How Did Critics Receive The Picture Of Dorian Gray Film Initially?

2025-08-28 04:50:13 257

3 Answers

Alex
Alex
2025-08-29 04:03:16
Back when the film version of 'The Picture of Dorian Gray' first came out, critics were broadly divided between admiring its visual bravado and worrying about its moral implications. Many praised the film's atmospheric photography, art direction, and the way it translated Wilde’s gothic mood to the screen, while others found the performances cool or overly stagey and lamented the constraints of censorship which forced some of the novel’s darker edges to be suggested rather than shown. Over time, reviewers and scholars have largely reappraised the movie more favorably, celebrating its style and thematic fidelity despite the limits of its era, and I often find myself siding with that later perspective when I watch it.
Dylan
Dylan
2025-08-31 09:36:45
Diving into the old reviews of 'The Picture of Dorian Gray' is like sifting through a pile of slightly yellowed film mags with cigarette smoke still lingering—critics at the time were intrigued, impressed by the look, but a little wary of the morality on screen.

When the 1945 film hit, reviewers often praised its lush, atmospheric visuals and the director's bold use of art and shadow to evoke Oscar Wilde's tone. People liked the performances—some critics singled out the charismatic, corrosive charm of the Lord Henry figure and the unnerving stillness of Dorian—but others felt parts of it were stagey or too theatrical for cinema. There was also noise about how the Production Code and censorship squeezed certain themes; reviewers noted that the film had to trim or suggest what the novel states more bluntly, and that created mixed feelings about its faithfulness and daring.

Over the decades that followed, the initial reception softened into more consistent admiration: film scholars and fans now often praise the movie's design, its use of paintings as a storytelling device, and the way it captures Wilde's decadence even within the era's constraints. I still enjoy reading those early takes—it's fascinating to see what made contemporary critics cheer or cringe, and how time reshaped the movie's reputation.
Xanthe
Xanthe
2025-09-02 14:59:31
I love poking through old critic reactions like a detective, and the reception to 'The Picture of Dorian Gray' feels like one of those cases where everyone agreed it was interesting but couldn't agree on whether it succeeded.

Contemporary reviewers generally admired the film’s cinematography and set design—there was a lot of talk about its mood and how the visuals echoed Wilde’s gothic decadence. Performances got split notices: some felt the leads were hypnotic and true to the novel’s cold atmosphere, while others called them distant or mannered. A recurring point in critiques was how the film navigated censorship. Critics in newspapers and trade journals noted that certain elements from Wilde’s book were softened or implied rather than shown, which made some reviews praise the subtlety and others miss the rawness of the original text.

If you compare those first opinions with later scholarship, you see a shift: what early reviewers sometimes dismissed as overwrought is now read as stylized and deliberate. So, reading the initial reception gives you a snapshot of film culture in the 1940s—part admiration for craft, part moral caution—and that’s half the fun for me when I go back through archives.
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