Which Artists Has Alex Aiono Collaborated With?

I get a little giddy thinking about how people like Alex Aiono find that first spark. For me, what stands out is a mix of family, early music exposure, and the internet giving him a megaphone. Growing up around music — whether that was parents playing records, church singing, or a sibling strumming guitar — plants the idea that music is something you do, not just something you consume. That familiarity makes singing feel possible, even inevitable. Then there’s the YouTube era: recording covers, experimenting with mashups, and putting yourself out there for real people to react. Seeing views climb, reading comments that say a cover helped someone through a rough day, and getting messages asking for more — that kind of instant feedback is addictive and motivating. For Alex, those viral moments turned a hobby into something you could chase full-time. He combined that crowd-driven momentum with a love for pop and R&B craft, and that blend of affection for music plus audience encouragement pushed him into a professional path. I still love watching his early videos; they’re such a raw reminder of why anyone starts singing in the first place.

When I fall into a YouTube spiral late at night, Alex Aiono’s channel is one of those comforting stops — he’s basically a mixtape of pop hits, mashups, and acoustic flips of songs you already know. Over the years he’s covered a ton of contemporary pop — think big names you’d expect: Justin Bieber, Ed Sheeran, Drake, Bruno Mars, Shawn Mendes, Charlie Puth, and One Direction. He’s done straight covers, stripped-down acoustic versions, and clever mashups that stitch several chart songs into a single slick performance. A few examples you can actually search for on his channel: his early viral mashup moments that feature Justin Bieber material (fans often point to his takes on songs like 'What Do You Mean?'), unplugged or acoustic-style versions of big ballads, and pop-to-R&B transitions where he layers vocal harmonies over drum-loop beats. He also has themed playlists — "Covers," "Mashups," and live sessions — and has uploaded collaborations and reworks that sometimes show up on his VEVO/SoundCloud too. If you want the full, up-to-date list, the quickest route is to go to his official YouTube channel and open the 'Covers' playlist or simply filter his uploads for live/acoustic/mashup keywords. I love scrolling through and finding a song I haven’t heard in years but love the way he rearranged it; it’s like rediscovering radio favorites through a fresh lens.

There’s this particular calm I feel before a big show that I can’t help but notice in how Alex Aiono must work — it’s organized chaos. He seems like someone who treats each live night like a craft project: weeks of arranging the setlist so the energy curves just right, then a few frantic rehearsals to lock down transitions. He’d warm up with vocal runs and lip trills, avoid dairy, and sip warm water with honey; those little rituals make a tangible difference when you’re jumping between chest and falsetto in pop-R&B songs. I imagine him doing run-throughs with his band to nail timing, then rehearsing stripped-down versions in case a mic or track flakes out. On the production side, Alex’s shows probably get a meticulous tech check: in-ear monitor mixes, guitar tuning, backing track levels, and click track rehearsals so harmonies land cleanly. He’s big on mashups and medleys from his YouTube days, so arranging those live takes specific attention to keys and tempo changes — and someone in the crew likely triggers samples or loops while he focuses on performance. There’s also mental prep: walking the stage, picturing crowd moments, and rehearsing the little ad-libs that make each show feel unique. After the lights come down, he’d do a vocal cooldown, check the recordings for things to tweak, and debrief with the team about what worked and what didn’t. I love how that balance of technical discipline and playful spontaneity probably defines his process — serious rehearsal, but with room to riff. If you ever catch him in a smaller venue, listen for those live improvisations; they tell you how much prep really paid off.

