How Did Barry Jenkins Adapt The Underground Railroad For TV?

I get asked this a lot by friends who swing by campus for events: short version — your access off-campus depends on who you are. Most of Barry University Library’s subscription databases (think 'EBSCOhost', 'ProQuest', 'JSTOR') are behind login walls and require university credentials, so if you’re a current student, faculty, or staff you can log in from home through the library’s proxy or single-sign-on system. If you don’t have those credentials, you won’t be able to use those databases remotely. That said, there are friendly workarounds and on-site options. Visitors can usually come into the library and use computers or Wi‑Fi to access subscription resources while on campus. Some libraries offer community borrower cards, alumni access, or short-term guest accounts — policies change, so I always advise emailing the library or checking their website and 'LibGuides'. Also, for research without credentials I lean on open resources like 'PubMed', 'DOAJ', Google Scholar, or authors’ personal pages, and I often request items through interlibrary loan or ask a librarian for help. If you’re planning a visit, call ahead; the people at the reference desk are surprisingly helpful and can set you on the right track.

I got my alumni borrowing privileges at Barry University a couple years after I graduated and honestly it felt like unlocking a little secret level — let me walk you through the steps that actually worked for me. First, check the library’s alumni services page or give the circulation desk a quick call; policies can shift year to year, but the usual routine is: verify your alumni status, bring a photo ID (driver’s license or passport), and show your alumni card if you already have one. If you don’t, the staff will usually register you for an alumni borrower account right at the desk. There’s often a small fee or an annual renewal for alumni borrowing — don’t freak out, it’s typically modest — and you’ll be asked to sign a borrower agreement that explains loan periods, renewals, and fines. Once registered I was able to check out physical items like books and DVDs; what surprised me was how helpful the staff were about interlibrary loans and putting items on hold. One tip I picked up: bring an email address you actually check so hold notices and renewal reminders don’t get lost. Also, expect limits compared to current students — loan lengths might be shorter and access to subscription databases from off-campus is usually restricted for alumni. If you need articles remotely, ask about guest terminals on campus or whether the library offers alumni-only database access via a proxy or alumni portal. If anything’s unclear, the circulation team is super approachable — just say you’re an alum and want borrowing privileges and they’ll guide you through the exact forms and fees for the current term.

Oh, absolutely — Barry University's library does have private group study rooms, and I use them all the time when I'm trying to wrangle a group project or rehearse a presentation. The rooms are meant for collaborative work, so they tend to have whiteboards, table space, and sometimes a monitor or hookups for a laptop. I usually check the library's website first to see availability, but if I'm in a hurry I swing by the circulation desk and ask; staff are friendly and will point you toward a room or tell you about same-day walk-ins. From experience, booking ahead is a lifesaver during midterms and finals. Reservation windows can vary — typically you can reserve for a couple of hours at a time and renew if no one else has a hold — but policies change each semester, so double-check the library's reservation rules. Also, bring your student ID because some places require it for check-in, and be considerate of the posted capacity limits and noise expectations. A small pack of markers and a charging cable in my bag has saved me more than once. If the rooms are full, don't panic: there are usually communal study spaces, smaller nooks, or campus lounges that work fine for groups of two or three. And if you want a quick tip — book the worst time first, like early morning or late evening; those slots are less popular and often more reliable for quiet focus.

As someone who's devoured every Taylor Jenkins Reid novel, I can say 'Carrie Soto Is Back' stands out for its raw intensity. Unlike 'The Seven Husbands of Evelyn Hugo' which feels like a glittering Hollywood exposé or 'Daisy Jones & The Six' with its rockstar vibes, Carrie Soto is pure athletic grit. The prose mimics a tennis match—short, sharp sentences that pack a punch. Reid ditches the ensemble casts of her other books to laser-focus on one flawed woman’s comeback. The emotional stakes are higher here; where Evelyn Hugo seduces you, Carrie Soto grabs you by the collar and demands respect. It’s Reid’s most unapologetic character study yet.

