Which Book Starts James Patterson’S Women’S Murder Club Series?

“It’s not love. It’s a dangerous Obsession.” Killian (Kill) O’Clery is the next in line for the leadership of the Irish MOB in New York City. Killian is cold, manipulative and ruthless. Kill spent his entire life being trained to take the position he aspires to hold, but betrayal is something he didn’t expect. He didn’t see it coming. His life turns upside down when the most beautiful curvy girl crosses his path and brings him to feel things he never dared to before. Ashley (Ash) Walsh is a sensual and charismatic plus-size woman with a low self-esteem that catches the attention of two of the most dangerous Mafia men in New York. Her boyfriend is involved deeper in crimes than she has ever imagined, but her saviour is even more dangerous than the man she is attached to. Will Killian be able to rescue the woman he fell in love with? How will he deal with the betrayal he will face as he tries to save the woman of his dreams? This book is the first one, and it will be a trilogy. This book is a part of the Carnival Contest. It contains themes that might be disturbing to some readers.

Three years ago, Avery Thorne married Julian Sterling for love. Today, she found out she was actually a human blood bank. While Avery sat in a hospital bed, Julian was busy transferring her patents, her fortune, and her very name to his mistress, Sarah. By the time the divorce papers were signed, the legal system no longer recognized Avery’s face. To the world, she is a delusional stalker named Sarah Vance. To Julian, she is a loose end that needs to be buried. Arrested and erased from her own life, Avery is left with nothing but fifty dollars and the knowledge of every security flaw in the empire she built. But Julian made one fatal mistake: he left her alive. From the shadows of the city she once owned, Avery begins a cold and calculated war. She isn't just coming back for her money or her company—she is coming back for her soul. And this time, she won't be the one bleeding.

Best of friends dying one by one...maybe one of them is the culprit? Changing bodies, surviving high school, and brewing drama—staples in the lives of six friends in just another, normal, adolescent-fuming high school in the countryside, but all is shattered when they start dying one by one. A campy rendition of a classic whodunnit, The Midnight Club Murders offers fast-paced storytelling with plot acrobatics, melodramatic conversations, and suspenseful hills to absolutely DIE on, just waiting for you.

My grandmother is, as far as the law is concerned, a dead woman. She faked her own death so she could go off with the boy she'd grown up beside, and she left evidence behind that made my grandfather her killer. He went away for twenty years. She sold his house and ran to Port Halcyon with the other man. One of them became a famous attorney who talks about justice in courtrooms. The other became a philanthropist who talks about compassion under television lights. My grandfather carried the word wife-killer for the rest of his life. My father grew up on whatever the neighbors could spare. He never spent a day in school, and he wore his hands raw laying brick until he'd put me through college. Two generations, two pairs of ruined hands, lifting me one step at a time out of Pinebarrow. Fifty years after my grandmother's fake death. I sit on the felony bench of the Dunstone Superior Court. In front of me are five young women charged in a murder. The case against the first four is airtight. Against the fifth, there's half a fingerprint at the scene and a witness who accounts for her entire night. Even the police call her the least likely of them. The murder charge won't hold. I go through her file. Under family, there's a name. Evelyn Harrow. My grandmother. I look at how much the two of them resemble each other. And when her lawyer moves to have her released from this courtroom a free woman, I bring the gavel down lightly. "This court denies the defense motion for dismissal. This court further recommends that the district attorney formally charge the defendant with murder."

“If I could not escape in peace as the victim, then this time, I would be the executioner. This time… I would kill him first.” Forced into a marriage of convenience to secure the Sinclair family’s billion-dollar inheritance, Julia spends ten years trapped with a cold and unfaithful husband. On the very day she is finally supposed to be free, she is betrayed, humiliated… and murdered by her own husband and his lover. But she wakes up on her wedding day. Protected by an amulet passed down through the women of her family, she relives the same cycle for the third time. In her previous attempts, running away and submitting did not prevent her death. Now, Julia decides to change the rules: instead of trying to survive, she will seek revenge. Colder and more dangerous, Julia begins manipulating the Sinclair power games while growing closer to Caleb, her husband’s best friend, the only man who ever treated her as a choice rather than an obligation. Scarred by deep trauma, Julia struggles to trust again, while Caleb slowly wins her over with respect, consistency, and loyalty. Amid love triangles, betrayals, family secrets, and premeditated murder, Julia plans to destroy Michael, frame his lover, and bring down the empire that imprisoned her. But the greatest choice will not be revenge. It will be allowing herself to love again.

Layla Miles lives in a posh upper middle-class neighborhood, married to a neurosurgeon, and has a beautiful three-year-old daughter. The only thing missing is Layla’s past memories. When Layla and Damien decide to host a charity event to raise their profiles in Tampa’s high society, two men from her past pop up out of nowhere. With no memory of her former life - or them, she sets out on a mission to finally discover who she is and what had happened on that fate changing night in New York City four years prior. One woman. Three men. What will be the outcome? Warning: This work of fiction contains sexual scenes and graphic language.