Hearing his medleys on repeat while doing late-night homework is probably why Alex Aiono’s switch from covers to originals feels so personal to me. Back when I first found his channel, it was pure joy—clever mashups, flawless production, and that charm that made every cover feel like a mini-concert. But over time you can almost see the pressure of staying fresh in a crowded space; covers get you noticed, but they don’t let you tell your own stories. What pushed him toward original songs, to my mind, is a mix of creative restlessness and practical reality. Creatively, writing originals gives an artist control: lyrics that actually mean what you lived, melodies born from your mood, not someone else’s chorus. Practically, originals build a sustainable career—publishing, royalties, and a recognizable artistic identity that you can tour with without relying on other people’s hits. I remember catching one of his early originals live and feeling how much more connected the crowd was—people weren’t just there for nostalgia, they were there for his story. There’s also the industry angle. Managers and labels often nudge talent toward original work once a fanbase exists, because originals allow for collaborations, sync deals, and long-term growth. For Alex specifically, it felt like a maturation: he kept the vocal polish and pop sensibility of his covers but began shaping them into something uniquely his. I still binge his covers sometimes—there’s comfort in them—but watching him grow into originals is like watching a friend stop imitating their idols and start writing letters to themselves.

Honestly, I still get a little buzz when I think about the way he moved from YouTube covers to full-length work — Alex Aiono released his debut album in 2018. I was following his career back when he was doing mashups and short covers, and that year felt like a tipping point: the YouTube kid who could mash Prince and Justin Bieber suddenly had a proper studio-backed record out in the world. It’s fun to trace that shift because his earlier stuff teased his range and production sense, but the 2018 release showed he was serious about being an artist beyond viral clips. If you go back and listen, you can hear how the songs are arranged with a more polished pop-R&B sheen, and there’s a clearer narrative voice compared to his covers. For anyone who loved his online medleys, that debut felt like the moment he planted a flag and said, ‘I can do this for real,’ and it made following his later singles and collaborations more rewarding.

There's a good kind of itch I get whenever I think about artists announcing new tour dates, and Alex Aiono is no exception. I can't pull up live tour calendars from here, so I don't have a specific next international date to give you off the cuff. What I do do is follow a routine that usually nets me the news fast: I check his official website, subscribe to the mailing list, and turn on notifications for his socials (Instagram and X/Twitter are where I usually see the first teasers). Ticketing sites like Ticketmaster, Live Nation, and regional platforms often list dates immediately after an announcement. If you want the fastest route, sign up for pre-sale alerts and connect Songkick or Bandsintown to your music apps—they’ll ping you the second a show is announced near you. I also hang out in a small fan Discord and Reddit thread where people post links and time-zone-converted start times for presales. If a specific international leg matters to you (Europe, Australia, etc.), watch festival lineups too—he sometimes pops up at summer festivals before launching a full tour. Personally, I always set calendar reminders for presales because tickets vanish in minutes, and I keep my passport in an easy-to-grab spot just in case.

I still get a little thrill watching one of his older mashups — there’s something contagious about the way he stitched together hooks, harmonies, and a clear aesthetic that felt both polished and personal. Back when I was binge-watching cover artists between classes, Alex Aiono stood out because his videos weren’t just someone singing over a backing track. He arranged parts, built mini-productions, and treated covers like fully produced singles. That quality set him apart on YouTube’s sea of quick clips. Beyond the production, he nailed two evergreen creator moves: consistency and smart song choice. He uploaded regularly, picked songs people were searching for, and labeled things so they showed up in search results. I followed him into the comments on multiple videos — the way he replied, thanked fans, and even reshared fan content made those viewers feel seen. That community feedback loop is huge; I once got a reply on a comment thread and it made me a regular. The other piece was collaboration and platform hopping. He collaborated with other creators and used whatever platform was hot at the moment to amplify reach. As someone who later tried recording covers myself, I learned that it’s not just talent — it’s timing, relationships, and treating your channel like a band where the audience feels invited in. Watching his progression from covers to original music and live shows also taught me that turning followers into fans requires offering something beyond videos: shows, merch, behind-the-scenes, and real conversations. I still go back to his channel for inspiration when I plan my own content — it’s part nostalgia, part blueprint.

The talented soccer star Alex Morgan dons the number 13 jersey. Whether she's tearing up the field for the US Women's National team or playing with her club, you're bound to see the number 13 whenever she's on the pitch. Why the number 13 you ask? She's been quoted saying that she's attached to it because it gives her a rush of exhilaration since it's considered unlucky by some. But for Morgan, it represents pushing boundaries and breaking the norm, which is what she’s all about on and off the field!