Does Christina Hendricks Height Include Her Heels?

Wow, the whole debate over Eren's height in the guidebooks is way more interesting than you'd expect — and I get why fans argue about it nonstop. In the earliest official profiles tied to 'Attack on Titan', Eren is commonly listed around 170 cm during the time-skip-free teenage period, and later materials (post-time-skip/adult versions) place him noticeably taller — commonly cited around 183 cm as an adult. Those numbers come from officially released profile sheets and guidebook pages that the creator or publishing team provided, so they carry weight. That said, those guidebook heights are official but not infallible. Art style shifts, perspective in panels, and adaptation choices in the anime can make him look shorter or taller relative to other characters. Sometimes different guidebooks or booklet reprints tweak numbers, and there are occasional contradictions between manga notes, drama CD booklets, and TV credits. Also remember rounding: profiles use whole centimeters, so a listed 170 cm might actually have been, say, 169.4 cm in the creator's head. Titan form scale is another layer — Eren's Attack Titan has its own official meter height, but translating Titan scale back to human proportions in artwork isn't always precise. So I treat guidebook heights as the most reliable baseline — the 'official' stats to cite — but with a little wiggle room. If I'm doing head-canon, plotting out cosplay proportions, or debating who would tower over whom in a crossover, I let visual panels and anime scenes influence my sense of scale more than rigid numbers. Either way, I love how these small details spark big conversations, and that’s half the fun for me.

I've spent way too many late-night scrolls and forum threads arguing about this, so here's my two cents laid out clean. Tyrus is commonly billed in promotions around the 6'7"–6'8" range, which is wrestling's classic puff-up move—make the big guy loom even bigger. From ringside footage and TV appearances, though, I think the promotion measurements are generous; he looks closer to the mid-6 foot range when standing next to other tall people on camera. I like to compare him to folks whose heights are reliable in public records or sports listings. When he's beside anchors, athletes, or wrestlers who are consistently reported around 6'4"–6'6", Tyrus doesn't tower the way a true 6'8" would. Factor in boots (which add an inch or two) and camera tricks that can add depth, and my practical estimate lands around 6'4"–6'5". So yes: billed high to fit the character, but in everyday terms he's large and imposing without being an outlier. Personally I find the discrepancy part of the fun—wrestling theater, but still impressive to watch live.

One cover that absolutely blew me away was by a YouTuber named Clara Mae—her voice has this fragile, breathy quality that turns 'Jar of Hearts' into something even more haunting. She stripped back the instrumentals to just a piano, and the way she lingered on the line 'you’re gonna catch a cold from the ice inside your soul' gave me chills. Another standout is the duet version by Boyce Avenue and Hannah Trigwell. Their harmonies add layers of emotion, especially in the chorus where their voices twist around each other like vines. It’s less about Perri’s original anger and more about shared pain, which feels refreshing. I also stumbled upon a rock cover by Fame on Fire that transforms the song into this angsty, guitar-driven anthem. It’s wild how the same lyrics hit differently when screamed over distorted chords—suddenly, it’s a stadium-worthy breakup rage.

I've always loved dissecting movie tricks, and footwear is one of the sneaky little tools that can change how tall someone looks on screen. If you watch closely, shoes with thicker soles, hidden lifts, or boots with heels can add an inch or several — often 1–3 inches (2.5–7.5 cm) is all you need to close a visible gap. For actors like Keanu Reeves, wardrobe choices are balanced against movement and stunt needs, so huge elevator shoes aren't always practical, but subtle lifts are common. Beyond shoes, filmmakers use camera angles, lens choices, and staging to amplify or reduce height differences. Shooting his close-ups from a lower angle, putting other actors on apple boxes, or choosing wide lenses for certain shots can instantly shift perceived height. I've seen behind-the-scenes clips from 'The Matrix' and 'John Wick' where blocking and boots both play a role. Add posture, costume padding, and even hair styling, and you have a full toolbox. So yes — footwear can alter Keanu Reeves' on-screen height, but it's usually one piece in a bigger cinematic illusion that includes angles, editing, and setcraft.

