What Are The Best Writing A Novel Tips For Overcoming Writer'S Block?

Honestly? Lower your standards. Not forever, just for the draft. I used to get paralyzed trying to make every sentence sing right out of the gate. Now I give myself permission to write the clunkiest, most awkward version of a scene just to have something on the page. You can fix bad prose later, but you can’t edit a blank page. Sometimes just typing '[Character A argues with Character B about the thing, they feel betrayed, insert clever dialogue here]' is enough to keep the momentum going. The block often comes from the gap between your vision and your current skill—bridging it with terrible first-draft placeholder text is a valid strategy.

Man, what works for me is almost embarrassingly simple: just stop trying to write the novel. Seriously. Whenever I freeze up staring at the blinking cursor, I switch to writing the world’s worst fanfiction about my own characters. Not even kidding. I’ll take my protagonist and throw them into a ridiculous grocery store argument, or have them get stuck in traffic with their nemesis. The goal is to write something with zero stakes, where the prose can be garbage and the plot nonsensical. It sounds stupid, but it reminds me why I like these people and their voices, without the pressure of it 'counting.' After a few hundred words of that nonsense, I can usually sneak back into the actual manuscript.

Another thing that gets me unstuck is literally changing the medium. I write on a laptop, so when I’m blocked, I’ll grab a cheap notebook and a pen I hate, or even open the notes app on my phone and type with my thumbs. The sheer physical shift seems to bypass whatever mental barrier the usual setup has become. The writing is often terrible, but it’s writing, and that’ s the only objective. Sometimes the solution isn’t a grand psychological breakthrough; it’s just tricking your brain into a different lane.

Lastly, I’ve stopped viewing a block as a monolithic enemy. Now I treat it like a diagnostic tool. Am I blocked because the next scene is boring? Then maybe it shouldn’t exist. Is it because I don’t know a character’s motivation? Time to interview them like a weirdo in a separate doc. Often, the block is just the project’s way of telling me I took a wrong turn a few pages back. So I don’t fight it head-on anymore; I listen to it, backtrack, and fix the root cause. It’s less about 'overcoming' and more about sidestepping or interrogating the feeling until it dissipates.