Who Is The Author Of 'Fields Of Gold' Book?

Fresh out of college, Clara Stewart asked me to take on a $500,000 mortgage for her. When I refused, she turned around and bought an $800,000 villa in full, for another guy. Holding up the property deed, she told me: "Jayden, the truth is, I'm actually rich. I've been pretending to be poor to test you. Unfortunately, you failed. I'm disappointed in you. Let's break up." I simply smiled and walked away without a second thought. The irony? I'm the son of the richest man in the country. I was pretending to be broke, too. Fast forward four years, we met again at the National Wealth Summit. Clara had just barely made it into the top 50 on the list, clinging to the arm of Henry Brown as they entered. She spotted me in simple clothes with no visible brand, holding a child in one arm and the keys to a Porsche Cayenne in the other. Thinking I was someone's driver, she sneered: "Jayden, you really went all out just to see me again? Let's be real, you're just a driver now, and I'm on the wealth list. We live in completely different worlds. Don't waste your time fantasizing." I did not bother replying. Honestly, I was only there because my billionaire dad insisted. I had finally cleared a day to spend with my son and now I had to waste it on that.

The Weight of Gold is a trilogy about what happens after the meet-cute — not the falling, but the building. It follows Eleanor across seven years as she trades inherited splendor for a chosen life: a small house, a workshop full of sawdust and linseed oil, a diner owner who becomes her true north, and a town that becomes her home. But it is also the story of the people pulled into the orbit of a life genuinely lived. A cousin who arrives hollowed-out by the wrong marriage and finds her footing in native plants and honest argument. A mother who mistakes the form of a life for the life itself, and slowly, carefully, begins to dismantle that mistake. A sculptor who needs wood that speaks. A town that goes better for being attended to. At its heart, this is a story about craft — the craft of furniture, of restoration, of building institutions and relationships and selves. About the difference between the shape a life is supposed to take and the shape it wants to take. About a word Daniel uses for bleached wood: ghost — not white, not absent, but elsewhere, waiting for the right conditions to return. Eleanor spends seven years learning that ghost is not an ending. It is the beginning of something better.

The novel is mainly about the forgotten British poet/writer named C. J Richards who lived in Burma/Myanmar in colonial times and he believed himself as a Burmophile. He served as I.C.S (Indian Civil Servant) and when he retired from I.C.S service, he was a D.C (District Commissioner) and he left for England a year before Burma gained its independence in 1948. He came to Burma in 1920 to work in civil service after passing the hardest I.C.S examination. He wrote several books on Burma and contributed many monthly articles to Guardian Magazine published in Burma from 1953 to 1974 or 1975. Though he wrote several books which had much literary merit to both communities, Britain and Burma (Myanmar), people failed to recognize him. The story has two parts: one part is set in the contemporary Yangon (then called Rangoon) in 2016 context and a young literary enthusiast named “Lin” found out unexpectedly the forgotten writer’s poetry book and there is surely a good deal of time gap that led him into a quest to know more about the author’s life. The setting is quite different comparing to colonial Burma and independence Myanmar (Burma), early twentieth century and 2016 which is a transitional period in Myanmar. The writer’s life is fictionalized in the novel and most of the facts are taken from his personal stories and other reference books. It is a kind of historical novel with a twist and it has comparatively constructed the two different periods in Myanmar history to convince readers, locally and abroad more about history, authorship, humanity, colonialism, and transitional development in Myanmar today.

When a mysterious stranger named Thorne confronts young Calla Merin with questions about a "pack" and a heritage she doesn't remember, Calla is thrust into the hidden world of werewolves. She quickly learns she's the last descendant of two legendary bloodlines—and her rare golden wolf form marks her as the fulfillment of a prophecy that some would kill to prevent. Thrust into the Moonveil pack, Calla must master her newfound powers while navigating deadly pack politics. But she's not alone—her best friend Maya harbors her own supernatural secret, and together they face the challenge of building crucial alliances between packs who have been isolated for generations. As the Shadow Covenant emerges from the darkness with enhanced soldiers and sinister plans, Calla must learn to wield the Golden Wolf Network—an ancient power that connects allied packs but also makes her a target. With enemies infiltrating their ranks and time running out, she faces an impossible choice: master abilities that could destroy her from within, or watch everyone she loves fall. Because someone out there knows what she is… and they're hunting the Golden Wolf.

He built empires by never loving anyone. She survived him by becoming something unstoppable. Adrian Blackwell did not believe in mercy—only leverage. As the youngest billionaire to dominate three continents, he ruled boardrooms with ice in his veins and blood on his hands. Falling in love with his wife was his only mistake. And when betrayal came, he chose the lie that preserved his empire over the woman who gave him everything. When Adrian cast Elara out of his life, he never knew the truth. She was pregnant. And she refused to beg. Disappearing with nothing but her name and a secret that could shatter him, Elara rebuilt herself from ruin. Years later, she returns not as the discarded wife—but as a powerbroker in her own right. Wealth sharpened by vengeance. Grace forged in fire. A woman who learned that survival is the most dangerous form of ambition. Now their worlds collide again—at the summit of global power. Adrian wants her back. Elara wants justice. But the past has claws, the truth has a price, and the child between them is no longer a secret that can stay buried. As enemies circle and empires tremble, love becomes a battlefield where forgiveness may cost everything and revenge may cost even more. Because in a world ruled by billionaires, love is the most expensive risk of all.

Meera Rathore has spent her life fighting against the future others chose for her. Forced into an arranged marriage with the heir of a powerful dynasty, she finds herself trapped within the walls of the Singh Palace—a place of wealth, tradition, and unsettling silence. Beyond the palace lies a forbidden forest where, during a monsoon storm, Meera encounters Laila, a mysterious woman whose beauty is rivaled only by the sorrow she carries. Drawn together by an undeniable connection, Meera soon discovers that Laila is tied to the palace's darkest secret. As forgotten histories resurface and long-buried truths emerge, Meera uncovers the stories of women erased from memory and silenced by generations of power. But some names refuse to be forgotten, and some loves refuse to die. *The Palace of Buried Names* is a haunting gothic romance about forbidden love, forgotten women, and the secrets that survive long after death.