Which Chapters Are Included In One Punch Man Vol 1 Edition?

I got into 'One-Punch Man' because of the art overhaul — it was wild to see how something that started as a scrappy webcomic turned into a glossy powerhouse. To be specific: the original creator is ONE, who made the very first webcomic version that blew up online. The version most people think of when they say volume 1 of the published manga is the remake illustrated by Yusuke Murata, whose art reimagined ONE’s story with cinematic paneling and insane detail. What always tickles me is the creative partnership: ONE’s rough-and-raw storytelling—funny, blunt, and packed with weird charm—paired with Murata’s polished, hyper-dynamic visuals. That contrast is why 'One-Punch Man' works so well in both formats. If you track the history, ONE posted the original on his own site and later Murata redrew it for a formal manga release, which is what most printed volumes collect. If you’re hunting for volume 1, check whether you’re picking up the webcomic chapters or the Murata-drawn tankōbon — they share the same bones but feel very different. I still flip between both versions depending on my mood: sometimes I want the gritty, raw humor of ONE’s pages; other times I want to stare at Saitama’s perfectly simple face against Murata’s ridiculously detailed backgrounds.

Man, flipping through the first volume of 'One-Punch Man' felt like watching a favorite song get a full symphony remix. I binged the ONE webcomic late at night on my laptop, loving its off-the-cuff charm and those hilariously rough stick-figure panels that somehow nailed timing and tone. Then I picked up Volume 1 by Yusuke Murata and my jaw dropped — the art is insanely detailed, the fights have actual choreography, and tiny background jokes that were barely hinted at in the webcomic suddenly became full visual gags. The core story stays the same — Saitama beats Vaccine Man, meets Genos, joins the Hero Association — but the way those scenes land is different because Murata stretches out beats, adds reaction shots, and lets the chaos breathe. Beyond the polish, there are real structural tweaks. Murata expands or rearranges some scenes to improve pacing and dramatic tension; dialogue has been tightened or rewritten for clarity and punch. Character designs are refined — villains and side characters look more distinct and expressive — and Murata sometimes inserts brief extra scenes or visual jokes that flesh out worldbuilding (tiny details like city damage or hero rankings feel more tangible). I also noticed translation choices and lettering that make the humor pop in a different way than the webcomic’s rougher subtitles. If you loved the raw creativity of the original, the webcomic still has that spontaneous, unpredictable heartbeat. But Volume 1 feels like the deluxe stage production: same script, bigger sets, sharper lighting. I honestly love both for different reasons — the webcomic for its indie energy, the manga volume for the sheer visual joy. Depending on my mood I’ll flip between them; sometimes I want the joke stripped down and weird, other times I want to savor Murata’s ridiculous detail work while my cat knocks over a soda nearby.

If you want the cheapest place to buy 'One-Punch Man' vol 1, I usually start by scanning three spots and then hunting for deals: Amazon (new and used), eBay (auctions or Buy It Now used copies), and secondhand book sites like ThriftBooks or AbeBooks. I once snagged a gently used copy for pocket-change on eBay after setting a search alert and checking seller ratings—so patience pays. Don’t forget to compare the total cost after shipping and taxes; a $6 used book with $12 shipping isn’t a steal. Another trick I swear by is checking digital storefronts. ComiXology or Kindle often runs sales where the first volume is deeply discounted, and VIZ’s own store sometimes bundles promos. For a lot of people I know, a digital sale beats the hassle of waiting for a cheap physical copy, especially if you just want to reread Saitama's classic knockouts immediately. Last practical tips: look up the ISBN (to avoid confusing editions), use a price tracker like CamelCamelCamel for Amazon, apply coupon extensions like Honey or Rakuten for cash-back, and check the condition notes on used listings. If you’re not in a rush, setting an eBay watch or waiting for big sale days—Prime Day, Black Friday, or bookstore clearance—usually records the lowest real-world price I’ve seen. Happy hunting, and may you find Saitama’s first punch at a price that makes you grin as much as the manga does.

No, you absolutely don't need to have 'One-Punch Man' volume 1 to start the anime — and honestly, I'm glad that I dove into the show first. The anime is a very accessible entry point: it introduces Saitama, Genos, and the major early arcs with flashy animation and a perfect sense of comedic timing. If you're the sort of person who likes to binge, the first season (that Boros showdown is chef's kiss) gives you a satisfying taste of the series without needing to flip a single page. That said, grabbing the manga volume 1 afterwards is something I often recommend. The manga (and the earlier webcomic by ONE) has little art details, extra pages, and pacing differences that make rereading or cross-checking fun. The Yusuke Murata art, especially in print, really shines — some panels are gorgeously detailed in ways the TV version slightly trims. So start with the anime if you want instant, loud fun; buy volume 1 if you crave the extra art, small bonuses, or want to see how the story unfolds at its own manga pace. Either way, you won't miss anything major by starting with the anime first.

