What Are The Best Frances Hodgson Burnett Books Adaptations?

Sophie Beckett was the perfect wife. Quiet. Devoted. Unremarkable. Or so her husband believed. When Sophie discovers Adrian's affair, she doesn't cry. She doesn't beg. She simply smiles, pours herself a drink, and starts making plans — because Sophie Langham didn't spend three years playing a role just to fall apart when the curtain dropped. Adrian Beckett thought he married a simple girl. He has no idea who he actually married. And by the time he finds out, it will already be too late.

Seven Classic Faery Tales are given a very adult makeover. You are entering a world of myth, magic, and Immortals. Throw in the humans for the added spice of erotica and violence. Mix together and you have dark adult faery tales ........ Do not read if easily offended!

Joy, a young girl who longs for love and a stable home life, is at odds with her father and resentful of her new nanny. Beatrice, a kind-hearted university student seeking a summer job, steps in to care for Joy and brings a ray of hope to their household. But when Joy's estranged mother returns and Beatrice finds herself caught in a love triangle with George, Joy's father, and his best friend Joel, tensions rise and relationships are put to the test. As the secrets and betrayals come to light, Beatrice must decide if she can forgive and move forward, or if it's time to leave the past behind. "The Nanny's Summer" is a heartwarming story of family, love, and the power of forgiveness.

After Letitia was sold to the Duke of Kerstone, the least she expected was the Duke telling her they were to get married. To say she was bewildered was an understatement. *** "Married?" She echoed his voice in the carriage and the man simply nodded his green emeralds twinkling in delight. Why he seemed happy, she had no absolute idea. He was getting married to her! An uncouth, rude woman! He knew nothing about her! Why in hell does he seem happy?! *** She had planned to marry the man that she loved and he loved her in return and not just jump into the marriage with a man, even though handsome and warm, she didn't know a thing about, though it was the custom and norms of the society very well known to her as well. But what choice did she have? She was sold. He had bought her. She belonged to him now. All of her. Her body and her soul. She had one thing to be thankful for though. Escaping the evil clutches of her Stepmother and her two daughters. Her situation was like jumping from fire into hot oil. Except the hot oil wasn't all that very much bad. Will she agree to marry him or just go along with her plan of running away? But, everyone has a dark side... A dark part they so badly want to bury, a secret they want to keep... Even if it's impossible. But when that secret is threatened after thrown into a life of dramas and setups? Will that secret remain a secret to the end? That dark side, would it still be buried until the end? Letitia really hoped it did. Find out in *THE DUKE'S BRIDE IS A MONSTER!* COVER DOESN'T BELONG TO ME. CREDITS TO OWNER.

Raised in her father's gang, the young gypsy Emma Ferguson was persecuted all her life by the puritanical society of the 19th century, yet she never felt completely part of the Romani group. Vivacious and intelligent, the beautiful Emma only wished to find her true self and live the experiences she had been denied over the 20 years of her life, when an unsuccessful performance made her worst nightmares come true in that cursed Scottish town. Emma only survives all this with the help of the handsome British gentleman, Henry Dashwood, whom she met during the fateful performance, and when he rescues her from the roadside, she begins a new and dangerous journey. In a society where gypsy origin is considered worthy of capital punishment, Henry has decided to help Emma get back on her feet, and hatches a plan that could be the salvation or ruin of them both.

"Hey, lady, did you climb into our car to seduce my dad? Because if you want to, I can help you." The night the Whitfields humiliate her for the last time, Eleanor flees into the wrong car — a black Bentley belonging to a coldly beautiful stranger and his alarmingly forward six-year-old. She means to apologize and disappear. The little boy has other plans. He has decided she's going to be his new mother, and he is not a child who takes no for an answer. His father is a different problem. Sebastian Lockwood looks at her like he's seen a ghost, like he knows her and Eleanor can't shake the feeling she's met him somewhere a lifetime ago. She tells herself it's nothing. A wrong car. A strange night. A boy with a wild imagination. But Sebastian buried the only woman he ever loved six years ago. And he's starting to think they put the wrong name on the grave.