Where Was Big Eyes Filmed?

The 2005 thriller 'Red Eye' had some pretty cool filming locations that added to its tense atmosphere. Most of it was shot in Los Angeles, which stands in for Miami in the movie. The airport scenes were filmed at Los Angeles International Airport (LAX), specifically the Tom Bradley International Terminal. The interiors of the airplane were built on a soundstage, but they did such a great job making it feel real that I totally bought it as an actual flight. One of my favorite bits is the Miami-set hotel scenes—they actually used the Century Plaza Hotel in LA for those. It’s funny how movies cheat locations like that, but it works! The production team did a solid job with set dressing to sell the Florida vibe. Wes Craven’s direction made everything feel claustrophobic and urgent, especially those tight airplane scenes. It’s one of those films where the setting feels like its own character, even if it’s not all where it claims to be.

The film 'Big Eyes' was directed by Tim Burton, and honestly, it's one of his works that really stands out to me because it feels so different from his usual gothic, fantastical style. I mean, we're talking about the guy behind 'Edward Scissorhands' and 'The Nightmare Before Christmas,' so seeing him tackle a biopic about Margaret Keane and her iconic big-eyed paintings was a surprise. But Burton brought his unique visual flair to it—those exaggerated colors and slightly surreal touches made the story pop. It's like he found a way to merge his signature aesthetic with something grounded in reality, which made the film feel fresh yet familiar. What I love about 'Big Eyes' is how Burton handles the emotional core of the story. It’s not just about art fraud; it’s about a woman finding her voice in a male-dominated world. Amy Adams and Christoph Waltz absolutely killed their roles, and Burton’s direction let their performances shine. The way he frames those big, haunting eyes—almost like they’re looking right into the audience—adds this eerie yet poignant layer. It’s not my favorite Burton film, but it’s definitely one that stuck with me long after the credits rolled.

I was so curious about the filming locations for 'Signé Cat's Eyes' that I went down a rabbit hole researching it! The show, a French crime drama from the '80s, primarily shot its scenes in Paris. You can spot iconic landmarks like the Eiffel Tower and the Seine in background shots, giving it that unmistakable Parisian vibe. The production also used studios in Bry-sur-Marne, just outside Paris, for indoor scenes. It’s fun to compare the city’s look in the show to how it appears today—some areas haven’t changed much, while others feel like a time capsule. What’s really neat is how the show’s locations add to its charm. The blend of gritty backstreets and grand boulevards mirrors the duality of the characters—glamorous yet grounded. If you’re a fan, visiting these spots feels like stepping into the show. I stumbled upon a café near Place de la République that was featured in an episode, and it was surreal to see it in person!

The 2014 film 'Big Eyes' is a fascinating dive into the art world's quirks, and it boasts some stellar performances. Amy Adams absolutely shines as Margaret Keane, the artist behind those hauntingly large-eyed paintings. She brings this quiet, introverted woman to life with such nuance—you can feel her struggle between her talent and the oppressive relationship with her husband. Speaking of him, Christoph Waltz plays Walter Keane, and wow, does he nail the smarmy, manipulative charm of a con artist. His performance walks this fine line between charismatic and downright terrifying. What's wild is how the film contrasts their acting styles. Adams is all subtlety and repressed emotion, while Waltz goes full throttle with his theatrical flair. It creates this electric tension that mirrors the real-life drama of the Keanes' story. Tim Burton directed it, and while it's less visually flashy than his usual work, the focus on character drama really lets these two actors shine. I rewatched it recently, and Adams' portrayal of Margaret's quiet strength still gives me chills.

I've always been fascinated by the gritty, atmospheric backdrop of 'The Secret in His Eyes,' and it turns out most of the filming took place in Argentina, which totally makes sense given the story's deep ties to Buenos Aires. The courthouse scenes were shot at the iconic Palace of Justice, this massive neoclassical building that just oozes bureaucratic weight—perfect for a thriller about unresolved crimes. What’s cool is how they also used neighborhoods like San Telmo for those moody, narrow streets that feel like they’re hiding secrets. The film’s director, Juan José Campanella, really leaned into the city’s duality: grand but crumbling, bustling but lonely. It’s almost like Buenos Aires becomes a character itself, with all that tango music and faded glamour lurking in the background. I rewatched it recently and kept pausing to google locations—total rabbit hole!

