Why Does Dead White Writer On The Floor Have Mixed Reviews?

For ages, the harmless, resting form and grave of five sisters—a beautiful, tidy house has stayed silent, and undisturbed. Suddenly, this house is broken into by outlaws. There are set out conditions for humans to reside within this house, but unaware of the consequences if the rules are broken, and the powers that reside within the house, these outlaws cause further damage, thereby awakening the sleeping powers within the house. These powers, hungry, itchy, and thirsty, feast on these men and regain their strength. As they release themselves, and find their way out into the world, their new assignment becomes finding, stalking, and hunting those who buried them in here, locked them inside the house, and eventually turned them into the house, and their tone to man is one man deems unfair.

A high-profile rape case rocks Corvessa City. During the autopsy, I examine the deceased's private area as part of the standard procedure. My wife, a police captain, blows up in front of the onlookers. "Don't we have a female medical examiner in our unit? Do you realize you're re-victimizing the deceased? And your wife is standing right here. Are you really that desperate?" The crowd turns on me in a heartbeat. Bowing to public pressure, the department suspends me and tells me to keep reporting in at my own expense. I hand in my resignation on the spot. Without me, nobody in Corvessa City is going to crack this case.

A hell-recycle world within the modern world, designed for death or near-death individuals. With the greenhouse effect resulting in instability in hell, access to hell becomes restricted, and the game keeps the new souls busy while offering them a second chance to return to their lives before death, depending on their performance. A six-digit cash prize is awarded to the winning participants, with rewards ranging from reversed choices and time manipulation to wealth and more. The 100 Doors Challenge System was designed purposely for this world, to keep the growing audience (already existing souls) entertained. Chosen participants must die beautifully at each door. The fancier and more tragic the death, the higher the views. The story alternates between real-world broadcast control rooms, digital death arenas, and fragmented dreamlike worlds designed from Author Willa’s traumas, fears, and regrets and those of the participating ghosts. 100 Doors: Die Fabulously for the Audience. This story contains graphic adult themes, including explicit sexual content, psychological tension, dark humour, trauma, and scenes of coercion and moral ambiguity. It explores mature, disturbing, and emotionally intense situations within a fantasy-system setting. Reader discretion is strongly advised.

As the male lead, Henry Johnston, forces himself on me, a row of comments suddenly appears before my eyes. "Henry is about to misunderstand and think Aria drugged him! The angst is about to begin!" "I'm thrilled just thinking about Henry regretting dearly after Aria dies!" "Keep up the act, Henry. After she dies, you'll be hugging her corpse and crying every day." That is when I realize that I am the tragic female lead in a story where I am destined to be tormented until I die. The readers treat my death as a highlight to push the plot forward. They are counting down to my death. As I look at Henry, who is panting on top of me, anger courses through me. I grab a table lamp and smash it into him, killing him on the spot. Who says that the one who dies in a toxic romance story must always be the female lead?

My crippled sister, Monica Porter, jumped from the roof of the classroom building. The day before she died, she had just been fitted with the custom prosthetic legs I had paid for with ten years of savings. She was glowing, excited to finally stand up on her own. But my wife's best friend, a guy she said was just like a brother to her, locked Monica inside an empty art room. He smashed her new legs, forced her to crawl on the floor and lick paint clean to retrieve the broken parts, and recorded everything on video. And my wife, a judge, ultimately ruled that the case could not stand. "The video cannot confirm the time it was recorded and may represent consensual performance art between both parties," she said. Sandra Pauley's final judgment was simple. "The deceased had a history of depression. The school and the defendant bear no responsibility." I smiled and cooked her a full table of food. The next day, I hung the bully, Eric Hoyles, from the school's flagpole and livestreamed it to the entire internet. "Honey, remember how you said Monica had such pretty legs?" I raised a claw hammer and brought it down on his ankle. "If you don't hand over the video evidence right now, I'll hook out his Achilles tendon one strand at a time and let him learn what it feels like to crawl!" The wind passed through. His screaming broke apart in the air, mixing with the strained creaking of the flagpole until it sounded almost like music. The live chat went insane. Meanwhile, I laughed until my eyes filled with tears.

I used to be the most promising composer of my generation. But while I was working on my latest piece, my husband Charles Lambert's childhood friend destroyed everything I had. She slashed my face, stole my compositions, and set fire to my house—leaving me to burn alive alongside the kitten I'd just adopted. Then, as if my death were just a spark for her success, she posted my compositions online, claiming I'd plagiarized her. And people believed her. Everyone did. Strangers on the internet sneered and spat my name, and my own husband, Charles, chose to believe her over me. Even the International Musical Society rescinded my award and handed it to her without a second thought. My students, who once followed me loyally, were now fawning over her. I became the laughingstock of the entire internet—mocked, discredited, erased. It wasn't until a week later, when someone stumbled upon the charred remains of my lakeside studio, that they found what was left of me.