What Composer Scored The Triangle Film Soundtrack?

2025-08-28 09:40:15 260

4 Answers

Donovan
Donovan
2025-08-30 08:03:35
When people ask me who scored 'Triangle' I tell them it was David Julyan, and I usually add that the music is more texture than melody. I’m the kind of person who pays attention to those little things—how a sustained note can turn an ordinary scene into something ominous—so Julyan’s approach really appeals to me. The soundtrack uses subtle motifs and a lot of ambient layering, which complements the film’s looping timeline and psychological disorientation.

On top of that, his use of silence is smart: the gaps in the score are just as important as the notes. If you stream the soundtrack or watch with headphones, you’ll appreciate how the music breathes with the editing. It’s not flashy but it’s precise, and that restraint is exactly why it works.
Mila
Mila
2025-09-01 02:53:10
I’ve got a soft spot for moody film scores, and when I think of the tense, looping vibe under 'Triangle' I always credit David Julyan. His music for the film is that quietly unsettling sort—sparse piano figures, low drones and bowed strings that creep in and out like a slow tide. It doesn’t scream for attention; instead it quietly rigs the atmosphere, which is perfect for a movie that plays with repetition and paranoia.

I noticed it most on a late-night rewatch: the soundtrack acts like a character, nudging you toward dread without ever spelling everything out. If you’ve liked Julyan’s other work on films such as 'Memento' or 'Following', you’ll probably recognize his fingerprint here—economical, haunting, and cinematic in a restrained way. It’s the kind of score that sticks in your head after the credits, even if you can’t hum a tune.
Paisley
Paisley
2025-09-01 10:28:17
I’ve always enjoyed noticing how a soundtrack can steer a movie’s mood, and David Julyan’s score for 'Triangle' is a textbook example of mood-first composing. The tracks are economy-driven—minimal ostinatos, understated harmonics, and low-frequency textures that make the sea scenes and looping sequences feel claustrophobic. Instead of big themes, Julyan opts for repeating cells that evolve slightly each time, which mirrors the film’s structure; that repetition makes small changes feel monumental.

Watching late into the night, I found myself rewinding scenes just to listen to how a single bowed note would hang and then resolve differently on the next pass. For folks who like soundtrack comparisons, it sits in the same sonic neighborhood as his work on 'Memento'—you get that same intimate, psychological tuning but tailored to this film’s nautical, time-bent world. If you haven’t paid much attention to film music before, 'Triangle' is a neat case study in how a restrained score can amplify tension without dominating a scene.
Oliver
Oliver
2025-09-01 21:27:40
Quick and to the point: the composer for 'Triangle' is David Julyan. I tend to notice scores that don’t hit you over the head, and his work here is all about atmosphere—subtle string textures, sparse piano, and ambient swells that heighten suspense. It’s the sort of soundtrack that rewards repeat listens; you start to pick up recurring motifs and appreciate how they reinforce the film’s looping structure. If you enjoy film music that enhances mood through restraint rather than big melodies, Julyan’s work on 'Triangle' is worth checking out.
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