What Are The Best Cartoons In Bill Mauldin'S Army?

2025-12-11 22:13:56 290

4 Answers

Zane
Zane
2025-12-12 13:51:12
Oh, Mauldin’s cartoons are treasures! My personal favorite is the one where Willie and Joe are trying to sleep in a ruined building, and Joe mutters, 'If we’re gonna get killed, I wish they’d hurry up.' It’s so bleak but so honest. Another gem is the strip where they’re staring at a 'Keep Clean' poster while covered in Filth—pure irony. Mauldin had this knack for turning frustration into something laughable. His cartoons were like letters from home for soldiers, full of inside jokes only they’d get. That’s why they stuck.
Ryan
Ryan
2025-12-13 04:50:46
Mauldin’s 'Willie and Joe' cartoons are timeless. The one where they’re stuck in rain, and Joe says, 'I’d give my left arm for a dry cigarette,' kills me every time. It’s the little details—the way their uniforms sag, their stubble, the way they slouch. You can tell Mauldin was right there with them. His cartoons are a reminder that war isn’t just battles; it’s waiting, griping, and trying to stay sane. That’s why they’re still so powerful.
Bella
Bella
2025-12-16 05:50:03
What stands out to me about Mauldin’s cartoons is how they balanced humor and heart. Take the one where Willie’s writing a letter home, saying everything’s fine while bombs explode behind him. It’s hilarious and heartbreaking at once. Or the time Joe’s trying to shave in a puddle, grumbling about 'luxury accommodations.' These weren’t just jokes; they were survival tactics. Mauldin’s work gave soldiers a way to laugh at the madness around them. Even now, those strips hit hard because they’re about real people, not heroes.
Madison
Madison
2025-12-17 12:24:05
Bill Mauldin's work during WWII with 'Willie and Joe' was groundbreaking because it humanized soldiers in a way few cartoons had before. His strips weren’t just about gags—they captured exhaustion, camaraderie, and the absurdity of war. The best ones? I’d say the ones where Willie and Joe are knee-deep in mud, complaining about officers or sharing a cigarette. There’s a famous strip where they’re under fire, and one says, 'I feel like a fugitive from th’ law of averages.' It’s darkly funny but real.

Mauldin’s art style was rough, almost scribbly, which matched the chaos of war. His cartoons didn’t glorify combat; they showed the weariness of the guys in the trenches. General Patton hated them because they made soldiers look 'unheroic,' but that’s why troops loved them. They felt seen. The one where Willie’s helmet has a bullet hole, and he just sighs? Perfect. Mauldin’s work is a masterclass in using humor to tell hard truths.
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