Which Artist First Used The Words Everybody Hurts Sometimes?

2025-08-24 22:54:05 123

2 Réponses

Trent
Trent
2025-08-29 12:04:30
There’s something about those five words that feels handwritten into the cultural memory: 'everybody hurts sometimes.' For me, that particular phrasing is inseparable from R.E.M.’s slow, empathetic ballad 'Everybody Hurts' from their 1992 album 'Automatic for the People.' Michael Stipe is usually credited as the primary lyricist and the band (Bill Berry, Peter Buck, Mike Mills, and Stipe) share writing credits, but the chorus line — plain and aching — is what made the song stick in people’s mouths and playlists. I still get a little lump in my throat whenever that opening piano and those harmonies roll in; the line is almost conversational in its comfort, like someone handing you a tissue and saying, ‘it’s okay to feel like this.’

When I dig into music history on lazy afternoons, I often look for the ‘first’ instance of a memorable line. With this exact wording, the earliest widely recognized and culturally impactful usage is R.E.M.’s song. That doesn’t mean similar sentiments or phrasing hadn’t appeared in poems, sermons, or lesser-known songs before 1992 — language about pain and shared suffering is ancient. But no earlier recorded or popular song jumped out in the way R.E.M.’s did. Their single was deliberately crafted to reassure people going through dark times; the band even asked their label to list the song as a single to reach people who might need it.

The impact tells part of the story: after its release the line was quoted in articles, used in memorials, and covered in countless versions because it’s so accessible and human. If you’re chasing original sources beyond recorded music, you’ll find echoes of the sentiment across literature and hymnody, where phrases like ‘all men suffer’ or ‘we all endure pain’ have existed for centuries. But if you’re asking who first used those exact five words in a song everyone knows, I live by saying it’s R.E.M., and I’ll throw on 'Automatic for the People' whenever I need that small, consoling reminder that I’m not alone.
Stella
Stella
2025-08-30 09:57:46
If you want the short, solid fact: the line 'everybody hurts sometimes' is best known from R.E.M.’s 1992 song 'Everybody Hurts' on the album 'Automatic for the People.' I’ve been the person in the car singing that chorus louder than necessary during rainy drives — the phrasing is simple but nails a universal truth, which is why it stuck.

People often wonder if the words existed earlier somewhere else. While similar ideas about shared suffering pop up in older poems and songs, I haven’t found any prior recorded track that used that exact wording and reached the same level of recognition. For most listeners, R.E.M. is the origin point — they took a plain sentence and turned it into something that feels like a hug, and that’s why so many covers and TV moments keep bringing it back. If curiosity bites, listen to the original track and then hunt covers; it’s fun to hear how different voices interpret that single line.
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I still get a little chill thinking about the way that chorus lands — like someone handing you a life raft. Over the years Michael Stipe and other members of R.E.M. did talk about 'Everybody Hurts' in interviews, and the gist was pretty consistent: the song was meant as a direct, consoling message. Stipe has said that he wanted lyrics that were simple and immediate because he was trying to reach people who felt isolated or on the edge; it wasn't meant to be poetic labyrinthia but rather a hand to hold. He admitted he wrote it to communicate plainly, to people who might be having really dark moments. I’ve read and watched several pieces from the '92–'94 period and later retrospectives where band members explained the origin and intent. They also talked about how the music and arrangement — the strings, the slow steady drumbeat — were chosen to underline that comforting, communal feeling. There’s been some debate about whether the song comes off as mawkish to some listeners, and the band acknowledged that risk, but they stuck with the idea that directness can save lives. For me, hearing that backstory makes late-night radio plays hit differently; it’s less about melodrama and more about someone trying to be useful to a stranger.
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