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Who Dies In 'An Absolutely Remarkable Thing'?
2025-06-25 18:28:19
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3 Answers
Victoria
2025-06-27 16:28:20
The death in 'an absolutely remarkable thing' that fascinates me is Carl’s, not just for its emotional impact but for its narrative function. Carl’s demise acts like a grenade tossed into April’s world—it shatters her perception of control. Before, she treated the Carls phenomenon like a game, obsessed with virality and fame. After losing Carl, the stakes become horrifyingly real. Green doesn’t romanticize grief; he shows April dissociating during interviews, lashing out at Miranda, and hallucinating Carl’s voice in empty rooms.
The brilliance lies in how Carl’s death mirrors the book’s themes. The Carls represent connection, yet April’s closest connection is ripped away arbitrarily. His absence exposes her isolation despite millions of followers. The accident scene itself is deliberately mundane—no last words, no symbolism—just a phone call delivering news that flattens April. It’s a sharp critique of how society processes tragedy: #RIPCarl trends worldwide, but no one grasps what he truly meant to April. Unlike typical sci-fi where deaths serve the plot, Carl’s feels uncomfortably lifelike, making the alien elements more grounded.
The brilliance lies in how Carl’s death mirrors the book’s themes. The Carls represent connection, yet April’s closest connection is ripped away arbitrarily. His absence exposes her isolation despite millions of followers. The accident scene itself is deliberately mundane—no last words, no symbolism—just a phone call delivering news that flattens April. It’s a sharp critique of how society processes tragedy: #RIPCarl trends worldwide, but no one grasps what he truly meant to April. Unlike typical sci-fi where deaths serve the plot, Carl’s feels uncomfortably lifelike, making the alien elements more grounded.
Grace
2025-06-28 12:19:45
I just finished 'An Absolutely Remarkable Thing' and the death that hit hardest was Carl. He’s April’s best friend, the quiet backbone of the whole story. His death isn’t some dramatic showdown—it’s sudden, brutal, and completely random, which makes it sting worse. One minute he’s helping April decode the Carls’ secrets, the next he’s gone in a car accident unrelated to the alien chaos. The book nails how grief warps April’s mission afterward; she oscillates between numbness and using his memory as fuel. What’s brilliant is how Hank Green writes Carl’s absence—you keep expecting him to text April advice, then remember he can’t. His death forces April to confront her selfishness, but also shows how love lingers in shared playlists and inside jokes.
Sawyer
2025-07-01 07:53:30
Let’s talk about Carl’s death in 'An Absolutely Remarkable Thing' and why it wrecks April so thoroughly. He wasn’t just her friend; he was her tether to reality. Without him, her obsession with the Carls spirals into self-destruction. The book’s genius is making his death feel like a theft—April robbed of the one person who called her out on her bullshit. His final text to her (“Don’t be an asshole”) becomes a haunting mantra.
What’s raw is how April’s grief manifests. She weaponizes his memory for PR, then hates herself for it. She replays their last mundane conversation (arguing over burrito toppings) like if she remembers it perfectly, he won’t really be gone. The narrative doesn’t give her closure either—the Carls’ mystery continues, indifferent to human loss. It’s a gut-punch reminder that in our hyperconnected world, real connection is fragile. For a book about alien statues, Carl’s death makes it painfully human.
What’s raw is how April’s grief manifests. She weaponizes his memory for PR, then hates herself for it. She replays their last mundane conversation (arguing over burrito toppings) like if she remembers it perfectly, he won’t really be gone. The narrative doesn’t give her closure either—the Carls’ mystery continues, indifferent to human loss. It’s a gut-punch reminder that in our hyperconnected world, real connection is fragile. For a book about alien statues, Carl’s death makes it painfully human.
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I get why you’re asking — I’ve been burned by music clearance issues before when editing videos for friends’ birthdays and small streams. Bottom line: you can’t safely just paste lyrics from 'Don't You Worry 'Bout a Thing' into a video and assume it’s okay. Song lyrics are part of the musical composition, and using them on screen or in audio typically requires permission from the copyright holder (the publisher).
If you also use the original recording (the actual audio track), that’s a separate right held by the record label and needs a master license in addition to the publisher’s sync license. There’s no fixed ‘safe’ number of words or seconds — even a short clip can be contested. Fair use might apply in rare cases (commentary, parody, critique), but it’s risky to rely on without legal help.
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I still get a little smile every time the piano riff kicks in — that warm, reassuring voice belongs to Stevie Wonder. He both wrote and sang 'Don't You Worry 'Bout a Thing', and it appears on his brilliant 1973 record 'Innervisions'. Whenever I play that album on a rainy afternoon, this track always feels like a hug: the lyrics and melody were crafted by Stevie himself, blending soulful optimism with a playful, Latin-tinged rhythm.
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The track that instantly comes to mind is 'Three Little Birds' by Bob Marley. I can still hear the gentle strumming of the guitar and the way Bob's voice effortlessly floats over the melody, bringing this incredible sense of reassurance. The lyrics ‘don’t worry about a thing’ echo like a soothing mantra, reminding us that everything will be alright. Every time I listen, it takes me back to lazy afternoons and beach vibes, or even just tending to my garden, feeling the sun on my skin.
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