Who Is The Author Of Why I Watch People Die?

Three years after I died, my mother sent me twenty dollars for living expenses. Three years before that—the first time I ever asked my family for money—she said to me, offhand, "Sometimes I think you're just putting on an act. What's so unsanitary about a thirty-cent boxed meal? And why can't you wear a five-dollar down jacket? Face it, you're just more high-maintenance than your little brother." Later, when I needed twenty dollars to buy some cheap medicine for my stomachache, she blocked me immediately and cut off all contact—along with every relative we had. "Don't contact me anymore. I'm clearly not a good mother. I can't afford to give my son a life of luxury." But for my younger brother, who had just started high school, she spared no expense—renting him a three-bedroom apartment. Even the family dog got its own room. In the end, on the day my brother became the top scorer in the state, she finally remembered me. She took me off her block list and transferred twenty dollars. "It's only twenty dollars. Was it really worth giving your family the silent treatment for three whole years?" What she never knew was this— On the night my stomach ruptured, three years ago, I had already died. I couldn't afford to go to the hospital. I froze to death in the snow.

I have the ability to see how people will die. The day my divorce is finalized, I'm hit by an electric scooter and sent flying. When I wake up, I see a line of text above the nurse's head. It reads, "27 years old. Breast cancer in eight years." I pick up my phone. The first name in my contacts is my ex-wife, Caroline Meyer. After a moment's hesitation, I open her social media. Her latest post shows her and her new boyfriend vacationing in Marencia, captioned, "Forever starts with you." The location tag says it was posted three hours ago. We only finalized our divorce the day before. Later, I get a voice message from my daughter. "Daddy, Mommy says I can't go to her new house anymore. Her boyfriend doesn't like kids." I clutch my phone and head out to pick her up, only to run into Caroline's father, John Meyer, outside the apartment building. Above his head, the words read, "62 years old. Carbon monoxide poisoning in three months." The moment John sees me, he starts yelling. "What a loser! My daughter should've divorced you years ago! Her new boyfriend is young, handsome, and owns three houses. What do you have?" I glance at the words above his head, then slowly delete the warning text message I'd already typed out. After that, I take my daughter's hand and say, "Come on. I'm taking you out for burgers."

He promised to protect him from a killer. He never said he was one. When journalist Ian Parker witnesses a brutal murder, he should have been the killer's next victim. Instead, he wakes up in the hospital, saved by Zhedya Hunter…a brilliant forensic pathologist, a reclusive CEO, and a man with chilling grey eyes that feel hauntingly familiar. Charismatic and dangerously possessive, Zhedya offers Ian shelter in his opulent penthouse, a gilded cage where every comfort is a chain. As Zhedya's obsession deepens, Ian's career skyrockets, with damning evidence against the city's most wanted criminals mysteriously falling into his hands. But each exclusive story comes with a price: a fractured memory, a drugged haze, and a growing pile of bodies connected to anyone who threatens their twisted paradise. Now, Ian is trapped in a nightmare of luxury and lies, unraveling a truth more terrifying than any headline: his savior is a predator, his sanctuary is a crime scene, and the man who claims to love him is the most prolific murderer he will ever interview. Learning how to love a murderer is easy. Surviving him is the real story.

Mia D’Lorne thought heartbreak would kill her but getting hit by a car did the job faster. One second she’s running from the sound of her boyfriend and sister fornicating, the next she’s standing in front of an abandoned bus station in what looks like purgatory. The bus that picks her up looks like a prop in a horror movie and she’s introduced to the world of the Soul Recycle Program. To exist, she has to compete in a twisted afterlife show where the dead fight their way through nightmare worlds for the amusement of unknown and unseen spectators. The rules are simple. Survive or disappear for good. Mia is joined by two strangers who are just as broken as she is. Axel Rivers, who has been dead for almost a century, and Bree DeBois, a control freak paramedic with more guilt than she can carry. Together they try to survive the challenges of the game. As the trio do their best to keep from being erased, they begin to realize the Game is more personal than they imagined.

There are monsters in this world. And they used to be us. Now it's time to euthanize to survive in a hospice where Emily, a woman haunted by her past, only wants to do her job and be the best mother possible. Post-infection Chicago. Christmas. Inside The Hospice, Emily and her fellow nurses do their rounds. Here, men and women live out their final days in comfort, segregated from society, and are then humanely terminated before fate turns them into marrow-craving monsters known as ‘Smilers.’ Outside these imposing walls, rabid protesters swarm with signs, caught up in the heat of their hatred. Emily, a woman haunted by her past, only wants to do her job and be the best mother possible. But in a world where mortality means nothing, where guns are drawn in fear and nobody seems safe anymore – at what cost will this pursuit come? And through it all, the soon to be dead remain silent, ever smiling. Such is their curse. It won't be long before that snow-speckled ground will be salted by blood. ©️ Crystal Lake Publishing

Desperate for money, I planned a livestream exploring the home of a notorious serial killer in the dead of night. I thought it would be nothing more than a publicity stunt to attract viewers. I was wrong. What started as a reckless grab for attention turned into the most terrifying night of my life and a brutal lesson in what it truly meant to stare death in the face.