There’s this ache that comes through in the first line of 'Jar of Hearts'—and for me, knowing the backstory makes that ache feel very human. Christina Perri wrote the song out of a miserable, all-too-relatable place: a real break-up and the odd, awful sensation of someone coming back after they’ve done the damage. She’s talked about the song being inspired by a person in her life who left, hurt people, and then circled back like nothing had happened; the lyrics use the metaphor of a collector leaving a trail of broken hearts in a jar, which is both clever and painfully specific. I liked reading how she developed it: she was an unknown indie singer-songwriter posting demos online, and 'Jar of Hearts' was one of those raw songs that resonated fast. The track got a huge boost when it was used on 'So You Think You Can Dance'—that performance sent a flood of interest her way and basically launched the song into the mainstream. I also remember interviews where Perri emphasized that while the source was personal, the song was shaped with collaborators and producers who helped turn that emotion into the version everyone knows. Listening to it, you can hear the heartbreak, but also the defiant edge—like someone reclaiming their dignity after being toyed with. On a quieter note, I sometimes think about how many people have a version of that jar in their past: an ex who treated love like a trophy or a pastime. The song’s popularity isn’t a fluke; it taps into that universal wound. When I play it late at night with the lights low, it feels like one person telling a whole room, “I’m done letting you collect me.” That’s why it still hits, even years later—because it’s rooted in a specific story but speaks to a million similar experiences, and the music carried that message straight to people’s hearts (pun unavoidable).

Funny thing — the first time I went hunting for the words to 'Jar of Hearts', it felt like chasing a song that had already broken out of my headphones and into every coffee shop. The basic timeline is simple: the song itself was released in 2010, and most sources cite the single’s digital release in July 2010 (commonly listed as July 27, 2010). That release is when the lyrics first became publicly accessible — they showed up on her official pages and on lyric sites as soon as the single hit digital stores. What pushed those words into the mainstream was what came a couple months later: a high-profile moment on 'So You Think You Can Dance' in September 2010, which sent the track skyrocketing on the charts. After that surge, the lyrics were everywhere — official lyric posts, fan transcriptions, and eventually as part of the printed notes and listings when Christina Perri included the song on her debut album 'Lovestrong' the following year. If you want the earliest footprint, look to the July 2010 digital single release; if you want the moment everyone learned the lyrics by heart, that was after the September performance.

I still get a little giddy thinking about how massive everyone in 'Transformers Prime' looks on screen. From what the show's bios and most fan resources settle on, Optimus Prime stands at roughly 33 feet tall — about 10 meters. That sounds enormous until you remember the camera angles and city-level destruction the show delights in: he needs that presence to feel like the leader he is, especially when he’s looming over human characters like Jack and Miko. As a long-time fan who’s watched reruns while sketching designs in the margins of notebooks, I like to imagine the practical details: a 10-meter Optimus means a cockpit big enough for a couple of humans, a truck trailer that’s almost a small apartment, and steps so tall you'd need a ladder. Toy lines sometimes scale things differently, and modelers will tell you official numbers vary a bit, but that 30–35 foot (9–11 m) range is where most of the 'Transformers Prime' sources put him. If you’re comparing continuities, some versions of Optimus are taller or shorter, but the TV show's portrayal keeps him in a believable giant-sized hero bracket. I love that mix of character drama and size spectacle — it always makes me pause and think about how animation teams translate sheer scale into emotional moments.

If you're lining them up on a shelf and want them to look like they belong in the same universe, the safest bet is the 'Masterpiece' line from Takara Tomy and its high-quality third-party counterparts. I collect obsessively, and what I love about 'Masterpiece' figures is that they were designed to be in scale with each other — proportion, height, and presence were considered so Prime doesn't look like a giant next to a Voyager-sized Megatron. My MP-10 sits perfectly beside other MPs and even some FansToys pieces after a tiny tweak, and that visual coherence is what makes photoshoots and shelf displays satisfying. For movie-scale accuracy, Hasbro's 'Studio Series' is surprisingly consistent. Those figures try to match screencap proportions, so Optimus Prime in the Studio Series is scaled appropriately to the movie-depicted Bumblebee, Ironhide, and the Decepticons in that specific continuity. I keep a few Studio Series figures on a rotating display next to my MP for contrast — they tell two different stories but neither looks blatantly out of place when you compare within their respective lines. If you're willing to dive deeper, third-party makers like FansToys, MakeToys, and X-Transbots produce MP-scale figures that often correct odd proportions in mass-market releases. The caveat: price and availability. If budget is tight, aim for Leader-class figures from the Generations line (they can be decent approximations), but for the most reliable, photo-ready, consistent scale: 'Masterpiece' and reputable third-party MP-style figures are the ones I trust the most.