What Books Are Similar To Ida B. And Her Plans?

For one year, I believed Matteo De Luca had truly fallen in love with me. Our marriage began as an alliance, but he held me every night, kissed me before council meetings, and fastened the De Luca Donna brooch at my throat as if I already belonged beside him. Then his first love, Vanessa Ashford, came back. Within days, our official ceremony was postponed, her access was added to the Donna wing, and Matteo stopped wearing the family signet he once used to claim me in public. He said it was council business. But council business did not leave amber perfume on his skin. It did not sit beside him on a private jet to Palm Beach. And it certainly did not smile from the Donna’s chair while his friends watched me lose my place. The final humiliation came at a private dinner, when someone asked whether I was Matteo’s wife. He looked at me, then said calmly, “Elena and I have an arrangement.” That night, I stopped waiting to be chosen. Matteo could keep his first love, his title, and the home he let her enter. I packed my passport, my Florence contract, and the prenatal report he had never seen. Then I left New York with his child.

Vera fought for her life in the apocalypse for ten years. Ten brutal years left her disfigured, hungry, and almost broken, but she still clawed her way through it. She killed zombies, ran from mutated animals, starved, bled, and learned humans were often more dangerous than monsters. Then her brother, the only family she had left, betrayed her. Vera thought death had finally come. Instead, she woke up inside a trashy book she once read to stay sane while the old world fell apart. A book with a twisted plot and too much drama. And because her luck had always been terrible, Vera did not wake up as the heroine. No, of course not. Her second chance was to become the hated second female lead, pregnant, unwanted, and written to die when the plot no longer needed her. Her babies were supposed to die too. Even the three men who got her pregnant were written as future corpses, all to push the story toward spoiled women and one psychotic male lead. But Vera was not the woman from the book. She had survived one ruined world. She had not walked through radioactive rain and eaten mutated food just to cry over fantasy characters or beg for love inside a stupid plot. So Vera adapted. She accepted her punishment, took her three unborn babies, and left for the garbage center without making a scene. Everyone thought she had been thrown away. Vera saw a chance to make money, protect her babies, and build something of her own. Now the woman meant to disappear is building a wasteland empire, breaking the plot, and driving three men insane because she no longer chases anyone. By every rule in that world, Vera should be dead. But dying a second time was never an option.

Clara Sterling is twenty-seven, polished, and on the move. After being wrongly blamed for a student’s breakdown at her previous school in Boston, she accepts a mid-semester teaching position at Blackwood, a prestigious private academy known for its reputation and the secrets. She hopes for a fresh start. Instead, she encounters Gabriel Vane. At nineteen, Gabriel is sharp and carries an unexpressed grief. He is the student who resists management and demands attention. After losing a year to his father’s death, he returns to Blackwood feeling incomplete but more unpredictable. When Clara steps into Room 14 on her first day and meets his intellectual challenge, something inside him stirs for the first time in a long while. What starts as a battle of wits over a poetry anthology evolves into a connection neither can put into words or control. Gabriel hacks into her private file, and instead of reporting it, Clara replies to his note. The distinction between teacher and student blurs gradually until one rainy Tuesday afternoon in a locked classroom, it vanishes completely. Yet Blackwood is keeping an eye on them. Someone has reported their interactions to the headmistress. Even worse, someone removed pages from Clara’s file before her arrival, indicating that she didn’t get the job despite her scandal in Boston. She was chosen because of it. As their relationship deepens and threats converge, both Clara and Gabriel must confront the same question: what does it cost to want something you were never meant to have? The Lesson Plan is a dark, slow-burning forbidden romance about desire, grief, and the precarious space between authority and intimacy.

Isabella Moretti has spent three years planning the perfect revenge. When ruthless billionaire Damien Blackwell needs a contract wife to secure his inheritance, she sees her chance. His family destroyed hers—his father's corporate takeover drove her father to suicide and left her family in ruins. Now she'll marry Damien, infiltrate his empire, and burn it all to the ground. But Damien Blackwell is more dangerous than she anticipated. Behind his cold exterior lies a man with his own scars, his own secrets, and an unsettling ability to see through her carefully constructed lies. As forced proximity ignites an obsessive attraction neither can control, Isabella discovers the truth about her family's destruction isn't what she thought. The real enemy has been watching them both, and her revenge plot may have made her a pawn in a far deadlier game. Now she must choose: complete her mission and destroy the man she's falling for, or trust him and risk losing everything—including her heart.

The dagger goes in before she understands her consort is the one holding it. ——— My consort is the one holding the blade. I fall into the Forbidden Zone with his voice in my ear — *You were never going to be the queen this kingdom needed, Rose is everything you are not* — and every stroke downward the Hollow drinks my color, my voice, my breath. As I sink through the dark I understand, in a rising tide of memory I can no longer outrun, what I refused to see: my cousin Rose has been his lover for three years. My uncle Rick has been my father's killer for seven months. I hit the Hollow's floor among the skeletons of seven women who came before me. I should die there. A black pearl pulses in the dark and asks me one question. I say yes. What rises from the Forbidden Zone is not the princess they pushed. My scales burn blood-red shot through with molten gold and piercing teal, edged in obsidian. My voice shatters coral when I choose. I can drain a merfolk's power until their scales grey to driftwood, and I can shift any being between human and merfolk form. But the pearl hungers. Black veins creep across my chest with every life I take. And the throne I want back? It was never the prize. It was the trap. ——— Will Irene become the villainess her kingdom fears? Or will she remember the girl they buried long enough to choose what kind of queen to be? And the older sister who has been waiting two hundred years to use her — what happens when Irene decides the family she was born into is not the one worth dying for?

At my 20th birthday banquet, I am to sign and receive the ten-billion-dollar inheritance left to me by my mother. My half-sister, Samantha Hatfield, and Howard Daley, her husband, who is also a secretary, eagerly urge me to sign the document. In my previous life, they trick me into signing the very same agreement, and the inheritance somehow becomes theirs. When I try to fight back, no one listens to me. Together, they have me confined to a sanatorium, where I spend the rest of my life drugged, imprisoned, and forgotten. But this time, their scheme is going to fail—I have returned with memories of what happens from the past life. Under their confident, expectant gazes, I pick up the pen. However, I do not pick it up to sign. I raise my hand and slash the pen's tip across Howard's face. As he lets out a terrified scream, I tear the agreement into pieces in front of all the guests and hurl the paper scraps at them. I say coldly, "My mother left all this to me. What makes you two heartless parasites think you're worthy of laying even one finger on it?"