In the 'Flash' series, the chemistry between Barry Allen and Iris West sparks from the get-go, but their love story takes time to unfold. We don't see their relationship blossom until the end of season 2, after Barry reveals his identity as the Flash, solidifying their bond. They've faced plenty of hurdles - time travel, alternate realities, villainous speedsters - but their connection persists, culminating in a well-anticipated wedding in the 'Crisis on Earth-X' crossover event.

In 'The Librarians', the character Jenkins is a staple throughout the series, serving as the wise, witty guide for our main group of librarians. Specifically, he really shines in episodes like 'The Rule of Three', where his background and relationship with magic come into play, and his meticulous nature adds a comedic flair to the unfolding chaos. Another great moment is in 'The Image of the Beast', which dives into his connection with the supernatural while showcasing both his intellect and his ability to navigate tricky situations. Then, there's 'And the Apple of Discord', where we get deeper insights into his character, not just as a mentor, but also as someone juggling his own complex history. Jenkins blends humor, wisdom, and a touch of mystery, making him such a delightful character; every time he’s on screen, you can expect a few laughs and a lot of charm. His interactions with the team reflect the balance of knowledge and experience, which elevates the narrative beyond a typical fantasy adventure. The depth he adds to the dynamics of the librarians is simply irreplaceable. It’s always a treat to see his character development unfold through his clever dialogue and his interactions with the various artifacts and dangers the librarians face. Jenkins is sort of the compass when the group feels lost. Now, looking back, whenever Jenkins is involved, it feels like a nod to the classic archetypes of fantasy storytelling, but with a modern twist that lightens the mood while staying rooted in lore. His personality just adds that perfect sprinkle of uniqueness to 'The Librarians', and I couldn't imagine the show without his memorable presence!

Finding the special collections at Barry University Library feels a bit like tracking down a secret study nook — in a good way. From my last few visits, the Special Collections/Archives are part of the library on the Miami Shores campus, usually kept in a staffed, secured room rather than out on general shelves. The practical route: walk into the library, head to the main service or reference desk, and let the staff know you want to consult Special Collections. They'll either point you to the room or pull materials for you after checking your ID and research purpose. Logistics that helped me: check the library’s website before you go to see if you need an appointment or to fill out a request form. Many universities require advance notice for rare or fragile items, and Barry is likely similar — staff need time to retrieve boxes, bring items to a supervised reading area, and set up any reproduction permissions. Bring a photo ID, and be ready to follow handling rules (no pens, careful page turning, sometimes gloves). If you’re doing serious research, ask about finding aids or catalog entries so you can request specific folders or titles in advance. If you want immediate contact info, the library’s main contact page or the reference desk phone is the fastest route. I’ve always found the staff helpful when I say exactly what I’m looking for — college yearbooks, older theses, campus records, or local-history photos — and they’ll set up time for you to use the materials in a quiet reading room.

On campus the library's printing and scanning setup is surprisingly versatile, and I use it all the time for class handouts, posters, and quick scans. There are networked printers at the main library floor and the study commons that handle black-and-white and color prints, and most of them let you choose single- or double-sided printing. You can release print jobs at a convenient station so nothing gets lost in the queue, and there’s usually a way to pay with your student/campus card balance or with a debit/credit option at the kiosk. If you want to print from your laptop or phone, there’s a wireless submission route—upload your PDF or send it via the library’s print portal and pick it up later. For scanning, expect both flatbed and sheet-fed scanners. They’ll scan to PDF or image files, and many stations let you email scans to yourself, save to a USB drive, or send directly to cloud storage. The scanners do a decent OCR pass for searchable PDFs, so I often use them to turn printed articles into editable files. For oversized prints like posters or conference boards, the library can either do large-format printing or direct you to a campus partner that specializes in poster-quality ink and mounting. Practical tip: always check file formats and margins before sending a job, and preview in the print portal to avoid wasting credits. If you’re ever unsure, the desk staff are friendly and can help with duplex settings, color calibration, or poster layouts—makes those last-minute print panics less dramatic.