What Are The Creative Ways To Dog-Ear A Book For TV Series Fans?

As someone who loves both books and TV series, I’ve found that dog-earing can be more than just folding a page—it can be a way to connect the story to the show. For instance, if I’m reading a book adaptation like 'The Witcher', I’ll fold the corner of pages where key scenes from the show happen. It’s like creating a visual timeline that matches the episodes. I also use different folds for different characters—small folds for Geralt, larger ones for Yennefer. It’s a fun way to keep track of how the book and series diverge or align. Plus, it makes revisiting the book feel like rewatching the show, but with more depth.

Another idea is to dog-ear pages where the book adds details the show skipped. For example, in 'Game of Thrones', the books have so much more lore. I’ll mark those sections to compare later. It’s like having a director’s cut in book form. I’ve even started using colored sticky notes to match the house colors—red for Lannisters, grey for Starks. It’s a small touch, but it makes the reading experience feel more immersive.

For TV series fans, dog-earing a book can be a creative way to blend the two mediums. One method I love is using the dog-ear to mark moments that feel cinematic. When I read 'Bridgerton', I folded pages where the scenes felt like they could be straight out of the show—the grand balls, the witty banter, the dramatic confrontations. It’s like bookmarking the highlights, but in a way that feels personal and interactive. I’ve even started adding tiny doodles next to the folds—a crown for a royal moment, a heart for a romantic scene. It’s a way to make the book feel like a companion to the series.

Another approach is to use dog-ears to track character arcs. In 'The Expanse', I’ll fold pages where a character has a major development or revelation. It’s fascinating to see how the book and show handle these moments differently. Sometimes, I’ll even write a quick note in the margin about how the actor portrayed the scene. It’s like having a dialogue between the book and the series. I’ve also started using different folding techniques—a single fold for subtle moments, a double fold for major plot twists. It’s a simple way to make the reading experience more dynamic.

Lastly, I’ve found that dog-earing can be a way to create a visual map of the story. For 'Outlander', I’ll fold pages to mark the different locations—Scotland, France, America. It’s like tracing Claire and Jamie’s journey across the pages. I’ve even started using colored pens to draw little symbols next to the folds—a thistle for Scotland, a fleur-de-lis for France. It’s a small detail, but it makes the book feel like a travelogue. It’s a way to bring the world of the series to life in a tangible way.

I’ve always thought of dog-earing as a way to make a book feel more personal, especially when it’s tied to a TV series. One thing I do is fold pages where the book and show diverge. For example, in 'The Handmaid’s Tale', I’ll mark sections that weren’t in the series. It’s like uncovering hidden layers of the story. I’ve also started using different folding styles—a diagonal fold for moments that are darker in the book, a horizontal fold for scenes that are more hopeful. It’s a way to visually represent the tone of the story.

Another idea is to use dog-ears to track themes. In 'Big Little Lies', I’ll fold pages that explore friendship, betrayal, or motherhood. It’s interesting to see how the show amplifies or downplays these themes. I’ve even started using sticky tabs to color-code the folds—blue for friendship, red for conflict. It’s a way to make the book feel like a study guide for the series. I’ve also found that dog-earing can be a way to connect with other fans. When I lend my copy to a friend, the folds become a conversation starter. It’s like sharing a piece of my experience with the story.