand By You' as the ending song adds a layer of warmth and resilience that mirrors Nanami's journey. It’s one of those rare instances where the music feels inseparable from the story, elevating the entire experience. I’ve rewatched the ending sequence countless times just to hear the song. The way it pairs with the visuals of Nanami and Tomoe’s bond is pure magic. If you haven’t seen 'Kamisama Hajimemashita,' I highly recommend it—not just for the story but for the soundtrack alone. Rachel Platten’s uplifting anthem is the cherry on top of an already delightful anime.

Black Rover absolutely slaps, doesn't it? That hype opener belongs to 'Black Clover,' one of my favorite shounen anime. The song just fits the show's relentless energy—Asta screaming about becoming the Wizard King while Vickeblanka's vocals blast in the background is pure serotonin. I binged the whole series last summer, and that opening still lives rent-free in my head. The way it syncs with Asta and Yuno's rivalry visuals? Chef's kiss. Funny enough, I initially skipped the OP to save time, but after catching a clip of Yami swinging his sword to the beat, I went back and watched it religiously. Now I associate the guitar riff with epic training montages and demon-slaying chaos. If you loved the song, the anime's worth sticking around for—though fair warning, Asta's voice takes some getting used to!

There's a scene that always hits me in the gut: the boys walking down the railroad tracks in 'Stand By Me', while the music swells and Ben E. King's voice carries that plea to 'stand by me.' It isn't literally the words 'by your side,' but honestly, the lyric and the whole mood are practically the same thing — that stubborn, desperate promise to stay with someone through whatever storms. Watching that sequence as a teen felt like being handed a small, stubborn truth about friendship: proximity matters, but so does the vow to keep walking together. I remember how the camera frames the boys — small against the sky — and the song makes the promise eternal, not just adolescent bravado. Years later it still plays the same trick: any time I hear lines about sticking close, I flash back to that gravel, those backpacks, and the way the song turned a simple walk into a contract of loyalty. That scene is a textbook example of how a lyric — even if slightly different — can stamp a moment into memory because it speaks to universal fear and comfort. For me, nothing captures the 'by your side' feeling better than that mix of naiveté and fierce commitment in 'Stand By Me' — it’s cheap nostalgia and big truth all at once, and I smile a little every time I think of it.

That iconic 'Hare Hare Yukai' tune instantly takes me back to the golden era of mid-2000s anime! It's the legendary ending theme for 'The Melancholy of Haruhi Suzumiya', and oh boy, did it leave a mark. The way the SOS Brigade members performed that coordinated dance in the ED sequence became a cultural phenomenon—I still see cosplayers attempting it at conventions today. What fascinates me is how the song transcends the show itself. Even people who've never watched 'Haruhi' recognize that bouncy melody. The way it blends upbeat synth-pop with vaguely mysterious lyrics (those 'alien, time traveler, esper' references!) perfectly captures the series' quirky energy. It's one of those rare anime songs that feels timeless—I occasionally catch myself humming it while doing household chores.

Man, 'Fukai Mori' takes me straight back to my middle school days! That hauntingly beautiful song was the second ending theme for 'Inuyasha,' and it perfectly matched the show’s mix of adventure and melancholy. I’d hum it after every episode while daydreaming about Kagome and Inuyasha’s journey. Do As Infinity really nailed the vibe—nostalgic yet epic, like wandering through a misty forest. Even now, hearing those opening notes gives me chills. Fun fact: The song’s title translates to 'Deep Forest,' which totally fits 'Inuyasha’s' mystical setting. I’ve rewatched the series a few times, and 'Fukai Mori' still hits just as hard. It’s one of those themes that sticks with you, like a cherished memory of late-night anime marathons.

There are few things in anime that land as hard as a quiet, desperate reassurance, and for me none do it better than the scenes in 'Clannad: After Story' where family finally shows up for each other. Watching Tomoya slowly crack open after all his years of numbness and then reach for Ushio — the way the show frames those small touches and hesitant words — it felt like the purest version of "I am here for you". I was on the sofa with a mug gone cold, tissues within arm's reach, and I remember pausing the episode a couple of times just to let the silence settle. Those pauses made the tiny promises between characters feel heavier and more real. What gets me is how the series doesn’t stack heroic speeches; it gives you domestic moments — making breakfast, fixing a toy, being present through grief — and through that slow, patient caregiving you get the line, even if not literally spoken, that someone will be there. That’s what makes it memorable: it teaches that "I am here for you" can be an action repeated every day, not just a dramatic shout in a battlefield. Whenever life gets noisy, I come back to those scenes and they remind me why presence matters more than grand gestures.