When Was Black Onyx Tattoo First Published?

2025-08-11 14:34:19 168

3 Answers

Yasmine
Yasmine
2025-08-13 00:34:39
I’ve seen a lot of underrated titles come and go. 'Black Onyx Tattoo' is one of those series that flew under the radar but deserved way more hype. It first hit shelves in March 2012, published by Shadowline Comics under Image. Michel Fiffe, the creator, was still early in his career then, and you can see his raw talent in every panel. The story follows a tattoo artist who discovers her ink has mystical powers, dragging her into a shadowy conflict between gangs and ancient spirits.

What’s fascinating is how Fiffe mashed up street-level drama with occult elements—think 'Blade' meets 'Sin City.' The art was chaotic but intentional, with a DIY aesthetic that fit the underground theme. Sadly, it only ran for four issues before fading into obscurity. I’d kill for a revival or even a trade paperback collection. If you ever find a copy at a con or online, grab it. It’s a piece of indie comics history.
Ryder
Ryder
2025-08-14 14:27:16
I remember stumbling upon 'Black Onyx Tattoo' during a deep dive into indie comics a few years back. The gritty art style and noir vibe immediately caught my attention. From what I gathered, it was first published in 2012 by a small press called Shadowline Comics, an imprint of Image Comics. The series was created by writer and artist Michel Fiffe, who later gained fame for his work on 'Copra.' 'Black Onyx Tattoo' had a very limited run, which makes it a hidden gem for collectors. The story revolves around a tattoo artist entangled in supernatural underworld dealings, blending urban fantasy with hardboiled crime. It’s a shame it didn’t get more recognition at the time because the worldbuilding was truly unique.
Kylie
Kylie
2025-08-15 20:20:33
I first heard about 'Black Onyx Tattoo' from a friend who’s obsessed with obscure comics. Turns out it debuted in 2012, a short-lived series by Michel Fiffe. Shadowline Comics put it out, and while it didn’t last long, it left an impression. The premise was fresh—a tattoo artist whose work comes to life, literally. It’s the kind of high-concept, low-budget brilliance you only see in indie comics.

Fiffe’s style was unpolished but full of energy, like punk rock on paper. The story balanced urban realism with supernatural twists, and the characters felt lived-in. I’ve always wished it got more issues to explore its world. These days, it’s mostly known among hardcore Fiffe fans or collectors hunting rare back issues. If you’re into weird, experimental comics, it’s worth tracking down.
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