Who Directed The Film Vivants?

Aurelia has always been the good girl, sheltered under her brother’s watch. But when he leaves on a three-month trip, she’s left in the care of his best friend — the boy she once knew, now a man who sees her as his.What she thought would be freedom becomes a dangerous game of obsession and desire. His eyes claim her, his words brand her, and every stolen moment pulls her deeper into a fire she cannot resist.Forbidden. Possessive. Irresistible. Aurelia is about to learn that desire can be the most dangerous cage of all.

Vivianne Cora Araanov Devali is the cruel, ruthless, and heartless second daughter of a mafia boss, Vladimir Devali. Her own father taught her that love is a useless emotion-something that only weakens a person. But one day, Vivianne visited a church out of curiosity, wondering why people were so devoted to a religion that seemed pointless to her. There, she saw Mattias Theodore, a seminarian-and that was the moment her obsession with the church began.

Via suffers from the disease of a visual hallucination; unable to distinguish the difference between the reality and hallucination whenever she was on its period. On the positive side, she was able to perform artistic talent on the stage and created a number of masterpieces based on what she sees in her hallucination period. Struggling with her disease, she became an ambitious painter since her childhood, has developed an extreme obsession with her talent in creating lifelike paintings as her only source of recovery. She had won numerous art competitions in various places enough to land her on a list of respected artists in her country of origin and popularity among her peers. However, this was not supported by her parents who lacked the proper knowledge in mental illness. She had been socially isolated for the twenty years of her life, as commanded by her helicopter parents. Determined to escape from the forced solitude and to treat her disease, she joined a prestigious art competition to achieve financial and emotional independence.

Elena Voss pensait que son mariage avec Adrian Cole n’était qu’une alliance entre deux familles puissantes. Onze mois après leur mariage, elle vit pourtant comme une étrangère dans sa propre maison. Son mari est distant, silencieux et toujours trop occupé pour lui accorder la moindre attention. Puis une photographie arrive. Elle montre Adrian avec une autre femme — son premier amour. Le cœur brisé et convaincue qu’elle n’a jamais compté pour lui, Elena décide de retirer ses sentiments de ce mariage et de partir en silence. Mais avant qu’elle n’en ait le courage, elle découvre quelque chose qui bouleversera tout : elle est enceinte. Adrian, lui, ignore complètement ce qui se passe. Derrière son apparente indifférence se cache un amour profond qu’il n’a jamais su exprimer. Mais ses silences, ses malentendus et ses décisions ont déjà poussé Elena au bord du départ. Lorsqu’elle disparaîtra avec son secret, Adrian réalisera trop tard que la femme qu’il croyait ne jamais aimer était devenue la seule personne qu’il ne pouvait pas perdre. Mais quand il la retrouvera, Elena sera-t-elle encore prête à lui donner une seconde chance ? Un mariage sans amour apparent. Une grossesse secrète. Un homme qui réalise trop tard ce qu’il avait entre les mains. Et une femme qui doit choisir entre pardonner son mari… ou oublier leur histoire pour toujours.

Two best friends Elizabeth and Victoria both fall in love with the same man and their friendship is put to the test as the man falls in love with one of them and the other will do anything to have him for herself even if it means killing her best friend.

Among the world's female models, Julian Vance once again ranked first as the photographer they most wanted to spend a night with. And yet he had never taken a single photograph of me. When reporters asked about it, he could never hide the fondness in his eyes. "My wife is for my eyes only. No one else gets that privilege." On my birthday, I happily changed into a lace nightdress and, for the first time, asked him to record me with his camera. Several minutes passed. The shutter never sounded. Behind the camera, Julian's expression had gone stiff. "Forget it," he said. My joy collapsed into confusion. "What's wrong?" "It's just..." He laughed dryly. "Photography is work. I don't want to mix you up with work." Then he put the camera back, turned around, and went into the bathroom. The door to the darkroom where he developed his photos was half open, red light spilling through the crack. I walked inside and saw an album on the worktable titled Vivian Blair's Private Diary. I opened it. Inside were photos in every degree of intimacy and every kind of pose.