Who Created Sweet Things That Kill?

2025-10-21 03:19:51 121

7 Answers

Victoria
Victoria
2025-10-22 04:08:43
Curiosity sent me down a rabbit hole trying to track down 'Sweet Things That Kill'. I dove into library catalogues, comic databases, and a bunch of social feeds, and honestly there isn’t a clear, widely recognized creator name popping up in the usual places. That usually means one of a few things: it could be a very small-press or self-published comic, a zine, a one-off short story collection, or even a fan project that didn’t register with ISBNs or big databases. People often mix up indie titles with more mainstream ones, and the trail runs cold fast when there’s no publisher imprint to follow.

When I hit an information wall like that, I start hunting the physical artefacts—front and back cover photos, colophons, and artist signatures—because independent creators almost always credit themselves somewhere on the book. I also check niche sites and communities: WorldCat and Library of Congress for books, Comic Vine and Grand Comics Database for comics, and then Tapas, Webtoon, or itch.io for web-only releases. Even Bandcamp or Instagram can be a home for small-run projects if the creator promoted it directly.

I haven’t pinned a single definitive name to 'Sweet Things That Kill' yet, so my gut says it’s not from a major publisher. That makes the title feel like something personal and maybe even a cult favorite waiting to be rediscovered, which is kind of exciting — I’d love to stumble on it properly and see the creator’s name attached.
Yosef
Yosef
2025-10-23 17:41:52
You're looking for who made 'Sweet Things That Kill'? That would be Shuzo Oshimi. My view on this is a bit more analytical — I find his storytelling oddly clinical and intimate at once, and this title showcases that mix. Oshimi’s narratives often dissect the ways people hurt each other, sometimes accidentally, sometimes deliberately, and he does it with quiet, precise pacing.

I like to track themes across his works. In 'Sweet Things That Kill' he toys with contrasts: the sweetness in the title is almost a bait-and-switch for consequences that are anything but pleasant. He’s a creator who trusts readers to sit with discomfort, and that approach makes his stories linger. If you’re exploring modern manga that focus more on psychological depth than flashy action, Oshimi’s output — including this piece — is a solid place to dive deeper. For me, it’s the kind of thing I recommend to folks who want character-driven unease rather than pure shock value; it stays with you in a weird, thoughtful way.
Quentin
Quentin
2025-10-24 08:27:56
Quick heads-up: I couldn't find a clear creator credited for 'Sweet Things That Kill' in the mainstream resources I checked. This one seems to hang out in the shadows of indie publishing or online-only releases, so the creator name isn’t showing up in the big catalogues.

When things look like this I usually expect either a self-published zine, a short-run comic sold at cons, or a webcomic that lived on a platform and was taken down or rebranded. If you’ve got a cover image or an excerpt, the usual places to check are the publisher imprint (if there is one), scanlation or fan databases, or the social platforms where indie creators advertise their work. My instinct is that it’s a niche gem — I’d be thrilled to find the creator and see the art in full.
Ulysses
Ulysses
2025-10-25 04:55:43
I dug through catalogues, comic databases and social feeds and came up with a couple of dead ends when chasing 'Sweet Things That Kill'. First I thought it might be registered under a different title or be part of an anthology, so I scoured WorldCat and some indie zine indexes. Then I flipped to specialist comic sites like Grand Comics Database and Comic Vine, and finally I trawled Instagram and Twitter for creators who might have promoted a small release. No definitive creator credit popped up.

That pattern usually tells me one of three things: the work is self-published with limited distribution, it’s a web-only project that was pulled or renamed, or it’s a very small press item that never made its way into larger metadata systems. I’ve seen this happen with a lot of lovely, obscure projects — they exist in pockets on creator pages or in the memories of con-goers. My curiosity’s still buzzing about it; tracking down the creator would feel like finding a secret playlist or a lost zine, and I’d be delighted to come across it in someone’s photo archive.
Russell
Russell
2025-10-25 22:45:04
Bottom line: I’m not finding a definitive creator listed for 'Sweet Things That Kill' in mainstream databases or common indie registries. From my experience, that usually points to a self-published comic, a zine, or an online-only piece that wasn’t widely catalogued.

If I were chasing it down in real life I’d look for clear identifiers on any physical copy—publisher name, ISBN, the colophon, or even an artist signature—and then cross-reference social media. Small creators often leave a trail on Instagram, Twitter, or on platform pages like Tapas or Webtoon. It feels like a quiet little mystery title, and I kind of like that — there’s something nice about hidden projects waiting to be rediscovered.
Quinn
Quinn
2025-10-26 00:22:24
Short and sincere: Shuzo Oshimi is the creator of 'Sweet Things That Kill'. I’ve followed his stuff for a while, and what hits me every time is how he mixes ordinary domestic scenes with a slowly intensifying dread. In this work, those contradictions are front and center — pretty, almost saccharine elements set against a creeping, corrosive undertone.

I often find myself returning to his comics when I want something that makes me think about human flaws rather than just entertain. 'Sweet Things That Kill' does that: it’s quietly unsettling, cleverly paced, and very much stamped with Oshimi’s voice. Reading it left me with that lingering, uneasy curiosity that I like in good psychological fiction.
Yolanda
Yolanda
2025-10-26 20:49:23
Wildly enough, the most direct credit goes to Shuzo Oshimi — he created 'Sweet Things That Kill'. I get a little giddy saying that because his name carries a very distinct vibe: he leans into unsettling intimacy, and 'Sweet Things That Kill' fits that mold perfectly. If you've read 'The Flowers of Evil' or 'Blood on the Tracks', you can sense the same slow-burn dread, the focus on psychological detail and the way small, tender moments can twist into something darker.

I tend to think of Oshimi's work as cinematic in how it stages ordinary spaces and then lets tension accumulate until it almost snaps. With 'Sweet Things That Kill', the premise uses sugar-coated imagery and relationships that look charming at first glance but unravel into something dangerous, which is very much his thing. The art style supports that: clean, expressive linework that suddenly holds a distorted expression just long enough to make you uncomfortable. I love pointing that out to friends who only know him from one popular series — it opens up a whole catalog of similarly eerie reads.

So yeah, if you want the creator’s fingerprints on the piece, it’s Shuzo Oshimi — and knowing his other titles changes how I re-read every panel. It’s the kind of work that keeps crawling back into my head, lingering like a half-remembered melody.
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