Where Can I Buy A Pochita Plush Officially?

He didn't want her money. He wanted her. Elara Vance is one bad week away from losing everything. Her freelance career is barely keeping the lights on, her sister is falling apart on her couch, and her car is about to be repossessed. So when she accidentally damages a stranger's luxury car on an empty street, she knows she's ruined. But the man who steps out of the black sedan isn't interested in her insurance. He isn't interested in the police. He isn't even interested in the forty‑two thousand dollars she owes him. Adrian Volkov wants something else entirely. He's been watching her for weeks. He knows about her sister, her bills, her father's death. He knows she's desperate enough to do anything. And he's about to prove it. The contract is simple: she moves into his mansion, follows his rules, and becomes his Doll. In exchange, her debt disappears. No police. No record. No questions. But the rules aren't what she expects. The mansion is a cage, the servants know more than they say, and Adrian's cold exterior hides something darker than she ever imagined. He doesn't just want her body. He wants her submission. Her trust. Her surrender. And he won't stop until he has all of it. Elara tells herself it's just a transaction. A way to survive. But the line between obligation and desire blurs with every glance, every touch, every night she spends in his bed. The more he controls her, the more she craves it. And the more she learns about his past, the more she realizes: she was never the one in control. And now that she's his Doll, he'll never let her go. Doll is a dark romance with explicit content, power dynamics, and a slow‑burn descent into obsession. Recommended for readers 18+.

My childhood friend said that he was connected with the doll. Now that he had lost it, he called me up to cry. One hand held my phone as I consoled him, while the other toyed with the doll. His voice began to take on a more interesting tone with my purposeful touches… I squeezed and pinched the toy and comforted him, “Shh, I agree with you. Whoever took your toy is a terrible person…”

Ito Akihiko the main protagonist also called as the 'cursed child' due to a past incident has the ability to see spirits from birth. To save the world from turning into something inhumane Akihiko and his comrade Asato Ayame venture through the world with spirits and creatures from stories, myths, rumours and even legends! Will they be able to change the future that lies ahead of them? Well, find it out yourself...

In a world of Magical Beasts and Humans, the Chi family, bearers of an ancient prophecy, face a chilling fate: a cursed princess destined to bring disaster. When she's born, the sacred Black Rose vanishes, marking her as the one. Rejected by her parents, she seeks her mysterious mate, the key to breaking the curse. With her parents gone, she navigates a treacherous path, protecting her siblings and the world from impending darkness. Will she conquer her destiny and save the world, or succumb to the curse, plunging all into chaos? Embark on this epic journey of fate, courage, and love, where the magical and the real collide, and the heart's strength is tested.

In my family, everything was decided by a blind box draw. Even on the day my twin sister and I were born, my parents used a blind box to decide who would be the older and younger sibling. My sister, who was born four minutes before me, drew 'The Beloved Little Daughter'. I drew 'The Responsible Elder Sister'. For 18 years, my parents would place two blind boxes in front of us for everything—from picking our bedrooms and clothes to deciding who got the chicken drumstick. I always ended up drawing things like 'Clean the Entire House' or 'Eat the Chicken Wing Tips'. Meanwhile, my sister always got 'The Latest Princess Dress' or 'Secret Edition: Family Vacation'. Whenever I felt upset, my parents would always say, “That’s fate. Whatever the blind box gives you, you have to accept.” That was until my 18th birthday. My parents brought out the blind boxes again. This time, I drew 'The Right to Attend College'. My younger sister, the girl who had been spoiled and cherished her entire life, drew 'Work in a Factory'.

A dark and gloomy villa stood in the middle of the barren landscape, hidden from sight by a perched hedge. It was phenomenal and spectacular, but it makes it appear to have succumbed to a sullen and ominous atmosphere, both inside and out. A lanky hedge and gnarled shrubs give off the impression that the house has indeed been overlooked. The rainstorm seeping from the sewer pipes made the place appear miserable and dispirited. Needless to say, the house appeared razed to the ground and devoid of life. The house was made of rune stone that had been smeared darker in spots by downpours, sending it an insidious demeanor even during the day. The window frames were all padlocked and bricked up in steel frames and woods, as if what was inside would have been too grotesque to see, trying to give the impression that someone must have attempted to prevent something horrible from escaping. People have claimed that the residence was plagued by the witch who died there, but there has been no tangible evidence to substantiate their claims. It was even widely speculated that the villa was venomous and mowed down the leaves of trees that come into direct contact with its concrete pillars. People also construed a terrifying presumption that whoever tries to enter the house will never make it out alive because there is something inside that you would never dare to see with your very own eyes. Whatever was real or not, it was unmistakably foreshadowing, exponentially cold and savage at a hundredth of a thousand glances. A breathtaking doll sat competently on a rocking chair inside the house. Waiting complacently for someone brave and heroic enough to unravel the abominable and ghoulish mystery and paradox behind her enchanting, spine-chilling smile.