Big Eyes is one of those films that sticks with you because it’s so bizarrely true. It tells the story of Margaret Keane, the artist behind those haunting, doe-eyed paintings that became a cultural phenomenon in the 1960s. The twist? Her husband, Walter, took credit for her work for years, turning it into a massive commercial success while she stayed in the shadows. The movie really digs into the dynamics of their relationship—how Walter manipulated Margaret into silence, and how she eventually fought back in a courtroom that literally put her art on trial. It’s wild to think this actually happened! Tim Burton’s direction adds this quirky, almost surreal layer to the story, which fits perfectly given the subject matter. Amy Adams and Christoph Waltz are phenomenal—Adams captures Margaret’s quiet strength and vulnerability, while Waltz is just the right amount of smarmy and charismatic as Walter. The film isn’t just about art fraud; it’s about identity, ownership, and the courage to reclaim your voice. I left the theater feeling equal parts furious and inspired, and I still think about it whenever I see those big-eyed paintings in vintage shops.

I was rewatching that 'Her Eyes Her Eyes' music video recently and got totally sucked into the visuals! From what I dug up, it was shot in this moody, industrial warehouse district somewhere in Eastern Europe—probably Lithuania or Latvia, judging by the architecture. The director's Instagram behind-the-scenes posts showed these crumbling brick walls and Soviet-era factories that gave the whole thing this eerie, timeless vibe. What’s wild is how they transformed the space—those neon-lit corridors and the rain machine sequence felt like a cyberpunk fairytale. Rumor has it they scouted locations for weeks to find spots with just the right amount of decay. Makes me wanna book a flight to Vilnius just to hunt down those filming spots!

I stumbled upon 'Big Dumb Eyes' while browsing through indie comics, and it instantly caught my attention with its absurdly charming title. The comic follows a group of misfit aliens who crash-land on Earth and try to blend in, but their oversized, cartoonish eyes make it hilariously impossible. The artist’s style is a love letter to retro sci-fi B-movies, with exaggerated expressions and vibrant colors that pop off the page. It’s less about deep lore and more about chaotic, slice-of-life antics—think 'Invader Zim' meets 'Rick and Morty,' but with a softer, sillier edge. The heart of the story lies in the aliens’ naive attempts to understand human culture, like mistaking pet dogs for royalty or trying to use a toaster as a communication device. Each chapter feels like a standalone gag strip, but there’s an underlying warmth as the aliens slowly form friendships with the humans they’re supposedly 'studying.' It’s the kind of comic that makes me snort-laugh on public transit, and I’ve lost count of how many times I’ve reread my favorite panels.

The one and only Tim Burton brought 'Big Eyes' to life, and honestly, it’s such a fascinating departure from his usual gothic whimsy. This 2014 biopic about Margaret Keane’s iconic paintings and her legal battles with her husband feels oddly grounded for Burton, yet still carries his signature visual flair. The way he frames those eerie, saucer-eyed portraits makes them feel alive—like they’re silently judging you from the canvas. It’s wild how he dialed back the fantastical elements but kept the emotional intensity. Christoph Waltz chewing scenery as Walter Keane is pure Burton, though—over-the-top in the best way. What really sticks with me is how Burton handled Margaret’s story. It’s a quieter, more personal film compared to 'Edward Scissorhands' or 'Beetlejuice,' but no less compelling. Amy Adams absolutely crushed it as Margaret, balancing vulnerability and quiet strength. If you’re a Burton fan who only knows him for striped sweaters and singing corpses, this might surprise you—it did me.

The setting of 'Cat’s Eye' is one of those details that sticks with you because it’s so vividly painted. The story unfolds in a bustling, slightly gritty urban landscape, a city that feels alive with neon signs and narrow alleyways. It’s not just any city—it’s a place where the past and present collide, with old European-style buildings standing shoulder-to-shoulder with modern skyscrapers. The atmosphere is thick with mystery, the kind of place where you’d half-expect to see a shadow move on its own. The streets are slick with rain most nights, reflecting the glow of streetlights like liquid gold, and there’s this constant hum of life, of secrets waiting to be uncovered. It’s the perfect backdrop for a tale about thieves who operate under the cover of darkness, their heists feeling almost like performances against such a dramatic stage. The city isn’t ever named outright, which adds to its allure. It could be Tokyo with its labyrinthine shopping districts, or maybe a fictional blend of Paris and New York—somewhere cosmopolitan but with a retro vibe. The art in the manga (and later the anime) leans hard into this aesthetic, with characters slipping in and out of museums that look like they’ve been plucked straight from the Louvre, or hiding in rooftops that offer panoramic views of the skyline. What’s clever is how the setting almost becomes a character itself. The Cat’s Eye café, run by the protagonists, is this cozy, warm spot in the middle of all the urban chaos, a place where the thieves can shed their masks and just be sisters. The contrast between the café’s inviting interior and the cold, dangerous streets outside is a recurring theme, emphasizing the duality of their lives. You get the sense that the city isn’t just where the story happens—it’s why the story happens, with its hidden treasures and layered history pulling the sisters into one adventure after another.