If you’re poking around Goodreads to see how 'One-Punch Man' vol. 1 lands with readers, the short version I’d give is: pleasantly high and enthusiastic, with most people clustering around 4 or 5 stars. I’ve checked the community chatter a few times between subway stops and every few months it tilts the same way — lots of praise for the art, wry comments about the humor, and a handful of nitpicks from people who expected a deeper drama instead of parody. Most of the longer reviews gush over Yusuke Murata’s artwork and the way the book plays with superhero and shonen tropes. You’ll see folks saying things like, “breathtaking panels” or “I laughed out loud at Saitama’s deadpan,” and those are usually 5-star reactions. The 3-star and 2-star reviews often come from readers who felt the volume was too short, or that the joke wears thin if you wanted a more traditional hero arc. A few 1-star reviews pop up, usually from people who simply didn’t connect to the humor or pacing. If you want the raw vibe: Goodreads readers generally love this first volume for its freshness and art, but some warn that it’s a setup volume — big laughs and great fights, not a ton of emotional deep-dives yet. I personally keep this on my coffee-table shelf because it’s one of those books that brightens a dull evening.

I get a bit giddy talking about collector editions, so here's the down-low from someone who's rifled through a few special manga packs: a 'One-Punch Man' Vol. 1 special edition usually bundles a handful of extras that push it beyond the standard paperback. Most commonly you'll see the original color pages preserved (those flashy opening pages that magazines print in color), a reversible or exclusive dust jacket with an alternate cover illustration, and a short bonus booklet — think a 16–32 page mini art gallery with sketches, pin-ups, and maybe a short creator note or interview. Beyond that, some pressings toss in things like a fold-out poster or a set of stickers, and a few editions include an extra short chapter or an excerpt from the original webcomic that inspired the manga. The exact contents depend on which publisher and region released it, so you might see slightly different combinations depending on whether you bought a Japanese tankōbon special, a Viz Media English special edition, or a bookstore-exclusive bundle. I always check the product photos and the ISBN listing before buying — that way I know whether I’ll get the poster or just the art booklet. If you’re hunting for one, comparing seller photos on places like bookshop pages or collector forums saved me from a few disappointing purchases. Happy hunting — the extras make re-reading the first volume feel like unwrapping a mini artbook every time!

I've been flipping through 'One-Punch Man' vol 1 on lazy Sunday mornings more times than I care to admit, and what strikes me is how neatly it sets up the whole world without overstaying its welcome. The volume functions mostly as an introduction arc: we get Saitama's backstory and the big reveal that he's basically finished every fight in one punch (the very first monster clash that establishes this is in here), which is both hilarious and oddly melancholic. Right after that the book follows Genos — his tragic origin, the reason he becomes a cyborg, and then his encounter with Saitama. Their budding mentor-disciple dynamic is the emotional heart of this volume and carries a lot of charm. Beyond those core beats, vol 1 walks you through Saitama's awkward entry into the Hero Association and several early monster-of-the-week scenes that introduce the tone: high-quality action drawn out by absurd anti-climaxes. It spends time showing how the world judges heroes (ranks, paperwork, public perception), so you get both the comedic and worldbuilding foundations. If you loved the anime, the manga volume fills in extra visual detail and tiny character moments that made me grin on the train. It’s a compact starter arc that plants seeds for everything that follows.

Flipping through 'One-Punch Man vol 1' on a rainy afternoon at my favorite café, I kept getting hit by how cinematic the panels feel. The art balances two opposite energies: ridiculously clean, almost minimalist comedy for Saitama’s deadpan expressions, and hyper-detailed, kinetic sequences for fights and monsters. Yusuke Murata’s linework is impeccable—crisp inks, varied line weight, and that insane attention to anatomy and texture when a scene calls for it—while the layouts snap from tiny, quiet boxes to full-bleed splash pages that make you hear the impact. What I love as someone who scribbles fan art in the margins of my notebooks is how the artist uses negative space and contrast. Saitama often sits in sparsely detailed panels with lots of white space, which sells his blandness and heightens the punch of the next frame where backgrounds explode with halftone textures, cross-hatching, and motion lines. The panel rhythm feels like storyboarding for a blockbuster: wide establishing shots, dramatic foreshortening, and quick close-ups for comedic timing. There’s also a clear influence from superhero comics—those cinematic angles and muscular silhouettes—but it never loses its manga soul; the pacing, sound-effect placement, and sudden chibi faces are pure gag-manga choices. After reading it, I always want to redraw a scene to study how Murata shifts from calm to chaos in two pages. If you’re into composition or just love seeing a punch land with real visual weight, this volume is basically a mini masterclass in how to alternate between minimalism and maximalist detail without losing the reader.