Did Books 2017 Best Sellers Get Sequels Or Spin-Offs?

2025-07-02 22:55:30 275
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3 Answers

Keegan
Keegan
2025-07-03 08:25:09
I remember diving into the 2017 bestsellers and noticing how many of them sparked sequels or spin-offs. 'The Hate U Give' by Angie Thomas was such a powerful read that it got a companion novel, 'Concrete Rose,' which explores Maverick’s backstory. 'Turtles All the Way Down' by John Green didn’t get a sequel, but his fans are still hoping. Then there’s 'Into the Water' by Paula Hawkins, which didn’t spawn a sequel, but her earlier work, 'The Girl on the Train,' got a film adaptation hype that kept the buzz alive. Some books, like 'Little Fires Everywhere' by Celeste Ng, became TV series, which is a kind of spin-off in its own right. It’s fascinating how some stories grow beyond their original pages while others stand alone.
Quinn
Quinn
2025-07-04 08:00:47
2017 was a fantastic year for books, and many of them did get sequels or spin-offs, expanding their universes in exciting ways. Take 'Oathbringer' by Brandon Sanderson, part of the 'Stormlight Archive' series—it naturally led to 'Rhythm of War' in 2020, continuing the epic saga. 'Origin' by Dan Brown didn’t get a direct sequel, but his Robert Langdon series always leaves room for more adventures.

Then there’s 'Artemis' by Andy Weir, which didn’t receive a sequel, but fans of 'The Martian' were thrilled when 'Project Hail Mary' came out, even if it wasn’t a direct follow-up. On the lighter side, 'Eleanor Oliphant Is Completely Fine' by Gail Honeyman remained a standalone, but its impact was so huge that rumors of adaptations swirl every now and then.

Some books, like 'The Power' by Naomi Alderman, are being developed into TV series, which often opens doors for expanded storytelling. It’s interesting to see how publishers and creators decide which stories get to grow and which ones remain singular masterpieces.
Kayla
Kayla
2025-07-07 12:02:56
I’ve noticed that 2017’s bestsellers had a mixed fate when it came to sequels or spin-offs. 'The Gentleman’s Guide to Vice and Virtue' by Mackenzi Lee got a delightful sequel, 'The Lady’s Guide to Petticoats and Piracy,' which fans adored. 'Children of Blood and Bone' by Tomi Adeyemi was always planned as a series, so 'Children of Virtue and Vengeance' followed naturally.

On the other hand, 'Lincoln in the Bardo' by George Saunders is such a unique work that it’s hard to imagine a sequel, and it hasn’t gotten one. 'Sing, Unburied, Sing' by Jesmyn Ward also stands alone, though its depth leaves readers craving more.

Some books, like 'Autumn' by Ali Smith, are part of a seasonal quartet, so while not direct sequels, they expand on similar themes. It’s a reminder that not every great story needs a continuation—sometimes its power lies in its singularity.
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